Jim Houser

DROPS

2017

This piece titled "Reckless Dreams Forever" is a one-of-a-kind original piece by Amanda Marie (Mando) done with hand-cut stencil, acrylic and aerosol on canvas in solid wooden box fr...

"Surrounded By Fuzzy Friends" is a piece by Akira Gordon made from acrylic and oil on canvas. This piece measures 48"h x 60"w unframed. Akira hopes to give black people images that...

This piece titled "Getting Gone" is a one-of-a-kind original piece by Amanda Marie (Mando) done with hand-cut stencil, acrylic and aerosol on canvas in solid wooden box frame. This p...

This piece titled "Tuck and Roll" is an original artwork made from acrylic, aerosol, & ink on canvas by Still Life Crew. This piece is shipped in the pictured wooden frame and measures 21.25”h x 29.25”w. The artists behind the joint "Gardening Above" collection, Mando Marie...

This piece titled "Zenith" is an original artwork made from acrylic, aerosol, & ink on canvas by Still Life Crew. This piece is shipped in the pictured wooden frame and measures 29.25”h x 29.25”w. The artists behind the joint "Gardening Above" collection, Mando Marie...

"Challenger" is an original painting on canvas by James Oliver measuring 40in x 60in. James Oliver is a painter whose precise visual language pushes the tradition of twentieth century abstraction into a contemporary context. Oliver is a conceptually driven formalist whose work is inspired by his dreams and emotional states, which he abstracts into an undetermined and subjective viewing experience by emphasizing line, color, and form. Even as Oliver turns to a figurative practice in recent series, rendering cultural icons like chopper bikes, Pontiac Firebirds, and his childhood poodle in detailed line drawings, these representations similarly evoke broadly accessible affects abstracted from his mental landscape. Born in Upstate New York, raised in San Juan, Puerto Rico, son of an advertising executive, Oliver was exposed from a young age to visual art from its most commercial applications to more visceral exponential lives. "The Challenger is a classic muscle car. Knowing that I have been working on a series of muscle car paintings...

Eliyahu Boxer Facets and Faces (triptych), 2023 acrylic and ink on canvas 60 x 150 cm 24 x 59 in Eliyahu was born in the United States and moved to Israel with his family at a ver...

Acrylic on canvas painting by Joe Shannon (b.1933). Titled "Three Business Men" signed and dated 1972. New York Times art critic Grace Glueck observed tha...

Signed and dated. «Meg og deg» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memory ...

Signed and dated. «This mask will last a lifetime» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and forem...

Signed and dated. «O Donald, where aren't thou?» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memory of two dramatic years since 2020 that have affected us all. Covid, and its consequences, have become a common point of reference that we will all talk about and bear remembrance to for a long time. But our memories are like life itself; dynamic and in constant change, often weakening with time, and can either ebb out or be reinforced. O.F. Hvidstens work in this period stand out as an anchor point for this common experience. Ole Fredrik Hvidsten...

Signed and dated. «This is not a prison» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memory of two dramatic years since 2020 that have affected us all. Covid, and its consequences, have become a common point of reference that we will all talk about and bear remembrance to for a long time. But our memories are like life itself; dynamic and in constant change, often weakening with time, and can either ebb out or be reinforced. O.F. Hvidstens work in this period stand out as an anchor point for this common experience. Ole Fredrik Hvidsten...