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Laure Parmentier Chahbazian
July 2019

2019

About the Item

"July 2019" is an abstract painting by the French artist Maestro Laure Parmentier Chahbazian. Through her art, she has a very sharp and unique style of bright and colorful expression. The painting is unframed. Acrylic, glaze and pigments on canvas, 80 x 100 cm Dear art lovers, if you like the art of maestro Laure Parmentier Chahbazian, please click the link to follow this artist and art gallery Snow Pearl to discover all our artists and beautiful artworks. Thank you so much! we appreciate your interest to our work. Maestro Laure Parmentier Chahbazian was born in Paris. In 1987 she graduated from the Architecture school of Paris-la-Villette, where she also studied Fine Arts. Working in both fields thereafter, the necessity to exclusively paint Evolved from 2000. ARTIST STATEMENT Transforming the search for a taste of life into a journey, an emotion, bathing in the joy of color and light. Color as emotion, as life experienced to its ultimate. Transparencies captured through waves, through deluge, through movement. Seeking an alchemy of colors and substance through a gestural and intuitive style, combining glazing techniques and a use of natural pigments, sublimating light, reflection, transparency and depth in a total freedom of creation. No titles for these canvases, just a date, a moment in time of conception, permitting a freedom of interpretation for the observer, infinite possibilities therein. INDIVIDUAL EXHIBITIONS IN FRANCE -permanent exhibition at the « Marie de Holmsky » gallery, 75006 Paris. -2018, Maître Albert Gallery, 75005 Paris. -2017, Wide Contemporary Art Market (GMAC), 75004 Paris. -2013, Arras Art Center, 75005 Paris. SELECTED GROUP EXHIBITIONS IN FRANCE -2017, Monod Gallery, 75005 Paris. -2017, 5th arrd. Artist’s 36th Spring Salon, 75005 Paris. -2016, Green Walk, 75012 Paris. -2016, l’Atelieu Gallery, 75012 Paris. -2016, 5th arrd. Artist’s 35th Spring Salon, 75005 Paris. The artist’s artworks are owned in private collections worldwide.
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