Chaïm Goldberg

Large Judaica Oil Painting, Polish Jewish Wedding in the Shtetl Chaim Goldberg

1993

Genre: Judaica Subject: Architecture Medium: Oil Surface: Canvas Country: United States Dimensions: 40X60 inches Temple Chaim Goldberg -- born in the Polish shtetl of Kazimierz D...

Genre: Judaica Subject: People Medium: Oil Surface: Canvas Country: United States Dimensions: 40" x 30 1/4" Chaim Goldberg -- born in the Polish shtetl of Kazimierz Dolny Chaim Gol...

Painting of Jewish Temple in Miami Beach Modeled after the Great Synagogue in Oran, Algeria, it endures as an historical landmark in the Art-Deco cityscape of Miami Beach. Architect...

Genre: Judaica Subject: Religious Medium: Oil Surface: Canvas Country: Israel Dimensions: 20" x 16" x 3/4" Dimensions w/Frame: 27 1/4" x 23 1/2" Savu Petra Dan (born 1903 in Bucharest , died March 16, 1986 in Frankfurt am Main ) was a Romanian-Israeli painter. Savu Petra Dan studied from Bucharest between 1926 and 1933 at the Kunsthochschule . He had an order as a court painter at Carol II. During the Second World War he was imprisoned in the Bergen-Belsen concentration camp...

Genre: Judaica Subject: Portrait Medium: Oil Surface: Canvas Dimensions: 20" x 16" x 3/4" Dimensions w/Frame: 24" x 19 1/2" Portrait of a Hasidic man in full traditional garb holdin...

Genre: Judaica Subject: Religious Medium: Oil Surface: Canvas Country: United States Dimensions: 24" x 18" x 3/4" Dimensions w/Frame: 29" x 23" Cahan uses vibrant oil paint to draw a portrait of four elderly Jewish men wearing prayer shawls also known as tallits. The man in the foreground is staring pensively into the distance while the other figures in the background read or pray. Each character shares the same scholarly air in their serious expressions and mannerisms. Cahan’s gestural use of color and brush strokes soften the painting’s protagonists, thereby shedding a more sensitive light on the painting. The well-known twentieth century American illustrator, etcher, and painter Samuel George Cahan was born in Kovno, Russia, now part of Lithuania. His parents were both born in Russia during the early 1870’s. Two years after his birth, his family emigrated to America and eventually settled in New York City's Lower East Side. Cahan said that his interest for drawing started when he was only an infant. In a 1967 interview, the artist describes his primary school years as vastly disinteresting. While other students heeded their teachers or studied math, Cahan drew. At 12-years-old, Cahan exhibited his early talent for drawing on Fulton Street’s sidewalk. Barefoot and armed with chalk, he crouched outside a restaurant and drew the sinking of Maine. At the time, it was recognizable ship that was smashed by the British. One of the men who passed by his vibrant rendering of the wreckage was the Chief Editor of the New York World newspaper, Nelson Hersh. Upon seeing the young boy’s skill, Hersh offered him a job in the newspaper’s art...

Lovely painting by the artist. Several small areas of inpainting mostly around the top and edges, visible under black light only. Several small areas of paint loss in upper center (s...

The Opium Smoker; The Opium Eater by N.C. Wyeth was created in 1913. The painting is signed upper right. Dedication lower left that reads "To Swayne / Fro...

Armando Spadini (Florence 1883 – Rome 1925), The Basket of ribbons (1911 – 1912) Oil painting on canvas of 76 x 96 cm, on the back there is the label of the I Quadriennale Romana o...

Wonderful impressionist painting. Full of light, color, and movement. "The Flamenco Dancer by J. Charles Arter ( American 1860-1923). Oil on canvas. Signed upper left. Circa 1900. Unframed. Born in Hanoverton, Ohio, Charles Arter studied in Cincinnati and Paris at the Academie Julian. He had studios in Venice, London and New York and painted portraits of many famous personages including Pope Pius X...

Impressionist American seascape, oil painting by George Renouard. Inscribed on reverse "1st Chapter-Genesis by Renouard". Oil on canvas. Signed lower right. Original frame. Measures:...

Bohemian woman Budapest, Hungary 1925 by Bertha De Hellebranth. Fabulous period painting brings to life the bohemian intelligentsia of Europe in the 1920's. I believe the painting is of the artists sister Elena Maria De Hellebranth. Both sisters were accomplished artist and worked and exhibited together. See the photo of the sisters Elena on the left and Bertha on the right. Oil on canvas. In a period frame. Signed lower right. Inscribed on reverse. Provenance: label from Newman Galleries Philadelphia. BIOGRAPHY ; Bertha de Hellebranth and her sister Elena were born into a cultured upper-class family in Budapest, Bertha in 1899, Elena in 1897. Their father was a lawyer and their mother a student of Franz Liszt's last living pupil. Both sisters showed artistic potential early, beginning to paint at four or five years of age. Their parents encouraged them, and had the means to send them to the best art schools of the time. They studied at the Academy of Fine Art in Budapest, at the Académie Julian and the Académie de la Grande Chaumière in Paris, and painted portraits of European nobility. As Patricia Fazekas points out, "Growing up in a family of privilege, they seemed to have unusual access to many illustrious people." So we should not be surprised to find among their subjects members of high society, such as Count Andrássy Gyula, the Russian-born Princess Baby Galitzine, and Admiral Horthy Miklós, the Regent. Later on, their subjects included American heiress Gladys Vanderbilt (Countess László Széchenyi), President Theodore Roosevelt's granddaughter Paulina Longworth and former President Dwight D. Eisenhower.Often, the sisters would paint the same subject at the same time, offering the sitter a choice of portraits. Most often, the sitter wanted both renditions.While Elena concentrated on working in oil and watercolor, Bertha used gouache and oil to achieve her effects. Elena gave lectures and workshops, was a writer and also wrote popular and ecclesiastical music, while Bertha also went in for sculpture and handicrafts.From the mid-thirties until World War II, Bertha and Elena divided their time between their home in Budapest and a home on the ocean at Ventnor, NJ. In 1925, they showed their work at the Nemzeti Szalon in Budapest, and in 1926, they had a joint exhibition of their portraits in the US. Both exhibited their work at the Art Institute of Chicago, the Brooklyn Museum of Art, the Pennsylvania Academy of Fine Arts and most major museums and galleries in the US. Bertha also had exhibits at the Metropolitan Museum of Art. Both Bertha and Elena were Fellows of the Royal Society of Art (London), and garnered numerous prizes. Bertha was awarded First Prize by the National Academy of the American Water Color Society one year, and the Grand Prize of the Audubon Society. She was one of the founders of the now defunct World League of Hungarian Artists Abroad (Külföldi Magyar Képz?m?vészek Világszövetsége), and received a Gold Medal from the Cleveland Árpád Akadémia in 1963. (Elena also received the Akadémia's gold medal in 1965.) Their work is found in museums and galleries too numerous to mention.The de Hellebranth sisters were devout Catholics, and this is evident in their many portraits of clerics...