Charles Pachter

Charles Pachter "Be Leaf Me"

2016

Charles Pachter (b. 1942) is one of the most collected and cherished Canadian artists. His iconic, uplifting and patriotic images have independently earned their place in museums across the country. Pachter’s artworks, and unique version of Pop Art, have confirmed his position in the canon of 20th century Canadian art. Pachter’s most cherished images take archetypes of Canadiana -- the barn, Queen Elizabeth, and the moose, -- and depict them with a distinct style, a fresh palette (and often through a humorous lens). “Mini Blue Barn...

Tony Scherman (1950-2023) is one of the most collected and cherished Canadian artists. He is renowned internationally for his work in encaustic (a mix of wax and oil, one of the most...

Tony Scherman (1950 - 2023) is one of the most collected and cherished Canadian artists. He is renowned internationally for his work, typically executed in encaustic, a mix of wax an...

Cathy Daley (1955-2022) was a beloved Toronto-based artist who began receiving international attention in the late 1980‘s for her signature depictions of the female form. Her most i...

General Idea was founded in 1967 in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The trio was both prolific and multi-disciplinary long before it became de rigueur. They worked across a wide range of media including photography, sculpture, painting, mail art, video, installations, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element for General Idea, who utilized longevity as an avenue to delve deeper into, build upon, and evolve with the complex and nuanced subject matter they took on. “Monet Cane” is an extraordinary example of General Idea’s use of iconography, appropriation, (and mischief) from this era. Beginning in the early 1980s, General Idea began using the poodle as an emblem for the trio, quickly elevating it to one of the most dominant motifs in their practice. Both single poodles, and trios (which would be a sort of group self-portrait) appeared frequently in a variety of artwork during their last decade of production. The 80's was a decade that saw appropriation flourish in the visual arts. General Idea made a significant contribution to this trend. While many of their contemporaries used mass-market images or objects (think Barbara Kruger, Jeff Koons, and Richard Prince) General Idea did not restrict themselves to accessible imagery but also claimed canonical images and blue-chip references. General Idea created two major series of paintings featuring the trio of poodles; in pastels (which were often bleached in a commercial washing machine) and in neon colors. This painting is exceptionally rare as it is one of four paintings made with this distinct flecked surface. This unique texture is a significant (and beautiful) anomaly at odds with their predominantly flat and graphic aesthetic. The surface of the canvas is enveloped in tiny, weighted flecks of paint that have been layered to create an incredible texture. This application of paint, which appears to be chenille-like, recalls both the atmospheric pastel palette and impressionistic effects made famous by Claude Monet. "Monet Cane" can not only be contextualized with other poodle paintings...

General Idea was formed in 1967 in Toronto and over the next nearly 30 years, the trio made a remarkable contribution to post-modern art. With their subversive approach and intere...

Eliyahu Boxer Facets and Faces (triptych), 2023 acrylic and ink on canvas 60 x 150 cm 24 x 59 in Eliyahu was born in the United States and moved to Israel with his family at a ver...

Blue Statue, 2020 "For Blackburn, the Western’s heroic drama, good-versus-evil narrative, and assertive landscape are challenges to face in her work. These aspects of film can overwhelm a painting, thus distancing the viewer from the art. She wants the art to be dominant; “Painting wins,” she declares. She finds this happens when a painting possesses what she terms “classical balance.” By this the artist means that everything is where it needs to be compositionally—nothing can be changed—and “the whole can be seen at once.” Linda Blackburn...

Bisti Wash, 2020 "For Blackburn, the Western’s heroic drama, good-versus-evil narrative, and assertive landscape are challenges to face in her work. These aspects of film can overwhelm a painting, thus distancing the viewer from the art. She wants the art to be dominant; “Painting wins,” she declares. She finds this happens when a painting possesses what she terms “classical balance.” By this the artist means that everything is where it needs to be compositionally—nothing can be changed—and “the whole can be seen at once.” Linda Blackburn...

Acrylic on canvas painting by Joe Shannon (b.1933). Titled "That Day in Pompeii". Signed and dated in lower left. Gallery label on reverse. New York Time...

Acrylic on canvas painting by Joe Shannon (b.1933). Titled "Three Business Men" signed and dated 1972. New York Times art critic Grace Glueck observed tha...

Acrylic on canvas painting by Washington DC artist Joe Shannon (b.1933). The painting is titled "In Bad Spirits" and is dated 1969. The painting was exhi...