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Dasha PogodinaLandscape Painting, Impasto Modern Art, canvas, oil - Pleasure Garden - 35x35 in2021
2021
About the Item
ABOUT THE ARTWORK
“Pleasure Garden” is a canvas brimming with the splendor of life and nature, where each flower and leaf pulsates with vitality under the artist’s confident brushstroke. Here, a traditional garden landscape transforms into a tangible celebration of color and texture, inviting the viewer on a journey along a winding path through a riot of flora. The paint’s strokes create a dynamic and multi-dimensional space, allowing one to sense the rustle of leaves and the scent of blooms, making the piece a place for sensual exploration and admiration.
Every gaze upon 'Pleasure Garden' offers a unique interaction with the nuances of the canvas, where light and shadow dance together, conjuring an illusion of life. This painting is more than a mere depiction; it is a path to self-discovery, where the beauty of nature acts as a mirror to the viewer’s inner world, reminding us of life's diversity and its perpetual beauty.
- Creator:Dasha Pogodina (1992, Ukrainian)
- Creation Year:2021
- Dimensions:Height: 35.44 in (90 cm)Width: 35.44 in (90 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Zofingen, CH
- Reference Number:1stDibs: LU2203211738862
Dasha Pogodina Ukrainian artist, based in Switzerland. Paintings are in private collections in the USA, South Korea, Italy, Great Britain, Germany, and Switzerland. Exhibitions
2022 Solo Exhibition Stärke und Verletzlichkeit / Escape Vide - Thun, Switzerland
2022 Group exhibitions In Ukraine / ZRC - Ljubljana, Slovenia
2018 Group exhibitions Room of my Minds, Ukraine
2017 Group exhibitions Garden as an Art, Kyiv, Ukraine
2014 Group exhibitions Gift of Volhvs Severodonetsk, Ukraine
2013 Group exhibitions Fragment of Life, Luhansk, Ukraine
2012 Collaborate Project Light of Hearts, Luhansk Ukraine Dasha Pogodina about her art New sexuality and personal integrity - are the basic areas of search in my artistic practice.
In my practice, I problematize the ideal of the metamodern world with its total moderation and the desire to return to high ideals and values. As an artist, I concentrate on the nature of the corporeal, I perceive the body as a membrane reflecting me into this world and communicating the world to me. In search of answers, I enter into dialogue with the body-sensory lexicon of Kiki Smith and Paula Modersohn Becker and also find support in the sublime physicality of the early Gothic of the 13th century from Giotto, unencumbered by the tension of formal anatomy. My works are filled with color, and ethnic decoration and are illustrative at the same time. This turns my paintings into light, at first glance, stories, which, however, do not call the viewer to cold contemplation, but, on the contrary, open up the opportunity to safely return to their secret “I”.
I use the space of naive archetypal images, creating a safe haven from aggressive modernity, with the opportunity to dive into the psychological depths of my own worldview. I build into my paintings the mechanics of oscillation of naivety and mockery, trust and cynicism, chastity and debauchery, strength and kindness, as a manifesto of courage to be vulnerable and herbivorous in a world where food chains still exist.
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