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A. Lihachev
'Portrait of a Young Caucasian Woman', Traditional Folk Dress, Russian Orthodox

1998

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    Signed lower left, 'J. Reid' (American, 19th century) and dated 1869. Additionally inscribed, lower right, 'J. A. Scholten, Pho.' for John A. Scholten (American, 1829-1886) A period and substantial oil portrait by J. Reid from a John Scholten photograph showing an elegantly-dressed young woman playing a classical guitar and gazing directly and with confidence towards the viewer. Viewed through a window across a stone balustrade, a Neoclassical landscape, with broad river and distant riverbank, rests beneath sunset clouds. J. Reid was a portrait painter active from the 1820's through the 1860's. John A. Scholten maintained photography studios in both St Louis and Cincinnati and was a much sought-after society portraitist and photographer of bridal parties...
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    Signed center left, 'Christine Sundberg' (Swedish, 1837-1892) and dated 1888. Displayed in a period golden maple frame; Framed dimensions: 25.5 x 1...
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    Signed lower right, 'Richmond' for George Richmond, RA (British, 1809 – 1896) and painted circa 1845. Displayed in a period, carved and giltwood frame. (Framed dimensions: 22.75 x 21.5 x 1.0) This English painter and portraitist was a founding member of The Ancients, a group of followers of William Blake. Later in life, he established himself as a successful society portrait painter of the British gentry, nobility and royalty. George Richmond was the son of Thomas Richmond the miniature-painter and, also, the father of the painter William Blake Richmond. For a short time, he attended a day school in Soho, before became a student at London's Royal Academy. Here he was much impressed by Henry Fuseli, his professor of painting, and formed a lifelong friendship with Samuel Palmer, and had as fellow-students and companions Edward Calvert...
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