Paintings

Signed Center Right by Artist Collier's Magazine Cover, December 23 1916

Life Magazine Story Illustration Dec 31,1910s signed lower left He moved from Chicago to New York in 1893. Known for the richness of his work in pen and ink, he drew, in 1898, ...

Medium: Watercolor, Gouache and Ink on Paper Signature: Signed Lower Right Magazine Advertisement Young woman in blue and black lace dress holding and looking at flowers.

Wonderful signed impressionist oil on panel circa 1910 by French painter Armand Francois Henrion. The work depicts a portrait of a mischievous Pierrot - a French clown - wearing white ruffles, a yellow hat and a monocle. The yellow of the hat is contrasted against the grey background. Signature: Signed lower right Dimensions: Unframed: 11"x8.5" This painting is nit currently framed but a suitable frame can be sourced if required Provenance: Private French collection Armand François Joseph Henrion...

Work on cardboard

A stunning impressionist oil painting by listed female artist Clara Elizabeth Sackett.

Medium: Oil on Canvas Signature: Unsigned Original illustration for March 1918 Pictorial Review Magazine.

A magnificent Winter Landscape by the Swedish artist Anton Genberg (1862-1939). In this painting from 1912, we see the characteristic features that made ...

Work on paper Beige wooden frame with glass pane 85 x 67 x 2,5 cm

FRANK BRANGWYN ( U.S./U.K./Belgium, 1867-1956) watercolor, gouache, and charcoal on paper, "The Scourging of St. Alban," study for the mural painted for Christ's Hospital, West Horsh...

Pair of Flower Paintings c1913 English Signed by Artist A good pair of original Paintings Painted on to card Artist is Duncar 10.12.1913 Highl...

Wonderful oil on panel circa 1920 by French impressionist painter Andre Devambez. The work depicts a soldier leading his horse along a dirt track during...

Signed impressionist oil on panel circa 1910 by French painter Armand Francois Henrion. This charming work depicts a portrait of a surprised Pierrot - a French clown - with a white powdered face wearing white ruffles and a pink hat. The pierrot is set against a brown background. Signature: Signed lower right Dimensions: Unframed: 7"x5.5" This painting is not currently framed but a suitable frame can be sourced if required Provenance: Private French collection Armand François Joseph Henrion...

A Rare, Original Watercolour by Archibald Thorburn, Depicting a Woodcock Among The Dunes. This is an excellent example of his work, presented in fantastic condition. An opportunity n...

Gouache painting of a winter landscape by French artist Maurice Esnault (1854-1940). Signed and dated 1919 lower right of painting with "Hiver" (Winter) below. Unframed.

Stunning signed and dated modernist oil on canvas by Argentinian painter Alfredo Guttero. The work depicts a portrait of a young Argentinian woman. It is beautifully and the brush strokes make it almost pointillist like. This work has come from the collection of the esteemed Jewish art collector Gaston Prosper Levy and was gifted top him by the painter. Prosper Levy held one of the most important collections of modern French art - many of the works were taken by the Nazis from his home in France in 1940. This work has been assessed by the Art Loss Register and is not recorded on their database. Signature: Signed, dedicated and dated 1918 upper right Dimensions: Framed: 29"x24.5 Unframed: 26"x21.5" Provenance: Original exhibition number to frame The collection of Gaston Prosper Levy Alfredo Nicolás Guttero was born in Buenos Aires on May 26, 1882. He studies music as a child and from an early age he shows his drawing abilities. He starts a law career which he quits two years later to start painting full time. Ernesto de la Cárcova and Martín Malharro encourage him towards this change and, in 1904 he gets a scholarship to travel to France to further his work. His scholarship only lasted a year, but with his family’s help and his work related to decorative art, he manages to stay in Paris until 1917, where he studies under Maurice Denis. He moves to Spain, and towards 1917, he studies in Madrid and La Coruña. Then he moves to Segovia in 1918. In this occasion he takes parts in a collective exhibition of Argentine painters and sculptors, together with artists such as Fray Guillermo Butler and Pablo Curatella Manes, among others. After his passing through Germany, Austria and Italy, in 1925 he settles in Genova where he holds an exhibition of his entire artistic production to date. After 23 years in Europe, on September 26, 1927, Guttero arrives in Buenos Aires, and on October 20, he holds an exhibit at Asociación Amigos del Arte. That same year, the Comisión Nacional de Bellas Artes acquires for the Museo Nacional his piece: Mujeres indolentes (Indolent women). A week later he takes part in the Feria del Boliche de Arte invited by Leonardo Estarico and Atalaya. Upon his return from Genova, he continues his investigation and development of the pictorial techniques denominated by him as “cooked plaster”, a technical procedure based on a paste of plaster with pigments mixed in with glue that the artist generally applied mounted on wooden supports. As of this moment, Guttero starts in Buenos Aies an intensive array of exhibits and other activities which make a big impact on the local cultural scene, apart from continuing with his personal art production. Between 1927 and 1932, the year of his sudden death, Alfredo Guttero takes part, among other projects, in the “3ª Exposición Comunal de Artes Aplicadas e Industriales 1927- 1928”, where he is awarded the Grand Prize in the Sección Pintura Decorativa; and the “X Salón de Otoño de Rosario” (1928) where he gets the Gold Medal for the Figure category; he presents works in the exhibits organized by Ateneo Popular de la Boca (1928); “XVIII Salón Nacional“ (1929) and is awarded the Second Municipal Prize for his work Playa (Beach). In 1929, he organizes the “Nuevo Salón” in Buenos Aires, Rosario and La Plata. He presents his work at the “XIX Salón Nacional de Bellas Artes” where he gets the First Prize in painting with his work Feria (Street market); in September of that same year he inaugurates his fourth individual exhibition at Amigos del Arte and participates in the selection of paintings which will appear in post cards that this institution would print eventually. In 1930 he is named artistic advisor of the Asociación Wagneriana and director of its Plastic Arts Section. That same year he organizes the “Salón de Pintores Modernos. Primer Grupo” in Buenos Aires; exhibits at Amigos del Arte, at the “Salón de Pintores y Escultores Modernos” and at show rooms in Rosario and Santa Fe. In January, 1931 he takes part in the “First Baltimore Pan-American Exhibition of Contemporary Paintings” and is awarded the Museum of Art Award with his piece Anunciación (Announcement), which he later donates to the Museo Nacional de Bellas Artes de Buenos Aires. That same year he organizes exhibits of Miguel Carlos Victorica and Demetrio Urruchúa in Amigos del Arte and, in May, Guttero presents his work at the Salón Centenario de Montevideo, “Primer Grupo Argentino de Pintores Modernos”. In June he directs together with Falcini, courses on Plastic Art and works on stage scenery for the Colón Theater. Also in 1931, he organizes the “Salón de Pintores Modernos” in Amigos del Arte and takes part at the Salón Nacional, being awarded the Eduardo Sívori Prize. On April 15, 1932 they open together with Pedro Domínguez Neira, Raquel Forner and Alfredo Bigatti the Cursos Libres de Arte Plástico (Free plastic art courses). That same year Guttero is awarded the First Municipal Prize for his work Oda (Ode). In November, he is invited to take part in the “Salón de Arte del Cincuentenario de La Plata” and, on December 1, he dies in Buenos Aires at the age of 50. The following year, between October and November, the Dirección Nacional de Bellas Artes organizes...

A beautiful watercolour on paper circa 1910 by Henri Duhem depicting an autumn landscape - with a path weaving through broken fences, yellow flowers and a bare tree, with a cottage i...

A beautiful watercolour on paper circa 1919 by French impressionist painter Henri Duhem depicting a view of Lake Geneva in Montreux, Switzerland with the mountains beyond. Signatur...

Impressionist pastel on board by French painter Jean Baptiste Armand Guillaumin. The piece depicts a view of landscape with trees to th...

Beautiful signed landscape oil on canvas circa 1910 by sought after French post impressionist painter Victor Charreton. The piece depicts a lone figure trudging through the thick whi...

Antique original historical modernist landscape oil painting by Lee Roland Warthen (1893 - 1949) . Oil on canvas, circa 1912. Signed and titled on verso. Image size, 18L x 14H. H...

Medium: Oil Painting Signature: Signed Lower Right Collier's Magazine Cover, February 7 1914

Medium: Oil on Canvas Signature: Signed and Dated Lower Left Cover illustration for The Saturday Evening Post, June 8, 1912

Medium: Oil on Canvas Signature: Signed and Dated illustration World War I scene, titled Will You Tell Her He's All Right, signed upper right and dated '17

An early twentieth-century, American School oil study of a two-masted, clinker-built schooner undergoing repair in dry dock. Unsigned and painted circa 1925.

Beautiful impasto, oil on canvas. Contemporary custom frame. Unsigned, but very well executed painting.

Oil on canvas painting of a Pennsylvania country scene by the American artist, William McNair. Signed lower right. Condition: Very good.. Old reline. Overall measurement framed 35.5 ...

This is an almost lifesize portrait of a charming blond holding a basket of freshly picked flowers. The girl set against a verdant landscape with blue sky and cumulus clouds. The subject is the friend of the artist's daughter. 78 x 42in. framed. This joyful image of youth looks better in person due to its impressive size and clearly will be a statement piece in any home. Francis Luis Mora ( ( Uruguayan / American, 1874-1940) Studied under Edmund Charles Tarbell...

Medium: Oil on Canvas Laid on Panel Signature: Signed Lower Right The Saturday Evening Post cover, November 12, 1910

Very beautiful French school painting of the early 20th century representing a floral arrangement of roses and lilies in a vase. A beautiful work réalised with delicacy and a choice...

Leon Dabo (1865-1960) enjoyed widespread acclaim in a career that stretched nearly a century. He was one of the primary students of Whistler and his work was a “virtual international...

Johann Berthelsen and one of New York city’s best known artists along with Guy Wiggins, depicting the streets, parks and skyline of New York. When he first arrived in New York he ga...

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 17.00" x 15.50;" Framed 24.50" x 23.00" The Saturday Evening Post cover, June 22, 1912

Medium: Oil on Canvas March 10, 1917 Preliminary Study for The Saturday Evening Post Cover

Signed lower right, 'Thomas Nash' and painted circa 1900; additionally, signed and titled verso 'Hermosa Beach, Drawing in the Fish Net'. A turn of the ...

A rare original signed Art Deco gouache on paper by Erte (Romain de Tirtoff) . This stunning theatrical costume design is signed Erte at the lower right. The piece is 20 by 18 fram...

Illustration of a carefree young woman in striped pinafore, photographing the outdoors with her Kodak Premo camera, circa 1912. In 1893, at the Chicago World's Fair, George Eastman introduced the "Kodak Girl" as the icon of the new Kodak camera...

Signed lower left. Complemented by a hand carved and gilt frame. Nancy Maybin Ferguson (1872 - 1967) A native Philadelphia, Nancy Ferguson wa...

Date: 1915 Medium: Oil on Canvas Dimensions: 40.00" x 28.00" Signature: Signed Lower Right Rip Van Winkle, Cream of Wheat advertisement, 1915 This p...

Date: 1911 Medium: Oil on Canvas Laid on Wooden Board Dimensions: 22.00" x 18.00" Signature: Signed and Dated Lower Center

Initialed lower right 'A.H.'; signed verso, "Alfred Helberger", inscribed "Gertrúd" and dated 1914. Bearing the original 1962 exhibition label from the Senator fur Folksbildung, Ber...

Date: 1918 Medium: Gouache on Board Dimensions: 30.00" x 22.00" Signature: Signed Lower Right Boys, My Sister From the East, American Magazine illustration, April 1918

Medium: Watercolor and Gouache on Paper Signature: Signed Lower Left Sight Size 31.00" x 12.00", Framed 36.00" x 18.00" Hoot Mon, Life Magazine Cover...

Medium: Oil on Canvas Signature: Signed Lower Right Magazine cover: Woman with hat boxes. Francis Xavier Leyendecker, like his older brother, Joseph, was a talented illustrator. Bo...

Date: 1915 Medium: Oil on Canvas Dimensions: 40.00" x 28.00" Cream of Wheat ad

Date: 1912 Medium: Oil on Canvas Sight Size 18.50" x 12.50", Framed 27.50" x 21.50" Signature: Signed Lower Left July 1912 Woman's Home Companion Magazine Cover

Approximate Date: 1915 Medium: Pen and Ink on Board Signature: Signed Lower Left Dimensions: 22.00" x 20.00" Story Illustration- Life Magazine ca. ...

Date: 1919 Medium: Oil on Board Dimensions: 35.50" x 23.00" Signature: Signed Story illustration: “Painless Extraction”, author: Octavus Roy Cohen, Saturday Evening Post, March...

Medium: Oil on Canvas Date: 1918 Signature: Unsigned Dimensions: 26.00" x 14.00" Fashion Illustration, Fall: 1918

Illustration of a couple. "The farmer crossed the plowed strip to Saxon, and joined her on the rail." Ink, watercolor, and gouache on board. 991x749 mm; 39x29 1/2 inches. Signed in full, lower left. Illustration for the first appearance of Jack London's novel "The Valley of the Moon," Cosmopolitan Magazine...

Medium: Oil on Canvas Signature: Unsigned The finished painting of this illustration was featured on the cover of The Saturday Evening Post, ...

Medium: Unknown Signature: Unsigned Sight Size 30.00" x 25.00", Framed 39.00" x 34.00" Saturday Evening Post Cover, July 12, 1919

Jim’s of Lambertville is proud to offer this artwork. Signed and dated lower left. John Francis Murphy (1853 - 1921) John Francis Murphy is increasingly recognized today as one o...

Listed Hungarian artist. Active in Paris, Vienna, Budapest, Munich, and Prague. Measures: 24 x 20 inches, oil on panel. 34 x 30 inches with period frame. Signed lower right. 'The Bea...

Signed and dated, lower left: "A. Lebourg 1912" Provenance: Galerie Georges Petit, Paris Exhibited: "Exposition Albert Lebourg", Galerie Georges Petit, Paris: November 1923. Lebourg’s roots were in Normandy and particularly Rouen where his painting has been appreciated since the early 1870s. His recognition in the Parisian world came with his participation in the fourth Impressionist Exhibition...

Sir Alfred James Munnings, P.R.A., R.W.S. (1878-1959) 'The hunt' Signed and dated 'A.J. Munnings. 1913.' (lower right) pencil, watercolour and bodycolour on a prepared sheet of paper...

Medium: Oil on Canvas Dimensions: 28.00" x 21.00;" Framed 36.00" x 29.00" Signature: Signed Lower Right Saturday Evening Post Cover, June 29, 1918 Exhibitions: It's a Man's World,...