HUGE 17th CENTURY OLD MASTER OIL PAINTING - EXTENSIVE BATTLE SCENE MANY SOLDIERS

c. 1660's

French School, after Pierre Mignard Louis XIV on Horseback oil on canvas, unframed painting: 60 x 41 inches provenance: private collection, UK The paint...

The Military Encampment Circle of Carel van Falens (1683-1733, Flemish) oil on canvas, unframed canvas: 8 x 10.5 inches provenance: private collection, UK condition: very good and so...

The Dutch Market Early 1700's Dutch School Oil on canvas: 43" x 57.5" (109.2 x 146.1cm) in ornate gilt frame condition: very good for its age, relined canvas and ready to enjoy. pro...

Late 17th Century Italian School. The Return of the Ark on the Covenant, Oil on Canvas, in a Fine 17th Century Italian Frame, canvas: 40.25" x 49.75" (102.3 x 126cm) Fine quality and rare 17th century Italian Old Master...

Portrait of a Gentleman British School, 17th century oil painting on canvas, unframed canvas: 30 x 25 inches provenance: private collection, UK condition: very good and sound condition

Whippet in Classical Landscape Michael Constable (20th Century British School) oil on board, framed framed: 19 x 25 inches board: 15 x 21 inches provenance: private collection, The C...

The name Zoraida in Arabic means "captivating woman" Large Antique 19th Century Dog Painting of a Poodle Inscribed "Zoraida" Oil on canvas, original frame 37 x 29.5 inches This is...

Two masterpieces by the Master of the Fertility of the Egg, nearly impossible to find in homogeneous pairs on the private market, both in terms of style and dimensions. They represen...

In this masterly painting, Francesco de Mura presents the meeting of Herminia and the shepherds, a famous episode taken from the seventh canto of Torquato Tasso's Jerusalem Delivered...

Attributed to James Ross Snr. A Large 18th Century Hunting painting of Duck Flighting oil on canvas 36.5 x 45 inches, inc. frame This l...

James Seymour (1702–1752) Feeding Time in the Stables Oil on canvas 32 x 38 inches inc. frame Provenance: Private Collection, Lambourn James Seymour (1702–1752) was an English painter, widely recognized for his equestrian art. Seymour was born in London. His father was an amateur artist and art dealer, whose other business dealings (as a banker, goldsmith, and diamond merchant) afforded young Seymour the leisure time to study art on his own, either his father's or the art at the Virtuosi Club of St. Luke - a gentleman's club his father belonged to, specializing in art. In a short time the boy was a self-taught artist, familiar with many of the prominent artists of the period. Seymour's love of art was matched only by his love of horses. He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset...

Study of a dog Oil on paper laid down on panel, 17.5 x 25.5 cm Provenance Private collection, the Netherlands Note: We are grateful to Mr Fred Meijer for his attribution to Ludolf de Jongh Ludolf de Jongh was the son of a shoemaker. When his father moved to Rotterdam, the young Ludolf decided to learn art rather than shoemaking and became a pupil of Cornelis Saftleven. Later he studied under Anthony Palamedes in Delft and still later with Jan van Bijlert in Utrecht. In 1635 he travelled to France with Francis Bacon. Seven years later, in 1642, he returned to the Netherlands when he heard that his mother had fallen ill. He set up a shop in Rotterdam, and his earliest signed paintings date from that year. According to Houbraken, his travels had caused him to speak French so fluently, that his parents had to learn French in order to speak with him. De Jongh’s work shows a strong influence from the Utrecht school of Caravaggio admirers, especially Jacob Duck...