Elena Done

Partitura I, Painting, Oil on Canvas

2020

Artwork tries to capture the timeless beauty of the Guitar. Painting has been done by smearing colors on the canvas using a combination of brush and knife to give the artwork a dee...

Three cherry tomatoes :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signat...

Part of the fashion line. Fashion influence our life. Casual or fancy, we can show our activity, our personality. Just a dress is telling stories. The price includes the frame, it...

A snapshot of two kids walking past my studio on Alderson. I don't know them. I fit them into a composition based on the diagonal with a largely analogous color scheme plus muted red...

Patterns of light in red, white and blue in the context of a person crossing Forbes Avenue in Pittsburgh. Oil on cotton canvas stretched over double pine frame, ready to hang but can...

She is walking by a building distorted in a reflection. She becomes distorted as she passes causing her to blend in temporarily. The paint on the canvas captures the reality of the d...

Oil on canvas

The oil paintings of the contemporary Dutch artist Paul Jansen invites the viewer to look beyond the standard picture within the frame. It feels as if the curious animal really reach...

Jim Dine (b.1937) A smaller fortress 1981 oil on board 91.5 x 122.2 cm signed, titled and dated ‘A smaller fortress Jim Dine 1981’ (on the verso) Price: £155,400 GBP (inc. 5% UK imp...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographic stills, repurposing them into images of intimacy. Rick Sindt Without Heaviness oil on panel 12h x 9w x 1.50d in 30.48h x 22.86w x 3.81d cm RIS040 “This body of work has been crystalizing in my mind for about five years,” says Sindt, “It is the product of reflecting on how the places I learned the most about myself, and my desires, are considered something that sullies a person, something taboo.” Focused on the experiences of gay men, this body of oil paintings depicts moments that range from tender touches to more sexually explicit acts. “It was important to me that I only represent what I know,” explains Sindt, “I identify as a man, and I am attracted to others who identify as men. I don’t believe it is my place to speak on behalf of other members of the queer community whose experiences I am unfamiliar with.” “In creating this work, I spoke with men who told me about how they hid magazines when they were a kid, took out P.O. Boxes in their small hometowns to protect their privacy, and learned how to cover their tracks on the internet. These secretive acts become necessary when the need to understand yourself is great, but your world is bereft of representation." Rick Sindt b. 1990, Hastings, MN, EDUCATION 2013 North Park University, Chicago, IL - BFA Magna Cum Laude SOLO EXHIBITIONS 2016 Two Countries, Rogue Philanthropy, Chicago, IL 2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University; Chicago, IL GROUP EXHIBITIONS 2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B. Arts Center, Chicago, IL Collective: Process, Beans and Bagels, Chicago, IL 2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN How We Make It, The Arts of Life, Chicago, IL Collective: One, Albany Park...

2009, Unique Artwork Oil on canvas 19 7/10 × 19 7/10 × 2 in - 50 × 50 × 5 cm The artwork is signed by the Artist on recto of the canvas & stamped with the logo of the Artist's Studio...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographic stills, repurposing them into images of intimacy. Rick Sindt Did I Steal You Away? oil on panel 18h x 24w x 1.50d in 45.72h x 60.96w x 3.81d cm RIS036 “This body of work has been crystalizing in my mind for about five years,” says Sindt, “It is the product of reflecting on how the places I learned the most about myself, and my desires, are considered something that sullies a person, something taboo.” Focused on the experiences of gay men, this body of oil paintings depicts moments that range from tender touches to more sexually explicit...