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George Paice
Early 20th century English Antique portrait of a Polo Pony

circa 1900

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19th Century horse portrait oil painting of a bay horse in a stable

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1930's Oil Dark Brown Thoroughbred Racehorse Standing in Profile Signed Painting

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Early 20th century English Antique portrait of a Polo Pony

Early 20th century English Antique portrait of a Polo Pony

By George Paice

Located in Woodbury, CT

This early 20th-century portrait of a Polo Pony by the esteemed English artist George Paice is an exquisite representation of equine artistry, showcasing Paice’s remarkable skill in ...

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19thC  portrait of the Duc De Chartres and Louis Philippe with their horses

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Located in Woodbury, CT

Well painted late 19th century watercolor of the Duc De Chartres and Louis Philippe with their horses out Fox hunting. The piece is a fine quality watercolor, well framed in an Eng...

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English 19th century English Farm  with shire Clydesdale horses in a landscape

English 19th century English Farm with shire Clydesdale horses in a landscape

By John Frederick Herring Sr.

Located in Woodbury, CT

English School Farmyard Scene with Horses and Goat Oil on panel, unsigned The Circle of John Frederick Herring Sr. Circa 1880 Presented in a later gilt and painted frame This finely rendered 19th-century English farmyard scene captures the quiet dignity of rural life, with a group of three horses—white, chestnut, and black—gathered beneath a tree in the warm light of late afternoon. A small goat stands to one side near a rustic stable, adding a note of charming domesticity to the composition. The surrounding landscape, with its distant hills and careful play of shadow and cloud, speaks to the artist’s sensitivity to atmosphere and detail. Though unsigned, the painting is executed in a manner closely aligned with the work of John Frederick Herring Senior, one of Britain’s most celebrated animal painters of the Victorian era. The careful modelling of the horses, their distinctive postures and anatomy, and the tranquil farm setting are all hallmarks of Herring’s influence. Painted in oils on a wooden panel, the surface retains a fine, even gloss and a warm palette typical of the period. The composition is both balanced and lyrical: the interplay of form and gesture among the animals invites the viewer into a moment of repose between work and activity, emblematic of Victorian ideals of harmony between man, beast, and the land. A delightful example of 19th-century English rural painting...

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