"Le Chapeau" by James Van Fossan
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 4
James Van Fossan"Le Chapeau" by James Van Fossan2016
2016
About the Item
- Creator:James Van Fossan (1966, American)
- Creation Year:2016
- Dimensions:Height: 48 in (121.92 cm)Width: 34 in (86.36 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Wiscasett, ME
- Reference Number:1stDibs: LU50631416813
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 1999
1stDibs seller since 2016
96 sales on 1stDibs
More From This SellerView All
- Tea TimeBy Frank BramleyLocated in Wiscasett, MESigned and dated 92 lower left. Oil on canvas. Frank Bramley British, 1857-1915 Frank Bramley is considered one of the most important artists of the Newlyn School, the group of artists who settled in Newlyn, Cornwall during the 1880s and 1890s, drawn by the light, lifestyle and the example of Alexander Stanhope Forbes, and were at the forefront of 'British Impressionism'. He was particularly ‘in the news’ when his painting of a woman reading in a garden made the astonishing price of $590,000 at Sotheby's New York in late May 1996. As the seminal catalogue of the famous Newlyn School exhibition states, Bramley's reputation has rested for some time on Hopeless Dawn, his major RA exhibition of 1888, and which in recent years has been hung almost constantly at the Tate Gallery. Bramley was born in Lincolnshire and trained at Lincoln Art School, later at Verlat's Academy in Antwerp, from where he went to Venice in 1882-83, where our painting was executed. He first showed at the Royal Academy in London in 1884 (both paintings were Venetian scenes), and it was in the winter of 1884/5 that Bramley settled in Newlyn. He was a quiet and reserved figure, prone to bouts of melancholy. He worked on his own in a tiny studio in an old thatched cottage - the cottage consisted of two rooms, one at ground level (which was the studio) and one which was below ground which was inhabited by a woman who'd lost her arms and who managed to look after a set of tiny children as well as a small potato and turnip shop. Bramley moved to a purpose-built glass studio in 1889. He is known as the master of the so-called 'square-brush technique' which characterizes much of the best Newlyn School work and he used this until 1893, later than most of his colleagues. Bramley was friendly with the great artist Sargent and with him was elected an associate of the Royal Academy in 1894, being elected a full member in 1911. In 1891 he had married, and 4 years later they moved to the Midlands where his work became less socially orientated and more purely decorative. His last years were spent in a London flat...Category
1890s Victorian Figurative Paintings
MaterialsOil
$58,000 - Warming by the FireLocated in Wiscasett, MEOil on panel, measures 17" x 21" painting and with frame 24" x 27.5". Signed and dated 1885 lower left. Charles Green studied at Leigh’s School of Fine Art and under the engraver, J W Whymper, before quickly establishing himself as a painter and illustrator. Specialising in genre pieces, he joined the Langham Sketching Club and was elected to the Royal Institute of Painters in Water Colours (ARI 1864; RI 1867). His elder brother, Henry Towneley Green, was also a member. His contribution of contemporary subjects to the early numbers of The Graphic were admired by Van Gogh, but he was best known for his depiction of period settings and for his illustrations to The Old Curiosity Shop...Category
1880s Victorian Figurative Paintings
MaterialsOil
$3,600 Sale Price43% Off - Feeding the BabyLocated in Wiscasett, MEOil on canvas, signed upper left. Provenance: Sothebys Amsterdam, Private collection London, Private collection Palm Beach. His working period was from about 1894 to 1973, successively in Rotterdam, Heeze (Heeze-Leende), Hilversum and Laren. He was educated at the Craft School for decorative painters and received evening lessons at the Rotterdam Academy under the direction of A. van Maasdijk. He was a member of the Vereeniging Sint Lucas...Category
Early 20th Century Dutch School Interior Paintings
MaterialsOil
- Preparing the MealBy Sam UhrdinLocated in Wiscasett, METhis oil on canvas is signed and date in the upper left and measures 38" x 45.25" including the frame. Sam Uhrdin (Swedish School, 1886-1964). Sam Uhrdi...Category
1940s Impressionist Figurative Paintings
MaterialsOil
- The Pool PlayersBy Vincent Campanella 1Located in Wiscasett, MEOil on artist board signed and dated lower right featuring pool players playing a point match in the pool hall. Great WPA feel and texture impasto. Most likel...Category
1940s Post-Impressionist Interior Paintings
MaterialsOil
- A Distinguished GentlemanLocated in Wiscasett, MEOil on canvas, inscribed on the stretcher bar reverse. The painting is presented in a flat black frame that complements it well. Horace Bundy was an itin...Category
Mid-19th Century Folk Art Figurative Paintings
MaterialsOil
$2,730 Sale Price30% Off
You May Also Like
- Gulliver's LegsBy Barbara FriedmanLocated in New Orleans, LABarbara Friedman’s painting process is exploratory. She paints to discover and likes to be surprised by her work. She sometimes paints over her old paintings while retaining certain ...Category
2010s Contemporary Figurative Paintings
MaterialsWood, Oil
Price Upon Request - Collar Above RoofBy Barbara FriedmanLocated in New Orleans, LABarbara Friedman’s painting process is exploratory. She paints to discover and likes to be surprised by her work. She sometimes paints over her old paintings while retaining certain ...Category
2010s Contemporary Figurative Paintings
MaterialsOil, Wood Panel
Price Upon Request - Head in Collar (small version)By Barbara FriedmanLocated in New Orleans, LABarbara Friedman’s painting process is exploratory. She paints to discover and likes to be surprised by her work. She sometimes paints over her old paintings while retaining certain ...Category
2010s Contemporary Figurative Paintings
MaterialsWood Panel, Oil
Price Upon Request - BeforeBy Barbara FriedmanLocated in New Orleans, LABarbara Friedman’s painting process is exploratory. She paints to discover and likes to be surprised by her work. She sometimes paints over her old paintings while retaining certain ...Category
2010s Contemporary Figurative Paintings
MaterialsLinen, Oil
Price Upon Request - Blue HandsBy Barbara FriedmanLocated in New Orleans, LABarbara Friedman’s painting process is exploratory. She paints to discover and likes to be surprised by her work. She sometimes paints over her old paintings while retaining certain ...Category
2010s Contemporary Figurative Paintings
MaterialsLinen, Oil
Price Upon Request - Foot in the GardenBy Barbara FriedmanLocated in New Orleans, LABarbara Friedman’s painting process is exploratory. She paints to discover and likes to be surprised by her work. She sometimes paints over her old paintings while retaining certain ...Category
2010s Contemporary Figurative Paintings
MaterialsOil, Wood Panel
Price Upon Request