Paintings

Unique expressionist nude figure by Michael Eggleston (American, 20th Century). From a collection of his works. Unframed. Measures 40"H x 30"W. Eggleston is a San Francisco Abstract...

FERJO Intérieur surréaliste Signed Oil on Canvas 51 x 61 cm Ferjo, Brazilian (1946 - ) Ferjo Technical achievements in art not only in painting...

Tony Scherman (1950-2023) is one of the most collected and cherished Canadian artists. He is renowned internationally for his work in encaustic (a mix of wax and oil, one of the most...

Tony Scherman (1950-2023) is one of the most collected and cherished Canadian artists. He is renowned internationally for his work in encaustic (a mix of wax and oil, one of the most...

Floral Composition is an Oil painting realized by Giuseppe Ingegno in 1990. Hand-signed and dated on the lower. with the label on the rear "Fondazione di Paolo" Good conditions. This beautiful colored oil paiting...

Figurative eye by outsider artist Phillip Q.

Bartolomé Liarte (1933) - Harlequin and dove - Oil on canvas Oil measures 81x65 cm. Frame measures 108x92 cm. Bartolomé Liarte Aparicio is a Spanish postwar and contemporary artist....

Phenomenon East of the River by Paul Jenkins (1923 - 2012) Acrylic on canvas 97.2 x 130.2 cm (38 ¹/₄ x 51 ¹/₄ inches) Signed lower right, Paul Jenkins Signed, titled and dated 1993 on the reverse Provenance Private collection, New York, acquired directly from the artist Artist's Biography Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

Signed lower left, 'Goetz' for Jack Goetz (American, born 1919); additionally signed, verso, dated 1998, titled 'Toreador', with artist information. A dramatic figural study of a proud, young toreador shown seated, wearing an embroidered vest and gazing directly towards the viewer. Goetz has painted and exhibited with success for many years and continues to paint at the age of 104. Speaking of himself, the artist says: "I studied arts and languages at Santa Monica College, taking classes in oil and watercolor painting, sculpture, ceramics, art history and music. At the same time, I studied with master painter Sergei Bongart. Because he taught many people in the movie business, I had fun meeting and painting with people...

Marc Baseman is a visual artist. Marc Baseman has had several gallery and museum exhibitions, including at The Harwood Museum of Art, University of New Mexico.He has been exhibiting ...

JERRY BERNECHE Small Town No. 7 Watercolor on Arches 21.5 x 29.25 inches

JERRY BERNECHE Small Town No. 28 Watercolor on Arches 21.5 x 29.25 inches

JERRY BERNECHE Small Town No. 5 Watercolor on Arches 21.5 x 29.25 inches

JERRY BERNECHE Small Town No. 15 Watercolor on Arches 21.5 x 29.25 inches

Rapidography & ink on paper Pascal Plazanet is a French artist born in 1963 who lives and works in Paris, France. For more 30 years, he constantly uses rapidograph pens in his artworks on paper or onto canvas. The rapidograph is a special pen with a capillary tubular tip in which flows a black pigment, an ancient drawing tool...

Signed lower right, 'Goetz' for Jack Goetz (American, born 1919) and painted circa 1995. Additionally signed, verso, and titled, 'Onions!' A bright and breezy study of white onions in a blue glass bowl contrasted against a Regency-striped material of red, yellow and green against a cream background. Goetz has painted and exhibited with success for many years and continues to paint at the age of 104. Speaking of himself, the artist says: "I studied arts and languages at Santa Monica College, taking classes in oil and watercolor painting, sculpture, ceramics, art history and music. At the same time, I studied with master painter Sergei Bongart. Because he taught many people in the movie business, I had fun meeting and painting with people...

Diptych, acrylic on canvas. Signed lower right. Two canvases, joined along vertical stretcher on verso. 40 x 60 in. 41 x 61 in. (framed) Custom framed in maple. Provenance Estate of Beatrice Mandelman 203 Fine Art, Taos, NM A certificate of authenticity issued by the Mandelman Ribak Collection at the University of New Mexico Foundation will be provided with this work. Beatrice Mandelman was born on December 31, 1912 in Newark, New Jersey. At age 12, she began taking classes at the Newark School of Fine and Industrial Art, subsequently attending Rutgers University, the Newark School of Fine and Industrial Art, and the Art Students League in New York. In 1935, Mandelman was employed by the Works Progress Administration (WPA), first as a muralist and then as a printmaker with the Graphic Division of the New York Project. One of the original members of the Silk Screen Unit under Anthony Velonis, she worked until the disbandment of the WPA in 1942. During this period, she was associated with numerous New York School artists including Louis Lozowick, Willem de Kooning, Arshile Gorky, Jackson Pollock, and Stuart Davis. Mandelman married fellow artist Louis Ribak in 1942, and two years later they traveled to Santa Fe, NM to visit his teacher and mentor, the artist John Sloan. Finding Santa Fe congested, they took the train along the Rio Grande and a stagecoach up to Taos and decided to settle there. An impulsive and inspired move, it was a decision that would effectively remove them from mainstream art involvement, for which Santa Fe had become an important outpost in the west. While Taos was a well-known within the art community, there were no galleries exhibiting modern art. This changed later in the decade, with an influx of new artists arriving from New York and California. Some of these artists would come to be known collectively as the “Taos Moderns...

Avant la Fête or “Before the Party” is a superb and vibrant work by Wemaere who is a well recognized European abstractionist in the tradition of the CoBrA move...

Gregg Robinson, American (born 1948) "Cipher Bar 19" Oil on Canvasboard Panel. Artist signed, title and dated 1990 far right. Very minor rubbing to paint. Panel measures 15-1/4" H x 63-1/2" W, frame measures 24-1/4" H x 72-1/4" W GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska...

Regina Maris, 1908 by Louis Letouche (French 1924-2015) oil painting on linen canvas, stretched over board framed Framed size: 16 x 19.25 inches Superb oil painting by the well li...

In Excellent condition Oil on canvas Measures 36x24x2 Painting itself 30x18

Larry Zox Dexter's Choice, State II, ca. 1990 Mixed media, Watercolor pochoir, and Oil stick Wax, Water-Based Crayons, on heavy Arches museum watercolor rag paper with deckled edges ...

Artist Angelo Ippolito (1922-2001) produced a body of oils on canvas, works on paper, and assemblages renowned for their lyrical color, light, and compositional rigor. His paintings ...

Gilbert Lewis (b.1945). Portrait of a Young Man, ca. 1990s. Gouache on illustration board, 18 x 24 inches. Signed upper right. Excellent condition. Measures 24 x 30 inches in custom frame. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley Hendricks...

Artist Angelo Ippolito (1922-2001) produced a body of oils on canvas, works on paper, and assemblages renowned for their lyrical color, light, and compositional rigor. His paintings ...

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Sergii Druziaka and Sergii Litvinov. ART tandem "Samovar"

Tom Wesselmann Still Life with Four Roses and Pear (Blue Pillow) (With Black) 1968 1993 Alkyd on laser cut steel, filled in 55.9 x 59.7 cms (22 x 23 1/2 ins...

Abstract expressionist figure, a seated blonde female nude with dynamic expressive lines by San Francisco artist Michael William Egglest...

A bottle, a glass of red wine, an old door handle with a hole for a key, in the background, two symbolic images - a woman and a man (Adam and Eve)

"New York artist Robert Reitzfeld has a devoted cult following, but his paintings are not nearly as well known as they ought to be....The paintings show a witty merger of Pop art idioms and post-painterly abstraction, like a mutant blend of John Wesley, Michael Bevilacqua and Gerhard Richter. In each of the exuberant compositions, Reitzfeld offers a unique balance of formalist elements and absurdist drama." from David Ebony's Top Ten @ Artnet At first, Robert Reitzfeld's distinctive melange of Ab Ex. Pop, Op and other postwar painting styles appears to be a send-up of the source material. Among the 25 recent paintings and works on paper in this show, a number of pieces, including Minnie Mouse, Olive. Che. Marilyn and others, feature cartoons and familiar Pop-art iconography, Reitzfeld's versions often appropriating passages from Warhol and Lichtenstein. But Reitzfeld's images are very often fragmented, with roughly torn edges in the paper pieces and colorful abstract passages of paint in the canvases obscuring and sometimes rearly obliterating the subjects. Rather than a nihilistic gesture, however, his distortions may be viewed as a kind of archeology of recent art. They also reveal a rather personal relationship with specific works that have inspired the veteran New York artist over the years. 1961, I Was There (2007), for instance, Is a painting featuring Donald Duck in his blue-and-white sailor suit—a fragment of Lichtenstein's 1961 painting Look, Mickey!, partly painted over with layered patches of red and pink acrylic as well as a sprinkling of glitter. The title of Reitzfeld's piece alludes to his attendance at a 1961 opening at New York's Sidney Janis Gallery, where Lichtenstein showed this seminal Pop work. Reitzfeld is at his best here in several relatively large (about 36 inches square) intricate hard-edge compositions, such as TBT 56 (Marriage), 2006, and T8T 63 (2007). The latter contains another Lichtenstein reference: a detail of the Whitney Museum's 1973 Still Life with Crystal Bowl set...

Portrait of Miles Davis, 1998 C.E. Miller

A French Room is an original oil painting on the board realized by Alexander Sergeev in the 1990s. Very beautiful painting depicting a room with a sofa. Includes frame

This is a pre-owned painting by Justin Coopersmith. It is a framed mixed media seascape painting. Its dimensions are 16 x 13.5 x 1 in (L x H x D).

the painting is being offered with a work and authenticity certificate

Harry Bertschmann (Swiss American, born 1931). Acrylic painting on paper. Artist signature to lower right. Provenance: Joy Moos Gallery (this was exhibited at the Outsider Art Fai...

Oriental Bathroom is an original modern artwork realized by Alexander Sergheev. Mixed colored oil painting on canvas. Includes frame: 34 x 3.5 x 29 cm

English 20th century oil of sailing yachts racing, titled on the reverse 'Rounding the Marker' Oils on canvas Original Frame Signed and dated 1996 Original artist's name and addr...

This is a pre-owned painting by Justin Coopersmith. It is a framed mixed media seascape painting. Its dimensions are 16 x 13.5 x 1 in (L x H x D).

Artist: George Dannatt Title: Figures in Red Reference no: 1203 Date: 1995 Medium: Collage & inks on salvaged paper Image: 10 1/8 x 7 3/4” 25.6 x 19.8 cm Frame: 15 1/8 x 12 3/8” 38.5...

Acrylic on rag paper signed lower right. Gallery certificate of authenticity available.

Oranges in a Bowl is an original oil painting realized in 1998 by Zhang Wei Guang (Mirror). Mixed colored oil painting Includes frame Hand-signed and dated on the lower right corn...

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Serene coastal landscape by Monterey California-area artist Patricia Gillfillan (American, 1924-2016). Unsigned, but was acquired with a collection o...

Paul A. Giovanopoulos Oil paintings on canvas Measures approx. 23 X 23 overall including thin frame. This one depicts an ice cream done in a photo realism pop art style super impos...

Artist: Sally Robertson - American Title: New Guinea Creeper Year: 1996 Medium: Watercolor Sight size: 24.5 x 16 inches Sheet size: 29 x 22.25 inches Framed size: 33x 27 inches Signature: Signed, titled, dated lower right.. Condition: Very good Frame: Framed and floating. Simple metal frame This very realistic watercolor depicts a flowering plant, a New Guinea Creeper The colors are rich and saturated. The composition makes wonderful use of shadow and light to give definition and depth. The painting is on heavy Arches paper. It is mounted and floating on a simple acid-free mat and enclosed by a metal frame. The painting, mat and frame are in very good condition. Born in San Francisco and raised in Marin County, Sally Robertson was always the class artist. Attending UC Santa Barbara during the Pop Art era, she found the aesthetics of soup cans and Brillo boxes could not entice her into being a full-time artist. She switched to the History of Art, later earning a Master’s Degree at UC Berkeley. Even then, late 19th-century art nouveau resonated with her, a style sensuous and decorative with an emphasis on floral motifs. With this background, Sally joined a gallery on Union Street in San Francisco, which evolved into Thackrey & Robertson, significant dealers in works of art on paper from the late 19th and early 20th centuries. Traveling widely for her gallery, she saw the originals of her most revered watercolor painters, including Charles Demuth, Charles Renee Mackintosh...

Colorful artist still life in acrylic collated to white background by French artist Riquet, 1990s. Original artwork on paper displayed on a white mat with a gold border. Archival ...

Pierre Coquet (1926-2021) Still life with a red book Reference number F285 46 x 55 cm (not framed) This work is painted with oil on a canvas. There is a stamp of the signature in the...

Sign abstractionism is an original contemporary artwork realized by Wang Keliang in 1995. Mixed media. Includes frame. Label with artwork information on the back.

BIOGRAPHY Born in Olot (Girona) on December 8, 1961 Studies of Fine Arts and Artistic Trades 1975/1981 Graduated in Applied Arts and OO. AA. 1987/1991 MUSEUMS LA CAIXA Foundati...

Reference number A103 Framed with a natural oak floated frame 31 x 55 cm frame included (26 x 45 cm without frame) This work is painted with oil on a paper that is mounted on a board...

An Art Deco painting of a Fashionable Lady watching her sailor raise his sail by contemporary artist Erik Freyman. Watercolor on Paper, signed 13 x 16 in. (33.02 x 40.64 cm)

Pierre Coquet - Still life with peppers Reference number F48 Framed with a natural oak floated frame 43 x 61 cm frame included (38 x 56 cm without frame) This wor...

Acrylic and pencil on rag paper.

This acrylic painting was created in a photorealistic style by American artist Charles Wildbank. It measures 48 x 60 inches and is signed in the lower left hand corner. It is in exce...

Artist's Statement "College tuitions are headed my way, so I am letting go of some things I held on to from the past. This is from my Santa Fe series, the only one I have left. To m...

Original painting on canvas. Hand signed on front by Peter Max with studio stamp, date and catalog number on verso. Canvas size 30 x 40 inches. Frame size approx 36 x 46 inches. ...

Consuelo Vallina liberates colors from the drawing gag. She dominates vertical and horizontal displacement which coexist with discordant rhythms in our spontaneous and existential life. - Matias Diaz Padron, Chief Conservator of the Prado Museum...