Hans Amis

Morning Reflection

Charles Chambers (American, 1880-1964) Young Lady Picking Wildflowers Signed Lower Right 10 x 13 inches 16.5 x 16.5 inches with frame C. Bosseron Chambers was known for figurative works in an illustrative manner, with many of them being either portraits or works with religious themes. An illustrator and teacher as well as painter, Chambers was born in St. Louis, Missouri on May 1882. His father, a young Irish captain in the British Army, was a convert to the Catholic Church, and his mother was the daughter of a French family long established in St. Louis. Charles, the youngest of several children, was sent to the Preparatory and Grammar Schools connected with St. Louis University in his earliest years, and his education in his chosen art was begun under Louis Schultz of the Berlin Royal Academy, with whom he spent six years. His next master was Aleis Hrdliczka of the Royal Academy of Vienna, and he later studied with Johannes Schumacher of Dresden for six years. After matriculating at St. Louis University, Chambers began his professional career at Palm Beach, Florida, a place chosen because of his mother's failing health. From this period in his artistic productions date the fantastic figure compositions exhibited at the St. Louis Exposition, together with portraits of Colonel Mitchell for the Missouri Historical Society; Joseph Jefferson, the great American actor; young Master Haven; Henry Phipps; Henry M. Flagler; Mrs. Voorhis and others. In 1916, he moved to New York City, and established himself in the Carnegie Studios, Carnegie Hall, where he occupied a splendid atelier. Here he produced the Light of the World, the most popular religious painting of the early 1900s in the USA. He was a member of the Society of Illustrators, established in 1901 in New York City, and the Salmagundi Club, an early important art club in New York City. He illustrated Sir Walter Scott's, Quentin Durward, in the Scribner Classics for Young People. His work was exhibited at the well-known John Levy Galleries in New York City in the 1930s, and his work is now in several public collections in St. Louis and Chicago, including Chicago's St. Ignatius's Church, Missouri Historical Society in St. Louis, and the Osceola Club in St. Augustine, Florida. Chambers is listed on p. 145 of Currier's Price Guide to American Artists at Auction, 6th ed. 1994, written & compiled by William T. Currier, Currier Publication, Stoneham, MA. Reviews of his artwork have appeared in various publications, including the following: "Chambers' Seven Dolors criticized by Emily Genauer" Art Digest v. 13 March 15, 1939, p. 58. "From Angels to men: Recent portraits, John Levy Galleries" Art Digest v. 10 Nov. 15, 1935, p. 12. "Exhibition, John Levy Galleries" Art News...

Edward Cucuel (American, 1875-1954) Summer Idle, 1918 Signed Lower Right 35 x 43 inches 43 x 51 inches with frame Born in San Francisco, Edward Cucuel was an Impressionist painter o...

Roy Andersen (b. 1930) "Old High Country Woman" Oil on Canvas 12 x 16 inches 21.5 x 25 inches framed Known as a western painter, Roy Andersen did paintings of Crow, Cheyenne, and Apache Indians. He began his career living in Chicago and New York and working as an illustrator. He did numerous covers for Time Magazine including portraits of Albert Einstein and Prince Fahd. He also did illustrations for National Geographic magazine, and did a stamp series on Dogs and American Horses, and in 1984 and 1985, won Stamp of the Year Award. As a muralist, he has filled commissions for the National Park Service, the Royal Saudi Naval Headquarters, and the E.E. Fogelson Vistor Center at Pecos National Monument in New Mexico. To pursue his talent for painting, Roy Anderson went West, living in Arizona and settling in Cave Creek. In 1990, he was voted official artist for Scottsdale's Parada del Sol, the "world's largest" horse-drawn parade commemorating the Old West. Andersen grew up on an apple farm in New Hampshire and learned about Indian customs from his many hours spent at the Chicago Museum of Natural History. He is meticulous about being historically accurate in his paintings. Of him it was written: "There are no 'happy accidents' in an Andersen painting. He has a knowledge of his subject that is attained only through extensive research. You will not find an Apache medicine bag...

The Avenue Lights (5th Avenue, New York City) By. Gerald Harvey Jones (American, 1933-2017) Signed Lower Left 20 x 16 inches without frame 30.5 x 26.5 inches with frame G. Harvey (G...

La Peche a la Ligne Henry-Gabriel Ibels (French, 1867-1936) Signed Lower Left 25.75 x 20 inches 35 x 29 inches Henri-Gabriel Ibels (30 November 1867 Paris – February 1936 Paris), wa...

Carl Iver Gilbert (1882-1959) "A Place in the Sun" Oil on Canvas Signed Image: 10 x 12 inches Framed Size: 15 x 18.5 inches Carl Ivar Gilbert was a...

Dorota Zych-Charaziak is a Polish artist born in 1964 in Warsaw. She studied at the Faculty of Painting at the Academy of Fine Arts of Poland, in the atelier of Professor Tadeusz Dominik...

Wonderful abstract expressionist figurative of a painter at work, deeply focused on his subject is captured by California artist Molly E. Brubaker (American, 1922-2000). Unframed. Im...

Colorful scene of shoppers at a rural farm stand under cloudy skies, by Polish artist Gongor (Polish, 20th Century). Signed "Gongor" lower right. Displayed in a dark gold finish wood...

Self-portrait of the artist, in a pensive seated pose, by Lise Lang Crowley (American, 20th century). Signed "L" lower right and signed "Lise Lang Crowley" on verso. Presented in a r...

Dated, signed, and inscribed lower left: 1876 WILL. • H • LOW MONTIGNY sur Loing

"I See a Robin," a figurative oil painting of a boy in a window by Veon Zentner (American, 20th Century). Presented in a rustic wooden frame. Signed "Zentner" lower left. Titled "I S...