Unknown

'Dancing Dogs', Impressionist Mid-century Circus Scene, Banjo Man, Acrobat

Circa 1955

Signed lower right, 'Anton Sipos' (Bosnian-American, born 1938) and dated 1974. A very substantial Impressionist oil painting showing a view of two young women relaxing in a sunny garden with a peacock and a peahen. Born in Bosnia, Anton Sipos began drawing at an early age and left home in his teens to work as a film animation artist. He achieved immediate success with his first work, "Surrogate", which won an Academy Award for best-animated short subject under the direction of Yugoslav animator Dushon VuKotic. In 1964, Sipos moved to Montmartre to study at the École de Paris. During this early period, Sipos exhibited widely and with success including at the Salon d'Automne and Le Salon d'Artistes Françaises. While in France, he made numerous painting trips to Provence, Giverny, Rouen and the Cote d'Azur as well as to Italy. In 1970, Sipos arrived in California where he painted landscapes of Los Angeles and marine scenes of the harbor in San Diego. He also worked as an artist for the film industry, most notably with Eleanor Ettinger Studio in New York where he was given the responsibility of transferring Norman Rockwell...

Signed lower right 'Spazzali' for Luciano Spazzali (Italian, 1911-1997) and dated 1958. A complex and lyrical equestrian work by this notable Italian Modernist and exponent of Magi...

A cabinet-size, grisaille oil on panel landscape showing a young Bretonne cowherd attempting to direct a reluctant Guernsey cow, which appears determined on a different direction. U...

Signed lower center with artist monogram, 'B.S.' for Benjamin Silva (Brazilian, born 1927) and dated with roman numerals, 1968; additionally signed, verso, dated and titled. A dramatic and animated oil painting of a crowd scene showing the feared, mounted police of Mexico City in action against the students in the demonstrations of October 2nd that preceded the opening of the Mexican Olympic Games...

Signed lower left, 'Frank N Ashley' (American, 1920-2007) and painted circa 1985. Additionally signed, verso, and titled, 'Steeplechase, Los Altos Hunt'. Bea...

Signed lower right, 'Lily Harmon' (American, 1912-1998) and painted circa 1945. Previously with: Associated American Artists Gallery (partial label verso) An exceptionally lyrical a...

Tomorrow is another Day by E. Melinda Morrison is 24 x 30, egg tempera on ACM panel. Framed in a black 3-1/2" gilded frame. Tomorrow is Another Day received honorable mention at t...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Migration (The Horses) by Orovida Pissarro (1893-1968) Egg tempera on linen laid on board 76 x 101 cm (29 ⅞ x 39 ...

Siamese Cat with Kittens by Orovida Pissarro (1893-1968) Egg tempera on linen 39 x 48 cm (15³/₈ x 18⁷/₈ inches) Signed lower right Orovida and dated lower left 1934 Provenance J Ankri, 8th October 1967 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 51, p. 56 (illustrated) Exhibition London, The Leicester Galleries, Paintings by Orovida, February 1935, no. 6 Women’s International Art Club, 20th February - 13th March 1937, no. 273 London, Redfern Gallery, Ten Years of Work by Orovida, 5th-28th May 1938, no. 7 London, The Royal Society of British Artists, Summer Exhibition, 1947, no. 281 (possibly the etching) London, O’Hana Gallery, Paintings, Drawings and Coloured Etchings: Orovida, 3rd-18th October 1957, no. 13 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

This painting, exemplifies the type of traditional portraits the artist Ariane Beigneux was specially known for. Here, Beigneux depicts the portrait of a little boy and horse in a realistic, and seemingly idealized manner. The artist uses local colors and controlled brushstrokes to render the subject, paying close attention to details adding a special clarity to the naturalism of the portrait. it is painted on Whatman illustration board. some drawing in the margins. Ariane Beigneux was born to French parents in Roxbury, CT in 1918 and passed in 2011. She studied art at the National Academy of Design with Gifford Beal, Sidney Dickinson and Ivan Olinsky and at the Art Students League in New York with Jon Corbino and Jean Liberte. Ariane painted professional artist childrens portraits for six decades. Her work was included in the book 6 Artists Paint a Portrait: Alfred Chadbourn...

A satirical, surreal depiction of a pig at a lunch counter by an unknown artist (20th Century). This scene, full of symbols and satire, portrays the anth...

Amazing surrealist painting by Italian artist Nuccio Fontanella (1936-2005). Ink and watercolor on cold pressed illustration board. Image measures 13 x 18 inches; 20 x 25 inches fram...