Herbert Paus

"Help Deliver The Goods"

Medium: Oil on Linen Signature: Signed and Dated Lower Right Prairie Grove Picnic

Medium: Oil on Linen Signature: Signed and Dated Lower Right This painting is accompanied by a typewritten letter from Falter, dated May 23, 1974.

Medium: Oil on Linen Signature: Signed and Dated The stretcher is dated 4/23/40 in pencil on the back. Next to this date is what looks like to be an inventory number -8755 Featured...

Signature: Signed Lower Right Medium: Oil on Canvasboard Good Housekeeping magazine cover, March 1936

Date: 1928 Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Right Liberty Cover, 5/12/28

Date: 1942 Medium: Oil on Canvas Dimensions: 24.00" x 48.00" Signature: Signed Lower Right

Hanan Shlonsky Circle of Literature, 2007 tempera on linen 82x100 cm Exhibited: Comparative Literature, 2009 Artists' House Tel-Aviv , paintings on l...

This replica of the last self-portrait of Jean-Baptiste Greuze painted in 1804, executed by his daughter Anna at her father's side and recently rediscovered, provides us with a poignant image of the great artist, represented with panache despite the disillusions of life. 1. Jean-Baptiste Greuze Jean-Baptiste Greuze was the sixth child of a roofer from Tournus and retained a certain rusticity in his behaviour from his provincial childhood, beyond his taste for describing picturesque scenes of the countryside. He initially started training with a little-known painter from Lyon, Charles Grandon, before his genius was recognised in Paris where he became a full-time student of the Académie (of Painting) in 1755. He exhibited his work for the first time at the Salon during the summer of 1755, before leaving on a trip to Italy in the company of Louis Gougenot, abbot of Chezal-Benoît. Upon his return to Paris, Greuze became a prolific painter, participating widely in the Salons held between 1759 and 1765, to which he sent no less than 63 paintings: numerous genre scenes (The Marriage Contract, The Beloved Mother), but also portraits of his family circle, of courtiers and art lovers, or of his colleagues. The Academy closed the doors of the Salons to him in 1767 for not having produced his reception piece within six months of his reception, as was the tradition. He worked actively on this painting (Emperor Severus rebukes Caracalla, his son, for trying to assassinate him ) until the summer of 1769, tackling historical and mythological subjects for the first time. Once this was completed, he was then fully admitted to the Academy, but as a genre painter, and not as an historical painter, which had been one of the greatest humiliations of his life. Greuze then refused any participation in events organised by the Academy or its successor, the Academy of Fine Arts until 1800. Abandoning history painting, he gave a new twist to genre scenes, bringing them closer to history painting, as in this pair of canvases which constitutes some of his masterpieces: The Paternal Curse: The Ungrateful Son and The Paternal Curse: The Punished Son . Married in 1759 to Anne-Gabrielle Babuti, the daughter of a Parisian bookseller, his marriage was unhappy and his wife probably frequently unfaithful. The institution of divorce enabled him to record their separation in 1793, keeping his two daughters Anna-Geneviève, born in April 1762, and Louise-Gabrielle, born in May 1764, with him. Little is known about his daughter Anna except that she was herself a painter and lived with her father until his death. It is likely that most of the paintings she produced up to that date were attributed to her father, whose technique she shared to a great extent, making it extremely difficult to establish an autonomous corpus of her paintings. Greuze died in his studio at the Louvre on March 21st 1805. The attention paid to the expressivity of his characters and the emotional charge they convey enabled Jean-Baptiste Greuze to enjoy immense popularity with the eighteenth-century public, and they still constitute Greuze's true modernity. As the artist said, "I dipped my brush in my heart". Greuze was also an exceptional draughtsman and a portraitist of immense talent and exceptional longevity who painted both the Dauphin (the son of Louis XV and father to Louis XVI) and the young Napoleon Bonaparte. 2. Greuze's self-portraits Greuze was very much influenced by Dutch paintings during all his life. While the source of his inspiration for genre scenes can be found in Gerard Dou...

Embark on an artistic journey with "Oh Etruria," an abstract piece exuding both texture and boldness, elegantly presented within a frame. Drawing inspiration from the ancient region ...

VESUVIUS 2022 PARIS, FRANCE Graphically textural, yet bold, this abstract piece comes framed, and offers a neutral color palette. Inspired by the eruption of Mount Vesuvius in 79 AD...

In Lion in the Kitchen, his second solo exhibition with the gallery, Benn reflected on the textures and potential narratives of domestic space. After spending a season indoors with h...

MARC GONZ   THE HIDDEN GAZE     When confronted with the universe of Marc Gonz, we discover creations that seem to be the result of a working session of a hy...