Figurative Paintings

Oliver Hartt, 2016 by Ramonn Vieitez Watercolor and Gouache on canvas Size: 15.7 H x 11.8 W in. Signed on the back by the artist Unframed ___ Ramonn Vieitez is a self-taught Brazil...

Ian, 2016 by Ramonn Vieitez Watercolor and Gouache on canvas Size: 15.7 H x 11.8 W in. Signed on the back by the artist Unframed ___ Ramonn Vieitez is a self-taught Brazilian artis...

Medium: Oil on Board Dimensions: 18.00" x 23.75 Signature: Signed Lower Right

Roses can hurt, 2022 by Ramonn Vieitez Oil on cotton canvas Size: 39.3 H x 39.3 W in. Unique Signed on the back by the artist ___ Ramonn Vieitez is a self-taught Brazilian artist w...

Desire for what might have been, 2022 by Ramonn Vieitez Oil on paper Size: 16.7 H x 11.8 W in. Unique Signed on the back by the artist ___ Ramonn Vieitez is a self-taught Brazilian...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE La Voile Rose (Cognac) by H. Claude Pissarro (b. 1935) Oil on canvas 50 x 61 cm (19 ³/₄ x 24 inches) Signed lower...

Sacré-Coeur by Itzhak Frenkel-Frenel (1899-1981) Oil on canvas 92 x 73 cm (36 ¹/₄ x 28 ³/₄ inches) Signed lower right Frenel This painting represents the Sacré-Coeur, in Montmartre,...

Petite Marine Grise by Hugues Pissarro dit Pomié (b. 1935) Oil on canvas 92 x 73 cm (36 ¼ x 28 ¾ inches) Signed lower right, Hugues Pissarro dit Pomié Titled, signed and dated on rev...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Neige - Le Château d'Eau d'Arromanches by Hugues Pissarro dit Pomié (B. 1935) Oil on canvas 100 x 81 cm (39 ³/₈ x...

Peregrine Heathcote’s paintings conjure a world of intoxicating glamour and intrigue, slipping across the boundaries of time to fuse iconic pre-war design with modern conceptions of ...

Peregrine Heathcote’s paintings conjure a world of intoxicating glamour and intrigue, slipping across the boundaries of time to fuse iconic pre-war design with modern conceptions of ...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE 'Celtic Furniture' by Hugues Claude Pissarro (b. 1935) Oil on canvas 92 x ...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Marée Basse - Arromanches by Hugues Pissarro dit Pomié (b. 1935) Oil on canvas 65 x 54 cm (2 5⅝ x 21 ¼ inches) Si...

GLORIA STUART (1910 – 2010) WATTS TOWERS, 1971 Oil on canvas, signed lower right, 24” x 50 ½”. Gloria Stuart, an Academy Award nominated actress was also a painter, illustrator and printmaker. She most recently portrayed Rose in the blockbuster film “Titanic”. She was a Santa Monica native. In 2013 The Los Angeles Museum of Art, LACMA exhibited a nearly identical painting looking from the south, the same size and frame. Last 5 photos show the example at LACMA. One shows theirs in a distant room with a major Thomas Hart Benton painting in the foreground A VERY IMPORTANT MULTI-LEVELED DOCUMENT OF LOS ANGELES AND HOLLYWOOD CULTURAL HSTORYi The following is from her obituary in the Los Angeles Times upon her death in September 2010 at the age of 100 Gloria Stuart, a 1930s Hollywood leading lady who earned an Academy Award nomination for her first significant role in nearly 60 years — as Old Rose, the centenarian survivor of the Titanic in James Cameron’s 1997 Oscar-winning film — has died. She was 100. .......She devoted much of her time to designing and printing artists’ books (handmade, letter-press printed books in limited editions, with her own artwork and writing). Her work is in the J. Paul Getty Museum in Los Angeles, the Metropolitan Museum of Art in New York City, the Victoria and Albert Museum in London and other museums. Stuart, a founding member of the Screen Actors Guild who later became an accomplished painter and fine printer, died Sunday night at her West Los Angeles home, said her daughter, writer Sylvia Thompson. Stuart had been diagnosed with lung cancer five years ago. “She also was a breast cancer survivor,” Thompson said, “but she just paid no attention to illness. She was a very strong woman and had other fish to fry.” In July the actress was honored at an “Academy Centennial Celebration With Gloria Stuart” at the Samuel Goldwyn Theater in Beverly Hills. “She was a charming and beautiful leading lady in the ‘30s, and I never understood why her career didn’t go further at that time,” film historian and critic Leonard Maltin, who interviewed Stuart on stage at the event, told The Times on Monday. As for Stuart’s high-profile comeback in “Titanic”: “She was thrilled by the attention that that performance brought her and really wanted to win that Oscar. I thought she hit just the right notes in that performance. She was wry and engaging.” As a glamorous blond actress under contract to Universal Studios and 20th Century Fox in the 1930s, Stuart appeared opposite Claude Rains in James Whale’s “The Invisible Man” and with Warner Baxter in John Ford’s “The Prisoner of Shark Island.” She also appeared with Eddie Cantor in “Roman Scandals,” with Dick Powell in Busby Berkeley’s “Gold Diggers of 1935” and with James Cagney in “Here Comes the Navy.” And she played romantic leads in two Shirley Temple movies, “Poor Little Rich Girl” and “Rebecca of Sunnybrook Farm.” But mostly she played what Stuart later dismissed as “stupid parts with nothing to do” — “girl reporter, girl detective, girl nurse” — and “it became increasingly evident to me I wasn’t going to get to be a big star like Katharine Hepburn and Loretta Young.” After making 42 feature films between 1932 and 1939, Stuart’s latest studio contract, with 20th Century Fox, was not renewed. She appeared in only four films in the 1940s and retired from the screen in 1946. By 1974, “the blond lovely of the talkies” had become an entry in one of Richard Lamparski’s “Whatever Happened to” books. Writer-director Cameron’s $200-million “Titanic” changed that. Stuart played Rose Calvert, the 100-year-old Titanic survivor who shows up after modern-day treasure hunters searching through the wreckage of the sunken ship find a charcoal drawing of her wearing a priceless blue diamond necklace. Stuart’s performance as Old Rose frames the 1997 romantic- drama that starred Leonardo DiCaprio as lower-class artist Jack Dawson...

Teoría de Interferencia (2019) by Roberto Fonfría Mixed media on canvas: Collage, acrylics, oil pastel, graphite Image size: 37 in. H x 70 in. W One of Kind Mixed Media ___________...

Days Fade Away (2019) by Roberto Fonfría Mixed media on canvas: Collage, acrylics, oil pastel, graphite Image size: 70 in. H x 49 in. W One of Kind Mixed Media ___________________...

Signed 'NORMAN/ROCKWELL' bottom right; also dedicated 'My very best wishes/to/Sir Jay Chernis/Cordially/Norman Rockwell/November 3rd/1975' verso The present work belonged to Sir Jay...

Signed by Artist Lower Right The present work is a study for the cover illustration of Rockwell's American Petroleum Institute Quarterly: Centennial Issue

This is a preparatory study for King of the Beach, the cover illustration for the September 3, 1932 issue of The Saturday Evening Post.

Signed by Artist Lower Right Amoco Oil Advertisements

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Le Pain de Sucre (Clécy-Normandie) by H. Claude Pissarro (b. 1935) Oil on canvas 46 x 55...

David Shrigley Untitled (View Things from a Distance), 2022 acrylic on paper 75 x 56 cm

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Nylons and Bric-a-Brac by Orovida Pissarro (1893-1968) Oil on canvas 73 x 60 cm (28 ³/₄ x 23 ⁵/₈ inches) Signed and dated upper right Orovida 1951 Provenance Estate of the artist With John Bensusan-Butt, cousin of the artist G Hassell, 25th November 1988 With John Noott, 10th June 1992 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 141 (illustrated) Exhibition London, Redfern Gallery, Recent Paintings: Orovida, 3rd-26th January 1952, no. 51 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects...

David Shrigley Untitled (I Clonked it Out of the Park), 2022 acrylic on paper 75 x 56 cm

Oil on canvas, 2023

Oil on canvas, 2023

Oil on canvas, 2023

Oil on canvas, 2023

La Plage d'Arromanches, Oil on canvas by H. Claude Pissarro Oil on canvas 130 x 195 cm (51 ¹/₈ x 76 ³/₄ inches) Signed, titled and dated on the reverse Executed in May 1992 This work is accompanied by a certificate of authenticity from the artist. Artist biography Hugues Claude Pissarro, also known professionally as H. Claude Pissarro, is the grandson of the Impressionist painter Camille Pissarro and son of Paulémile Pissarro. Born in Neuilly-sur-Seine and enveloped in an artistic environment, he inevitably spent his childhood and youth with brushes in hand. Carrying on the family tradition established by Camille Pissarro, H. Claude’s father frequently took his son on painting excursions, often accompanied by his numerous artistic friends which proved formative for him. Initially taught by his father, Hugues first exhibited his work at the age of fourteen. He subsequently studied art in Paris at prestigious establishments, in particular the École Normale Supérieure, a unique French institution dedicated to the pursuit of achievement and excellence to which only the academic elite have access. He also studied art restoration under Henri Linard, head of the laboratory at the Musée du Louvre. It was inevitable that this educational background would lead him to become a professor of art for much of his professional life and in 1963 he accepted an official invitation to teach art in Monaco. Throughout his teaching career he remained a prolific artist, exhibiting on several occasions in Paris and London. As with many of his family predecessors the scope of his work and talent is wide-ranging: from engraver, lithographer, publisher and landscape painter to portraitist. He was even commissioned in 1959 to paint a portrait of President...

Siamese Cat with Kittens by Orovida Pissarro (1893-1968) Egg tempera on linen 39 x 48 cm (15³/₈ x 18⁷/₈ inches) Signed lower right Orovida and dated lower left 1934 Provenance J Ankri, 8th October 1967 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 51, p. 56 (illustrated) Exhibition London, The Leicester Galleries, Paintings by Orovida, February 1935, no. 6 Women’s International Art Club, 20th February - 13th March 1937, no. 273 London, Redfern Gallery, Ten Years of Work by Orovida, 5th-28th May 1938, no. 7 London, The Royal Society of British Artists, Summer Exhibition, 1947, no. 281 (possibly the etching) London, O’Hana Gallery, Paintings, Drawings and Coloured Etchings: Orovida, 3rd-18th October 1957, no. 13 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE La Falaise de Sainte-Honorine by Hugues dit Pomié Pissarro (1935) Oil on canvas 100 x 81 cm (39 ¼ x 31 inches) Si...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Les deux arbres au bord de la rivière dans la forêt de Lyons by Paulémile Pissarro (1884-1972) Oil on canvas 65 x...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Beau Temps à Clécy by H. Claude Pissarro (b. 1935) Oil on canvas 50 x 61 cm (19 ³/₄ x 24 inches) Signed lower rig...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Baigneuses avec cygne by Georges Manzana Pissarro (1871-1961) Oil on panel 30 x 37.5 cm (11 ³/₄ x 14 ³/₄ inches) ...

This work is accompanied by a certificate of authenticity from Anthony Tucker on behalf of the artist’s estate.

signed 'Eric' lower left

This work is accompanied by a certificate of authenticity from Anthony Tucker on behalf of the artist’s estate. signed ‘ETUCKER’ (lower left)

This work is accompanied by a certificate of authenticity from Anthony Tucker on behalf of the artist’s estate. signed 'ETUCKER' (lower left)

This work is accompanied by a certificate of authenticity from Anthony Tucker on behalf of the artist’s estate. signed ‘ETUCKER’ (lower left)

This work is accompanied by a certificate of authenticity from Anthony Tucker on behalf of the artist’s estate. signed ‘ETUCKER.’ (lower right)

This work is accompanied by a certificate of authenticity from Anthony Tucker on behalf of the artist’s estate. signed 'ETUCKER' (lower left)

This work is accompanied by a certificate of authenticity from Anthony Tucker on behalf of the artist’s estate. signed ‘ETUCKER’ (lower right)

This work is accompanied by a certificate of authenticity from Anthony Tucker on behalf of the artist’s estate. signed ‘ETUCKER’ (lower left)

It was when she was nine years old when that Melissa Peck knew for sure she was an artist. She was sitting at the kitchen table drawing a picture of a little girl. At the time she wa...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE La Malade by André Lanskoy (1902-1976) Oil on canvas 19 x 27 cm (7 ½ x 10 ⅝ inches) Signed upper right a.L Provenance: Private collection, New York, acquired directly from the artist This work is accompanied by a certificate of authenticity dated 8th June 2016 from the Comité Lanskoy confirming its inclusion in the forthcoming Catalogue Raisonné de l’Oeuvre d’André Lanskoy currently being prepared by the Comité Lanskoy. Artist biography André Lanskoy was born Andrei Michailovich Lanskoy in Moscow in 1902, the son of Count Lanskoy. The family moved to St. Petersburg in 1909 and in 1918 he moved to Kiev, where he made his first paintings. During the Russian Civil War...

Carmine is one of a new series of stunning acrylic abstract paintings by Vancouver-based artist Fiona Ackerman. Inspired by 17th century botanical illustrations by women naturalists,...

Kiss, 2020 by Manuel Santelices 8 in. H x 8 in. W x 1 in. D Acrylic on Canvas One of a kind Unframed The worlds of fashion, society, and pop culture are explored through the illustr...

Hunt Slonem "Cockatoo Whisper Tuesday" White and Yellow Cockatoos On Branches White and yellow cockatoos on branches, on a metallic gold, scored background Hunt Slonem is a well-ren...

Cenizas y diamantes XXXII, 2022 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 10.3 H in...

Cenizas y diamantes XXXI, 2022 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 10.3 H in. x 10.75 W in. Unframed The artist's works take the human body to address universal problems linked to identity, vulnerability, and transformation. The artworks are inspired by photographs from newspapers and magazines and are made with household materials such as aluminum foil, sulfite, cotton, and cold porcelain in order to create access to collective memory. The artist makes a personal reading of today's society through the chosen images, she observes humanity, its behaviors, and problems. The bodies exhibited in her work relate that the human condition that manifests itself, that claims for others, then they join each other and become one. Both in paintings and sculptures, these bodies go through a process of transmutation. They are covered, diluted, faded, covered, and wrapped over the bodily appearance. Finally, from this transformation, the artist creates her own mythology. _____________ Cecilia Méndez Casariego was born in Buenos Aires in 1980. Mendez studied at the "Manuel Belgrano" School of Fine Arts where she obtained the title of "National Master of Drawing" (2002) and Professor of Visual Arts (2005). The artist attended the drawing workshop of Marcia Schvartz at the Ernesto de la Cárcova School of Fine Art, a construction art...

Cenizas y diamantes XXX, 2022 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 10.3 H in. ...

Cenizas y diamantes XXIX, 2022 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 10.3 H in. x 10.75 W in. Unframed The artist's works take the human body to address universal problems linked to identity, vulnerability, and transformation. The artworks are inspired by photographs from newspapers and magazines and are made with household materials such as aluminum foil, sulfite, cotton, and cold porcelain in order to create access to collective memory. The artist makes a personal reading of today's society through the chosen images, she observes humanity, its behaviors, and problems. The bodies exhibited in her work relate that the human condition that manifests itself, that claims for others, then they join each other and become one. Both in paintings and sculptures, these bodies go through a process of transmutation. They are covered, diluted, faded, covered, and wrapped over the bodily appearance. Finally, from this transformation, the artist creates her own mythology. _____________ Cecilia Méndez Casariego was born in Buenos Aires in 1980. Mendez studied at the "Manuel Belgrano" School of Fine Arts where she obtained the title of "National Master of Drawing" (2002) and Professor of Visual Arts (2005). The artist attended the drawing workshop of Marcia Schvartz at the Ernesto de la Cárcova School of Fine Art, a construction art...

Cenizas y diamantes XXVIII, 2022 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 10.3 H in. x 10.75 W in. Unframed The artist's works take the human body to address universal problems linked to identity, vulnerability, and transformation. The artworks are inspired by photographs from newspapers and magazines and are made with household materials such as aluminum foil, sulfite, cotton, and cold porcelain in order to create access to collective memory. The artist makes a personal reading of today's society through the chosen images, she observes humanity, its behaviors, and problems. The bodies exhibited in her work relate that the human condition that manifests itself, that claims for others, then they join each other and become one. Both in paintings and sculptures, these bodies go through a process of transmutation. They are covered, diluted, faded, covered, and wrapped over the bodily appearance. Finally, from this transformation, the artist creates her own mythology. _____________ Cecilia Méndez Casariego was born in Buenos Aires in 1980. Mendez studied at the "Manuel Belgrano" School of Fine Arts where she obtained the title of "National Master of Drawing" (2002) and Professor of Visual Arts (2005). The artist attended the drawing workshop of Marcia Schvartz at the Ernesto de la Cárcova School of Fine Art, a construction art...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE L'Heure de la Promenade (Monte-Carlo) by H. Claude Pissarro (b. 1935) Oil on canvas 50 x 61 cm (19 ³/₄ x 24 inche...

L, 2022 by Hunter & Gatti From the series Opposed Tendencies Acrylic and oil wax on fine art paper 255 grs. Image size: 29.5 in H x 23.6 in W Unframed _______________________________ The founders and artistic minds behind Hunter & Gatti, Cristian Borillo, and Martin Cespedes have worked alongside one another for over a decade. Working as art directors, they have successfully produced numerous campaigns for fashion brands such as Burberry and Diesel. With this, Hunter & Gatti decided to explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. Thus, Hunter & Gatti was born. Hunter & Gatti immerse themselves in all aspects of development including creative initiatives, art direction, and photography; ultimately creating a holistic image for each individual brand. This creative duo has worked side by side with iconic clients such as Hugo Boss, Kenneth Cole, Massimo Dutti...

K, 2022 by Hunter & Gatti From the series Opposed Tendencies Acrylic and oil wax on fine art paper 255 grs. Image size: 29.5 in H x 23.6 in W Unframed _______________________________...

Inspired by the imaginative, colourful art scrawled on walls in city alleyways, ‘Cutter’ is one of a series of graffiti style paintings recently created by Serbian-born Viktor Mitic. Mitic has been working in this playful pop-art style since the 1990’s. “It's a combination of people, forms and urban scenes. I also mark pieces with random wording to produce something that would resemble organic images as they would appear on the street. These are mostly done in Toronto or NYC.” Viktor Mitic He earned a BFA from the University of Toronto in 1995 with studies in art history at Sheridan College. He has exhibited his post-Pop inspired...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE La Rade; Temps Gris by H. Claude Pissarro (b. 1935) Oil on canvas 50 x 61 cm (19 ³/₄ x 24 inches) Signed lower le...