Evelyne Ballestra

Victoire

2004

Magic World is a abstract painting made by Evelyne Ballestra, a French contemporary painter. This colorful expressionist painting is the reflection of the way the artist see the worl...

Angel's language is a painting made by Evelyne Ballestra, a French contemporary artist. In this sign series, the artist explores a world of signs, symbols and spirituality. Her disti...

Samba is a painting made by Evelyne Ballestra, a French contemporary artist. In this blue and yellow tons expressionist painting, the artist represent a javelin thrower. Observing th...

Red Dog on the Moon is a painting made by Evelyne Ballestra, a French contemporary artist. This red and white tons expressionist painting is the representation...

My Best Friend is a painting made by Evelyne Ballestra, a French contemporary artist. This orange and yellow tons expressionist painting is the representation of the artist's other-self, an unalterable presence which is an eternal smile of a bursting light...

Vegetal memories is a painting made by Evelyne Ballestra, a French contemporary artist. This decoration is an abstract golden tons expressionist painting with some Klein Blue pattern...

CLOUD VEIL By SPENCER VERNEY 36”x36” Oil on stretched canvas 2019

Depicts the terminal view from LAX. Sparsely populated though replete with objects and evidence of the built environment, Gay Summer Rick creates iconic urban and coastal land and cityscape paintings that evoke emotion and a sense of place. She creates scenes that are at once dreamlike and familiar. You may have been there; you are there. Revealing an unexpected beauty in commonplace elements within the urban landscape, Gay Summer’s style is a melding of impressionism and color-field painting describing the quiet vibration of life where cities meet the sea. Applying oil paint to canvas using only palette knives, Gay Summer Rick creates images through a series of interacting, melded layers. The paint is treated architectonically; it is engineered, built into layers, carved, scraped, accumulated, and almost sculpted, but never removed, never discarded. In part to avoid material waste and the use of toxic solvents for reasons of environmentalism, she finds this almost mnemonic accrual of paint a reflection of her experiences in the places she depicts. Growing up in New York surrounded by artists, Gay Summer Rick began her arts education early in life. She went on to formally study art and received her Bachelor of Fine Arts degree in New York at the School of Art and Design, Alfred University, where she drew, painted and sculpted images on clay forms and vessels. After receiving a Masters degree in Business Administration, she continued her art training in Los Angeles in painting, which became the primary focus of her art practice. A resident of Southern California for over 25 years, the artist maintains her studio in Malibu. Gay Summer Rick regularly exhibits in California and Hawaii, and has shown in New York, Europe, and Japan. Her paintings have been featured in solo gallery exhibitions and museum group exhibitions including the Los Angeles County Museum of Art Rental & Sales Gallery; and in international and national group exhibitions where she has received numerous awards and honors. She is a member of Oil Painters of America, California Art Club, Malibu Art...

Childhood, a reoccurring theme in Darlene Cole’s work, is represented by prepubescent girls and boys, engaged in some type of action. Without adult supervision, these activities confer on Cole’s children an adult-like aura, empowering them. The artist cites Neil Postman’s 1982 book about the decline in innocence in American culture The Disappearance of Childhood as a text that informs her work. In it, Postman argues that communications technology, such as the invention of the television and later, the Internet, contributed to children losing their innocence, thus transforming them into young adults. A source of inspiration for Cole are the works of the Pre-Raphaelite Brotherhood, a group of English painters, poets and critics, founded in 1848. They studied nature attentively, employed vivid colours and depicted unconventional-looking women. Just like in Pre-Raphaelite works, the girls in Cole’s paintings embody enigma, distance, and beauty. The past, in general, is a great source of inspiration for the artist. Cole’s cottage, or ‘artist’s retreat’ as she calls it, was built at the beginning of the 20th century. Since she kept all the original furniture and linens intact, the cottage, on the side of a lake, seems to belong to the past. Nature, another omnipresent theme in Cole’s work, is in many works represented by flowers, such as pink David Austin roses...

Childhood, a reoccurring theme in Darlene Cole’s work, is represented by prepubescent girls and boys, engaged in some type of action. Without adult supervision, these activities confer on Cole’s children an adult-like aura, empowering them. The artist cites Neil Postman’s 1982 book about the decline in innocence in American culture The Disappearance of Childhood as a text that informs her work. In it, Postman argues that communications technology, such as the invention of the television and later, the Internet, contributed to children losing their innocence, thus transforming them into young adults. A source of inspiration for Cole are the works of the Pre-Raphaelite Brotherhood, a group of English painters, poets and critics, founded in 1848. They studied nature attentively, employed vivid colours and depicted unconventional-looking women. Just like in Pre-Raphaelite works, the girls in Cole’s paintings embody enigma, distance, and beauty. The past, in general, is a great source of inspiration for the artist. Cole’s cottage, or ‘artist’s retreat’ as she calls it, was built at the beginning of the 20th century. Since she kept all the original furniture and linens intact, the cottage, on the side of a lake, seems to belong to the past. Nature, another omnipresent theme in Cole’s work, is in many works represented by flowers, such as pink David Austin roses...

Childhood, a reoccurring theme in Darlene Cole’s work, is represented by prepubescent girls and boys, engaged in some type of action. Without adult supervision, these activities confer on Cole’s children an adult-like aura, empowering them. The artist cites Neil Postman’s 1982 book about the decline in innocence in American culture The Disappearance of Childhood as a text that informs her work. In it, Postman argues that communications technology, such as the invention of the television and later, the Internet, contributed to children losing their innocence, thus transforming them into young adults. A source of inspiration for Cole are the works of the Pre-Raphaelite Brotherhood, a group of English painters, poets and critics, founded in 1848. They studied nature attentively, employed vivid colours and depicted unconventional-looking women. Just like in Pre-Raphaelite works, the girls in Cole’s paintings embody enigma, distance, and beauty. The past, in general, is a great source of inspiration for the artist. Cole’s cottage, or ‘artist’s retreat’ as she calls it, was built at the beginning of the 20th century. Since she kept all the original furniture and linens intact, the cottage, on the side of a lake, seems to belong to the past. Nature, another omnipresent theme in Cole’s work, is in many works represented by flowers, such as pink David Austin roses...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2022 Style: Impressionism, Subject: Winter Trees, Size: 24" x 20.5"...