The Oracles Decree All Men Are Equal, Referential Abstraction, Blue, Yellow, Red
Want more images or videos?
Request additional images or videos from the seller
1 of 15
Edward MarecakThe Oracles Decree All Men Are Equal, Referential Abstraction, Blue, Yellow, Red1968
1968
About the Item
- Creator:Edward Marecak (1919 - 1993)
- Creation Year:1968
- Dimensions:Height: 34.5 in (87.63 cm)Width: 42.5 in (107.95 cm)Depth: 1.75 in (4.45 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:very good to excellent vintage condition.
- Gallery Location:Denver, CO
- Reference Number:Seller: DCG-222591stDibs: LU2735841062
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1979
1stDibs seller since 2013
Typical response time: 5 hours
More From This SellerView All
- The Warrior and the Star Precedes the Sun (Hopi Ceremony, Oraibe, Arizona)By Charles Stewart, 1922-2011Located in Denver, CO20th Century Southwestern Native American oil painting Hopi Ceremony in Oraibe, Arizona by New Mexico artist, Charles C. Stewart (1922-201...Category
Mid-20th Century Abstract Geometric Abstract Paintings
MaterialsCanvas, Oil
- Sybils Telling Cosmic Jokes On Mankind, Framed Figurative Abstract Oil PaintingBy Edward MarecakLocated in Denver, COVintage 1960s original semi abstract oil painting, "Sybils Telling Cosmic Jokes On Mankind", by 20th century Denver modernist, Edward Marecak (1919-1993). Painted in bright colors of...Category
1960s Abstract Figurative Paintings
MaterialsOil, Canvas
- The King, Mid Century 1958 Abstract Oil Painting, Green Bold Primary ColorsBy Robert Jay WolffLocated in Denver, CO'The King', 1950s abstract oil painting by Robert Wolff (1905-1979), painted in bold colors of red, yellow, green, orange, blue, and black. Oil on canvas, signed, titled, and dated 1...Category
Mid-20th Century Abstract Abstract Paintings
MaterialsOil, Canvas
$15,400 Sale Price20% Off - New York City Abstract Skyline, Semi Abstract Night Scene Cityscape Oil PaintingBy Charles Ragland BunnellLocated in Denver, COOil on board painting of abstracted New York City skyline by Charles Ragland Bunnell from 1951. Nocturne cityscape painted in colors of black, shades of blue, and yellow. Presented in a custom black frame, outer dimensions measure 30 ¼ x 12 ¼ x ¾ inches. Image size is 30 x 12 ¼ inches. Painting is in good vintage condition - please contact us for detailed condition report. Provenance: Estate of Charles Ragland Bunnell Expedited and international shipping is available - please contact us for a quote. About the Artist: Charles Bunnell developed a love for art at a very young age. As a child in Kansas City, Missouri, he spent much of his time drawing. When he was unable to find paper he drew on walls and in the margins of textbooks for which he was often fined. Around 1915, Bunnell moved with his family to Colorado Springs, Colorado. He served in World War I and later used his GI Training to study at the Broadmoor Art Academy (later renamed the Colorado Springs Fine Arts Center) during 1922 and 1923. In 1922, he married fellow student, Laura Palmer...Category
1950s Abstract Abstract Paintings
MaterialsOil, Board
- Adam and Eve, 1980s Abstract Figurative Painting, Vertical Oil Painting, 30 x 48By Edward MarecakLocated in Denver, COOil painting on foam core titled "Adam and Eve" by Denver artist Edward Marecak (1919-1993) from 1983. Portrays two semi-abstract figures with shapes in the background, painted in colors of pink, blue, yellow, and brown. Presented in a custom wooden frame, outer dimensions measure 30 ⅞ x 48 ⅞ x 2 ⅝ inches. Image size 30 x 48 inches. Painting is in good vintage condition - please contact us for a detailed condition report. Provenance: Estate of Edward Marecak About the Artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks, and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. His junior and senior high projects earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy...Category
1980s Abstract Abstract Paintings
MaterialsOil
- Winter Witches in an Upside World Interfering with Each Other, Semi-Abstract OilBy Edward MarecakLocated in Denver, COOil painting on burlap by Edward Marecak (1919-1993) titled "Winter Witches in an Upside World Interfering with Each Other" from 1990. Titled and dated by the artist on verso. Painted in shades of black, gray, red, purple, and green. Presented in the original artist frame, outer dimensions measure 44 ⅛ x 44 ⅛ x 1 ⅜ inches. Image size is 43 x 43 inches. About the artist: Edward Marecak Born Ohio 1919 Died Colorado 1993 Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks, and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. During junior high he painted scenery for puppet shows of “Peter and the Wolf,” awakening his interest in art. In his senior year in high school he did Cézanne-inspired watercolors of Ohio barns at seventy-five cents apiece for the National Youth Administration. They earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. A center of innovative work in architecture, art and design with an educational approach built on a mentorship model, it has been home to some of the world’s most renowned designers and artists, including Eero Saarinen, Charles Eames, Daniel Libeskind and Harry Bertoia. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy and sculptor Carl Milles were interrupted by U.S. army service in the Aleutian Islands during World War II. Following his military discharge, Marecak studied on the G.I. Bill at the Colorado Springs Fine Arts Center from 1946 to 1950, having previously met its director, Boardman Robinson, conducting a seminar in mural painting at the Cleveland Institute of Art. Although he did not work with Robinson at the Fine Arts Center, who had become quite ill - retiring in 1947 - he studied Robinson’s specialty of mural painting before leaving to briefly attend the Cranbrook Academy in 1947. That same year he returned to the Fine Arts Center, studying painting with Jean Charlot and Mary Chenoweth, and lithography with Lawrence Barrett with whom he produced some 132 images during 1948-49. At the Fine Arts Center he met his future wife, Donna Fortin, whom he married in 1947. Also a Midwesterner, she had taken night art courses at Hull House in Chicago, later studying at the Art Institute of Chicago with the encouragement of artist Edgar Britton. After World War II she studied with him from 1946 to 1949 at the Fine Arts Center. (He had moved to Colorado Springs to treat his tuberculosis.) Ed Marecak also became good friends with Britton, later collaborating with him on the design of large stained glass windows for a local church. In 1950-51 Marecak returned to the Cleveland Institute of Art to complete his Bachelor of Fine Arts degree. A year later he was invited to conduct a summer class at the University of Colorado in Boulder, confirming his interest in the teaching profession. In 1955 he received his teaching certificate from the University of Denver. Vance Kirkland, the head of its art department, helped him get a teaching job with the Denver Public Schools so that he and his family could remain in the Mile High City. For the next twenty-five years he taught art at Skinner, Grove, East, George Washington and Morey Junior High Schools. Prior to coming to Colorado, Marecak did watercolors resembling those of Winslow Homer, John Singer Sargent and Charles Burchfield. However, once in Colorado Springs he decided to destroy much of his earlier oeuvre, embarking on a totally new direction unlike anything he had previously done. Initially, in the 1940s, he was influenced by surrealist imagery and Paul Klee and in the West by Indian petroglyphs and Kachinas. His first one-person show at the Garrett Gallery in Colorado Springs in 1949 featured paintings and lithographs rendered in the style of Magic Realism and referential abstraction. The pieces, including an oil Witch with Pink Dish, foreshadowed the output of his entire Colorado-based career, distinguished by a dramatic use of color, intricacy of execution and attention to detail contributing to their visual impact. He once observed, “Each time I start a new painting I always fool myself by saying this time keep it simple and not get entangled with such complex patterns, color and design; but I always find myself getting more involved with richness, color and subject matter.” An idiosyncratic artist proficient in oil, acrylic, watercolor, gouache, and casein, he did not draw upon Colorado subject matter for his work, unlike many of his fellow painters in the state. Instead he used Midwest landscape imagery, bringing to life in it witches and spirits adapted from the Slovakian folk tales he heard growing up in Ohio. A number of his paintings depict winter witches derived from the Slovak custom in the Tatra Mountains of burning an effigy of the winter witch in the early spring to banish the memory of a hard winter. The folk tale element imparts a dream-like quality to many of his paintings. A devote of Greek mythology, he placed the figures of Circe, Persephone, Sybil, Hera and others in modern settings. The goddess in Persephone Brings a Pumpkin to her Mother, attired as a Midwestern farmer’s daughter, heralds the advent of fall with the pumpkin before departing to spend the winter season in the underworld. Train to Olympus, the meeting place of the gods in ancient Greece, juxtaposes ancient mythology with modernity creating a combination of whimsy and thought-provoking consideration for the viewer. Voyage to Troy #1 alludes to the ancient city that was the site of the Trojan Wars, but has a contemporary, autobiographical component referencing the harbor of the Aleutian Islands recaptured from the Japanese during World War II. In the 1980s Marecak used the goddess Hera in his painting, Hera Contemplates Aspects of the Art Nouveau, to comment on art movements in the latter half of the twentieth century Marecak’s love of classical music and opera, which he shared with his wife and to which he often listened while painting in his Denver basement studio, is reflected in Homage of Offenbach, an abstract work translating the composer’s musical colors into colorful palette. Pace, Pace, Mio Dio, the title of his earliest surrealist painting, is a soprano aria from Verdi’s opera...Category
1990s Abstract Figurative Paintings
MaterialsBurlap, Oil
You May Also Like
- British Abstract geometric figure in greys by Ron SimsLocated in Petworth, West SussexRon Sims (British, 1944 – 2014) Ghost Oil on canvas 48.1/4 x 22.5/8 in. (122.5 x 57.5 cm.)Category
20th Century Abstract Geometric Figurative Paintings
MaterialsOil, Canvas
- HUGE 1970'S FRENCH CUBIST ABSTRACT SIGNED FRENCH OIL - BRIGHT & COLORFUL NUDELocated in Cirencester, GloucestershireArtist/ School: French School, signed lower corner, circa 1980's period. Title: Cubist abstract composition of figures. Medium: oil painting, on canvas. Size: frame: 32.5 x ...Category
Late 20th Century Abstract Geometric Abstract Paintings
MaterialsCanvas, Oil
- 'Carmelita' - Young Woman with Flowers - Vibrant Abstract Geometric CubismLocated in Carmel, CA"Carmelita" by Robert Glick is a captivating 36" x 36" oil on canvas that marries the abstract with the geometric and the vibrancy of figurative art. This...Category
2010s Abstract Geometric Figurative Paintings
MaterialsCanvas, Oil
$6,000 Sale Price20% OffFree Shipping - Abstract Geometric CompositionBy Nick O'ConnorLocated in Soquel, CABold geometric abstract painting by Nick O'Connor (American, late-20th Century). Signed, numbered, and dated "#1 Nick O'Connor 2002" on verso, with an inscription that reads "Hinduis...Category
Early 2000s Abstract Geometric Abstract Paintings
MaterialsCanvas, Oil, Spray Paint
- The Brissons, Harriet Hoult, 2021, Original Framed Mixed Media Painting,By Harriet HoultLocated in Deddington, GBThe Brissons [2021] Original Abstract Mixed Media Acrylic, Oil On Canvas Image size: H:113 cm x W:77 cm Complete Size of Unframed Work: H:113 cm x W:77 cm x D:0.1cm Framed Size: H:13...Category
21st Century and Contemporary Abstract Geometric Abstract Paintings
MaterialsCanvas, Oil, Acrylic
- Solo II 2005., Cardboard, author's technique, 64x45 cmLocated in Riga, LVSolo II Uldis Krauze (1958) 2005., Cardboard, author's technique, 64x45 cmCategory
Early 2000s Abstract Geometric Figurative Paintings
MaterialsOil, Cardboard
Recently Viewed
View AllMore Ways To Browse
Vintage Oil Painting Yellow Flowers
Fuschia Vase
Vintage Midcentury Fuschia
Roberto Gil De Montes
Salvador Cabrera
Silver Plated Alcohol Label
Size 41 Hermes Womens
Sj Peploe
St Claire Assisi
Stephen Mopope
Sue Halliday Contemporary Oil
Tai Shan Schierenberg
Tennis Woman 30s
Thomas Kuntz
Trinity3 Stone Table
United Wilson 1897
Van Den Andern
Vintage Moravian Star Light