Billy Schenck

Mistified Too

One of the originators of the Western pop art movement, Billy Schenck incorporates techniques from photorealism with a pop art sensibility to both exalt and poke fun at images of the West. Schenck is known for utilizing cinematic imagery reproduced in a flattened, reductivist style, where colors are displayed side-by-side rather than blended or shadowed. In the August 2014 issue of SouthwestArt magazine, his work was described as “a stance … a pendulum between the romantic and the irreverent.” Schenck’s artwork is now in 48 museum collections, including Smithsonian Institution, Denver Art Museum, The Autry Museum of Western Heritage, Booth Western Art Museum, Tucson Museum of Art, Phoenix Art Museum, the Mesa Southwest Museum, Museum of the Southwest, Midland TX...

One of the originators of the Western pop art movement, Billy Schenck incorporates techniques from photorealism with a pop art sensibility to both exalt and poke fun at images of the West. Schenck is known for utilizing cinematic imagery reproduced in a flattened, reductivist style, where colors are displayed side-by-side rather than blended or shadowed. In the August 2014 issue of SouthwestArt magazine, his work was described as “a stance … a pendulum between the romantic and the irreverent.” Schenck’s artwork is now in 48 museum collections, including Smithsonian Institution, Denver Art Museum, The Autry Museum of Western Heritage, Booth Western Art Museum, Tucson Museum of Art, Phoenix Art Museum, the Mesa Southwest Museum, Museum of the Southwest, Midland TX...

"In my paintings I take on the role of poet-painter, creating sentimental and idealized landscapes that are devoid of any figures or formal devices traditionally used to tell a story...

"In my paintings I take on the role of poet-painter, creating sentimental and idealized landscapes that are devoid of any figures or formal devices traditionally used to tell a story...

"In my paintings I take on the role of poet-painter, creating sentimental and idealized landscapes that are devoid of any figures or formal devices traditionally used to tell a story...

My paintings operate in a fictitious world that utilizes the mythologies and realities of the modern American West. Because of its unique history, the Western United States is more t...

"Smoker #21" is a shaped canvas painting by Pop artist Tom Wesselmann. The painting is signed and dated on the overturn edge, "Wesselmann 75". Tom Wesselmann was born in Cincinnati Ohio on February 23 1931. He attended college from 1945-1951, first at the Hiram College in Ohio and then the University of Cincinnati, where he majored in psychology. He was drafted during the Korean War in 1952, and it was during this time that Wesselmann did his first cartoons. After he was discharged and had finished in degree in psychology, Wesselmann began to study drawing at the Art Academy of Cincinnati. He sold his first cartoon strips to two magazines, 1000 Jokes and True. In 1956, he was accepted to Cooper Union in New York and he continued his studies there. It was while he was studying in New York, specifically on a trip to the MoMA that Wesselmann became inspired by Robert Motherwell and Willem de Kooning. In 1958, a landscape painting trip to Cooper Union’s Green Camp in New Jersey brought him to the realization that he could make his career in painting, rather than cartooning. After graduation, Wesselmann became one of the founding members of the Judson Gallery, along with Marc Ratliff and Jim Dine. Wesselmann also began to teach art at a public school in Brooklyn and later at the High School of Art and Design. In 1961, Wesselmann began the series that would bring him to the attention of the art world, Great American Nude. After a dream concerning the phrase “red, white and blue”, Wesselmann decided to limit himself to a palette of only those colors (including colors like gold and khaki that are associated with patriotic motifs). This series incorporated representational images along the same patriotic theme, including American landscape photographs and portraits of the founding fathers. Wesselmann often collaged these images from magazines and discarded posters which required him to work in a much larger format than he was used to. As his works became larger and larger he approached advertisers directly to acquire billboards. Wesselmann’s first solo show was held in 1961 at Tanager Gallery. In 1962, Richard Bellamy gave him a one man exhibition at the Green Gallery. In 1962, Wesselmann participated in the group exhibition “New Realists” at the Sidney Janis Gallery and kicked off his international career. In that same year his first pieces with the title of Still Life, came about. In these works, Wesselmann concentrated on the juxtaposition of different elements, i.e. a cigarette ad...

A fresh and contemporary piece honoring charitable, revolutionary and patriotic women in the US, "The American Women" by Charles Warren Mundy (American, b. 1945), provides a nod towards the pop art movement. Pictured in this unique painting are Harriet Beecher Stowe...

Curtis Kulig "Love Me" Black and White Painting: Oil on Linen, 2017: This one of a kind ’Love Me' painting is impossible to overlook. An expressionist black and white colorway defin...

Useful Object Pump, 2009 Oil on canvas, wooden box, pump 47.63 H x 27.55 W x 11.81 D in 121 H x 70 W x 30 D cm In the "Useful Objects" series, the woman is identified with the pr...

Useful Object Cut, 2009 Oil on canvas, wooden box, knife 47.24 H x 27,55 W x 11,81 D in 120 H x 70 W x 30 D cm In the "Useful Objects" series, the woman is identified with the p...

"I AM A BABY" Mixed media Painting 62x54 inch by John Paul Fauves From "Alts iz farloyrn" ("All is lost") series 2019 Mixed media, acrylic and oil on canvas 62" × 54" inch "Alts iz farloyrn" ("All is lost") "Alts iz Farloyrn” – the latest series by John Paul Fauves featuring large-scale mixed media paintings, sculptures, and his famous art masks. Inspired by American idols James Dean and Steve McQueen, "Alts iz Farloyrn,” which translates to "All is Lost," was Steve McQueen’s first ever line on stage and represents Fauves own struggle with losing it all yet discovering his true self. “Alts iz Farloyrn” dives deep into the darkness that surrounded James Dean and Steve McQueen and explores their need to live fast. Through this new series, viewers are reminded that although both men overcame challenges to become the Hollywood elite, they struggled to mentally escape their troubled childhood and demons. Recognized internationally for his Neo-Pop Expressionism, Fauves paintings deal with identity through art, mainstream culture and social media. About this series, Fauves says “I have personally lost it all and what I’ve learned is when you lose it all you can win it all again and create a new beginning!” ABOUT John Paul FAUVES: John Paul Fauves (born in 1980) is a contemporary Artist from Costa Rica . His artistic journey started at a very young age after he became a student of Joaquin Rodriguez del Paso , one of the most important Costa Rican modern art tutors. John Paul spent 15 years studying and mastering his technique, and only a few years ago he finally started showcasing his work. In his paintings he engages questions of identity as they relate to art history as well as our everyday interactions with mainstream culture and social media. Greatly inspired by modernist masters as wellas pop-artists, Fauves mixes fragments of different iconic images in vivid and colourful compositions. Of his experimental and high eclectic style, he says, “art is an expression from the soul, and the soul is somethinglimitless. This is why I am always searching for different elements to bring into the work.” 2019: ​ Alts Iz farloyrn, Los Angeles, CA Portraits of Someone, London ​ ​ 2018: ​ [ Mi / Me ] solo exhibition at DOPENESS ART LAB, Taipei, Taiwan Arte de La Peer Papi Chulo group exhibition, Krause gallery, NYC Down the Rabbit Hole group exhibition, Imitate London, London, UK ARCO Madrid Art Palm Beach, Miami ​ 2017: ​ Art Basel Miami PIXELS Pre-Basel group exhibition by JM Art Management at Laurent & Martin gallery LA Style Fashion week FACES, group exhibition by JM Art Management at HOMME gallery A Loss of Innocence, solo exhibition Guy Hepner...