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Georges Arnulf
The 3 Graces

1952

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  • woman in the wood, '30s - lacquer on wood panel, 50x51 cm.
    Located in Nice, FR
    Lacquer painting on silver foil representing a woman resting in the wood. Art deco painting from Italian painter Cavenago. Signed low in the center. On wood panel.
    Category

    1930s Art Deco Figurative Paintings

    Materials

    Lacquer

  • Two people, 1965 - oil on canvas, 92x65 cm., framed
    By Alfred Angeletti
    Located in Nice, FR
    Beautiful oil on canvas by Alfred Angeletti. dated and signed. Alfred Angeletti, Artiste peintre (1919 - 1991),
    Category

    1960s Abstract Figurative Paintings

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    Oil

  • Natasha - huile sur toile, encadré, 38x60 cm.
    By Gainon Joelle
    Located in Nice, FR
    Huile sur toile de Joelle Gainon, encadré 70cm x82 cm
    Category

    1970s Fauvist Figurative Paintings

    Materials

    Oil

  • Sitting woman - Acrylic , 65x92 cm. framed
    By Georges Connan
    Located in Nice, FR
    Wonderful acrylic on wood panel by Georges Connan. Comes with frame Georges Connan born in 1912 and dead in 1987.
    Category

    1950s Cubist Figurative Paintings

    Materials

    Acrylic

  • Indian Chief, 30's - gouache, 29x23 cm., framed
    Located in Nice, FR
    Gouache on paper by the native american artist Mopope. Dimensions framed: 35x28 cm. Stephen Mopope was born on 27 August 1898 near the Redstone Baptist Mission on the Kiowa Reservation in Indian Territory. Qued Koi was his Kiowa name, which translates as "Painted Robe," and is sometimes spelled, "Wood Coy." His maternal grandfather was Appiatan, a famed Kiowa warrior, and his great-uncles were Silver Horn and Oheltoint (Ohettoint), both of whom were accomplished artists. Oheltoint was one of the Fort Marion ledger artists.[1] Mopope's paternal grandfather was a Spanish captive, adopted by Kiowa chief Many Bears. When Mopope was a young child, his relatives observed him drawing pictures in the sand, so the artists in his family taught him how to paint on hides in the traditional manner. His grandmother was also instrumental in his early education. In 1916, Mopope attended St. Patrick's Indian Mission School in Anadarko, Oklahoma, where he received further art instruction under Sister Olivia Taylor, a Choctaw nun. In a move that contradicted US federal policy at the time, Susan Peters, the Kiowa agency field matron, arranged for Mrs. Willie Baze Lane, an artist from Chickasha, Oklahoma, to teach painting classes for young Kiowas in Anadarko. Recognizing the talent of some of the young artists, Peters convinced Swedish-American artist, Oscar Jacobson...
    Category

    1930s American Realist Figurative Paintings

    Materials

    Gouache

  • The lady with fan - oil pastel on paper, 64x52 cm. framed
    Located in Nice, FR
    Pastel by Charles Vasnier, a french painter, born at Caen. (1873-1961) His works are exposed at the caen Museum of Arts. With frame it measures: 74x62 cm.
    Category

    Early 19th Century Art Nouveau Figurative Paintings

    Materials

    Oil Pastel

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  • Beautiful acrylic on wood "Backstage" by the famous Giancarlo Impiglia
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  • Marinas I
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    “Untitled” 2022 Acrylic on Black Cotton Linen 26 1/2 x 26 3/4” $2000 ------- Laura Gonballes is an artist who lives and works in Barcelona, Spain with visual language influenced...
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  • A Chinese Company playing Droughts
    Located in Amsterdam, NL
    ERWIN BINDEWALD (1897-1950) Two men playing draughts, a girl with the red book standing behind them Signed and dated E. Bindewald d.j., 27 Oil on canvas, 140.5 x 90.5 cm In black and gilt gesso frame. Note: Bindewald was born in Charlottenburg. He moved to Berlin in 1914 where he studied till 1924 at the Berliner Kunst Akademie. Bindewald travelled in Europe, but mainly stayed in Germany and certainly never was in China. This painting was made in Europe, presumably in the China Town of Berlin. Bindewald received several commisions in Germany from factory owners who wanted their factories painted inside, usually with workers, as well as outside. In the present painting the sitter on the right seems to be a man with a Manchurian background, wearing the brown coat reserved for the highest aristocracy in China. In China the black sleeve-ends completely cover the hands, indicating that the high aristocracy does not have to do any manuel labour. This man clearly is not a factory worker but he possibly is the (co)- owner of the factory in the background and as such might need his hands to do at least some writing. The man on the left in the modern Western suit...
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