Paintings

Ludwig van Beethoven (1770 –1827) was a German composer and pianist. He is one of the most admired composers in the history of Western music. Origin...

Big Sur Coast, Vintage 1970s Panoramic Pacific Seascape by John Zaccheo Gorgeous vintage oil painting of waves crashing along the rocks on the coast...

A study in light. An homage to Giorgio Morandi

Dynamic, colorful landscape titled "Indian Summer in Coupeville" by Renate Dollinger (German/American, b. 1924), 1993. Signed lower left. Titled and dated on verso. Presented rustic ...

This is a one of a kind en plein air painting by San Diego artist Sean Hnedak. It is an oil painting on canvas. Its dimensions are 36x18. It comes in a bla...

"First Fall Far From Home III (gold)" (2021) by street artist and muralist Vero Rivera Delicate, mandala-like abstract geometric pattern in black and metallic gold tone. Nonobjectiv...

"First Fall Far From Home II (brass)" (2021) by street artist and muralist Vero Rivera Delicate, mandala-like abstract geometric pattern in black and metallic brass tone. Nonobjecti...

"First Fall Far From Home I (rust)" (2021) by street artist and muralist Vero Rivera Delicate, mandala-like abstract geometric pattern in black and rust reddish-orange. Nonobjective...

Work on wood Molded frame in wood and gilded plaster 74 x 65 x 3.5 cm

3707 Oil on canvas applied to board Set in a hand painted vintage wood frame

This beautiful portrait was painted circa 1725 and is a fine example of the English eighteenth century portrait style. The artist has chosen to depict the lady against a plain background wearing a simple red silk dress and transparent headdress hanging down the back. The sitter is not shown with jewellery or any other elements to distract the viewer’s attached, thus highlighting the beauty of the young sitter. This restrained manner achieves a sense of understated elegance. The portrait genre was valued particularly highly in English society. Neither landscapes nor allegorical pictures were ever priced so highly at exhibitions and in the trade as depictions of people, from the highest aristocracy to scholars, writers, poets and statesmen. With the rich colouring and lyrical characterisation, these works are representative of the archetypal English portrait and is are very appealing examples of British portraiture...

Signs Mixed Media Paint 80x80 cm Original Art Made in Italy Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Painting at the Aca...

Fauvist-style, Modigliani inspired, abstract portrait of a man in a dark brown antique wood frame with linen inlay "Portrait III" by Hudson Valley based artist, David Dew Bruner 20 ...

Work on canvas

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Holly Addi makes paintings to explore the art of abstraction and the philosophy of beauty in imperfection.

One of America's most important realist painters, Eric Forstmann's work is proudly held in many public & private collections, such as the Rauschenberg Foundation, Aurelius Capital Ma...

Jirayr Zorthian(1911-2004), went through two Turkish massacres before age eight. He left Turkey at age nine with his family and spent a year in Padua, Italy, waiting for his visa to open to the United States. This period was very important in his life because his father took him to many cities in Europe and exposed him to great works of art. Zorthian arrived in the United States at the age of eleven and settled with his family in New Haven, Connecticut. He obtained his formal education there, after graduating from Yale in 1932, the Winchester Fellowship granted him a year and a half at the American Academy in Rome with travel and study throughout Europe. His art career branched into various directions on his return to the United States. As a mural painter his reputation was established. He has forty two (42) murals throughout the United States. Zorthian worked and taught painting at some of the finest art academiJirayr Zorthian(1911-2004), went through two Turkish massacres before age eight. He left Turkey at age nine with his family and spent a year in Padua, Italy, waiting for his visa to open to the United States. This period was very important in his life because his father took him to many cities in Europe and exposed him to great works of art. Zorthian arrived in the United States at the age of eleven and settled with his family in New Haven, Connecticut. He obtained his formal education there, after graduating from Yale in 1932, the Winchester Fellowship granted him a year and a half at the American Academy in Rome with travel and study throughout Europe. His art career branched into various directions on his return to the United States. As a mural painter his reputation was established. He has forty two (42) murals throughout the United States. Zorthian worked and taught painting at some of the finest art academies on the west coast including both the Chouinard Art Institute and the Otis Art Institute. es on the west coast including both the Chouinard Art Institute and the Otis Art Institute. The Gathering...

A charming silhouette of a group of children ambling along. So much character is expressed through the minimal monochrome depiction. English or American School, 19th Century A silhouette...

Bold figurative abstract in black, white, and red by Daniel David Fuentes (American, 1978-2016). From a collection of his works. Signed "Fuentes" and dated "07" bottom right. Unframe...

17th century European oil, Christ and is disciples seated around a table. An interesting and very unique painting. Possibly a fragment originally from a piece of furniture. The s...

Gorgeous contemporary impressionist oil painting landscape of striking desert bluffs by California artist Mike Wright (American, b.1958), 2014. Dramatic re...

Gaspar van den Hoecke (Antwerp, 1585 - 1648) Herod's banquet Early 17th century oil on panel, with gold highlights (in the guise of Salome and in the curtains of the building in the background) 56 x 80 cm. framed 72 x 90 cm. Note: The painting probably dates from an original by Frans II Francken (1581 - 1642), which is shown under the number 0000344789 in the RKD. Valuable oil painting on panel depicting King Herod and the beautiful Jewish princess Salome according to the episode taken from the Gospel of Matthew (14.3-11), which sees her as the protagonist in the story of the martyrdom of John the Baptist. The event shown is a cross between history and legend, a myth faced for centuries by artists in every field: Caravaggio in painting, Oscar Wilde in theater, Richard Strauss...

Tracy Stuckey received his BFA in painting from Florida State University and his MFA from the University of New Mexico. He has exhibited his work extensively throughout the United St...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Self-portrait with mouth open is an artwork realized by Francesco Clemente in 2002. Mixed colored oil painting on canvas. The artwork included authenticity certificate on photograp...

Oil painting of a study of "Blue Boy" standing with his hat in his left hand by Mary Welch (American, 1875-1967). Circa 1918. Signed "M. Welch" lower left and gifted circa "1955" on verso. Image: 6"L x 9"H. Mary Welch, born 10 years after the end of the Civil War, was a woman ahead of her time. She signed her paintings M. Welch, hoping that potential buyers wouldn't discover she was a woman. More often than not, when they learned her sex, art dealers lost interest. The Hutchinson artist never married, never had children. But when she died in 1967, she left an impressive body of paintings, many of them familiar Kansas landscapes...

Diafanie Mixed media on plastic paper Eclectic artist, born in Atri in Abruzzo in 1980, he works in the field of contemporary art with conceptual creations from the age of 18 years....

De Hirsh Margules (1899-1965). Christopher Street, 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15.5 x 20 inches. Window in matting measures 15 x 19 inches. Framed measurement: 23 x 30 inched. Bears fragment of original label affixed on verso. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC Exhibited: The American Federation of Arts Traveling Exhibition. From the facade of The Waverly at Christopher is depicted One Christopher Street, the 16-story Art Deco residential building erected in 1931. It is not a casual coincidence that the structure appears in this cityscape: 1 Christopher Street is the subject. The original intention of this project was to transform the neighborhood, bring a bit of affluence and make a bid to rival the Upper West Side. Margules, a sensitive aesthete, understood how a massive piece of architecture such as One changes a neighborhood. Sound, scale and focal points are forever altered. A pedestrian's sense of depth and distance becomes pronounced. All of these factors contribute to the intent behind this image. Tall buildings disrupt the human scale, change the skyline and carve up space. In this piece, negative space conforms to the man-made geometries. Clouds become gems fixed in settings. De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

Jonathan David Batchelor (American, 1913-2003) Still life with lemons Oil on canvas Signed 'J. Batchelor' lower right 16 1/4 x 20in In walnut ...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Old Master An Oil Print after a Painting by Jusepe de Ribera in the Museo del Prado, Spain. This is an early print after the original.

Sea, France, Brittany France, Impressionist, 20th, 1930, Gray, Blue, Celestial Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He was born in Paris but spent his childhood and ...

Oil on Canvas. The vertically developed landscape features an imposing ruined architectural structure in the center, overgrown with weeds and presented in blurred colors and strokes...

Bartolomeo Passerotti ( Bologna 1529 – 3 giugno 1592) Ritratto di Gentiluomo con cane Olio su tavola, Sec. XVI, cm 84x69; con cornice 101x87 // Bartolomeo Passerotti (Bologna 1529...

One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing.  Because you cannot appreciate it on a computer screen, our gallery has a unique policy.  When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork.  If not, the buyer returns the piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item.  When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”.  So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant.  By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final.  If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it.  They are stuck with it.  By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it.  If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Randy Ford Exhibitions of Ford’s work have taken place at Art Karlsruhe, Karlsruhe, Germany, Editions/Line Gallery, Marlton, NJ, Edward Hopper House Museum, Nyack, NY, Galería artelibre Zaragoza,Spain, Hughes Gallery, Boca Grande, FL, J. Willott Gallery, Palm Desert, CA, Jones & Terwilliger Galleries, Palm Desert, CA, Kenise Barnes Fine Art, Larchmont, NY, M.A Doran Gallery, Tulsa, OK, Plus One Gallery, London, England, Rosenfeld Gallery, Philadelphia, PA, Sherry French Gallery, New York, NY, Stricoff Fine Art, New York, NY, Trudy Labell Fine Art, Naples FL...

Artist: Slonem, Hunt Title: Purple Hombre Series: Bunnies Date: 2023 Medium: Oil & Acrylic w/ Diamond Dust on Wood Unframed Dimensions: 8" x 8" Framed Dimensions: 10.25" x 10....

Artist: Slonem, Hunt Title: Pair Owls Date: 2023 Medium: Oil on Panel Unframed Dimensions: 29.5" x 18.5" Framed Dimensions: 31" x 20" Signature: Signed Verso Edition: Unique P...

Ademola Ajayi's evocative artwork, "For Tomorrow's Festival," captures a poignant moment of intergenerational connection and tradition. In this heartwarm...

Color, line, texture, pattern and process are the formal qualities of abstract work. By exploring these qualities, Connor Hughes creates a visceral and cerebral experience within the abstract. Fields of color and texture fill the canvas. He attacks his work with a vigorous show of emotion, a struggle between self-expression and the chaos of the subconscious. The heavy paint spills...

One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing.  Because you cannot appreciate it on a computer screen, our gallery has a unique policy.  When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork.  If not, the buyer returns the piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item.  When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”.  So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant.  By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final.  If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it.  They are stuck with it.  By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it.  If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Randy Ford Exhibitions of Ford’s work have taken place at Art Karlsruhe, Karlsruhe, Germany, Editions/Line Gallery, Marlton, NJ, Edward Hopper House Museum, Nyack, NY, Galería artelibre Zaragoza,Spain, Hughes Gallery, Boca Grande, FL, J. Willott Gallery, Palm Desert, CA, Jones & Terwilliger Galleries, Palm Desert, CA, Kenise Barnes Fine Art, Larchmont, NY, M.A Doran Gallery, Tulsa, OK, Plus One Gallery, London, England, Rosenfeld Gallery, Philadelphia, PA, Sherry French Gallery, New York, NY, Stricoff Fine Art, New York, NY, Trudy Labell Fine Art, Naples FL...

Moorings, River Yealm, Devon, England by British Painter Peter Symonds Art measures 24 x 16 inches Frame measures 30 x 22 inches Peter Symonds is an ar...

Gorgeous 1950s painting of six horses all different colors running through Grand Canyon in regionalist/Works Progress Administration style. The sand bei...

In this touching composition a young woman has been depicted wearing a dark coloured dress, draped at the bodice with a gauzy silk scarf and with pearls and large diamonds, over a wh...

An oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases the carousel in Central Park, NYC. The image measures 11 x14 unframed and 18.75 x 2...

Isadora by Maria Krall

Schatterings by Maria Krall

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One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing.  Because you cannot appreciate it on a computer screen, our gallery has a unique policy.  When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork.  If not, the buyer returns the piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item.  When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”.  So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant.  By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final.  If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it.  They are stuck with it.  By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it.  If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Randy Ford Exhibitions of Ford’s work have taken place at Art Karlsruhe, Karlsruhe, Germany, Editions/Line Gallery, Marlton, NJ, Edward Hopper House Museum, Nyack, NY, Galería artelibre Zaragoza,Spain, Hughes Gallery, Boca Grande, FL, J. Willott Gallery, Palm Desert, CA, Jones & Terwilliger Galleries, Palm Desert, CA, Kenise Barnes Fine Art, Larchmont, NY, M.A Doran Gallery, Tulsa, OK, Plus One Gallery, London, England, Rosenfeld Gallery, Philadelphia, PA, Sherry French Gallery, New York, NY, Stricoff Fine Art, New York, NY, Trudy Labell Fine Art, Naples FL...

Stopping the traveler by Dieter Benz

"Evening at Singeorz" by contemporary Romanian painter Marcel Lupse is a framed oil on canvas representing a tranquil Transylvanian landscape in the e...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

Work is titled “Dark Star”. Provenance: Artist. J.M. Henry has shown his work at numerous galleries in the eastern U.S. since the late 1980s, including Trinity Gallery (Atlanta), The...

Thomas Henriot est né en 1980 à Besançon et vit entre Marseille et La Havane, Cuba. Il a fait du dessin à l’encre de Chine et pinceau sur papier son dom...

Thomas Henriot est né en 1980 à Besançon et vit entre Marseille et La Havane, Cuba. Il a fait du dessin à l’encre de Chine et pinceau sur papier son dom...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

I wish You were here by Michael Winitsky