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Malia Pettit
New Red Coat, Oil Painting

2020

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  • Children, Oil Painting
    Located in San Francisco, CA

    Artist Comments
    A small group of children huddle around a street fire. The flickering flames cast a modest glow on their pale complexions and provide warmth on a cold winter night. In this piece, artist Connie Millholland...

    Category

    21st Century and Contemporary Outsider Art Figurative Paintings

    Materials

    Oil

  • Into Myself, Oil Painting
    Located in San Francisco, CA

    Artist Comments
    A bustling crowd walks purposefully to and from their destinations. Set against a mostly black and white backdrop, Connie employs selective coloring, highlighting specific elements in vivid red hues. The figures' hazy edges infuse the scene with a dynamic motion blur...

    Category

    21st Century and Contemporary Impressionist More Art

    Materials

    Oil

  • 1945, Oil Painting
    Located in San Francisco, CA

    Artist Comments
    This painting draws inspiration from an old photograph from 1945, capturing a joyous moment of five ladies holding hands in celebration. Their faces light up with smiles and laughter, radiating an infectious delight. The contrasting colors of red and green bring a simple yet visually harmonious element to the scene.


    About the Artist


    Words that describe this painting: happy, joy, celebration, women, woman, dancing, dress, friends, friendship, people, fashion, primitive, oil painting, pink


    1945
    Connie Millholland...

    Category

    21st Century and Contemporary Outsider Art Figurative Paintings

    Materials

    Oil

  • Anywhere, Oil Painting
    Located in San Francisco, CA

    Artist Comments
    In a subway station, commuters engage in various pastimes as they wait for the train to arrive. One reads a newspaper, another talks on a cell phone, while the rest occupy themselves with their thoughts. Amidst the bustle, mumbled conversations, and rumbling railway noises, the red-haired woman sits with her eyes closed, immersed in a contemplative moment.


    About the Artist


    Words that describe this painting: train, subway, cellphone, newspaper, reading, waiting, Isabel Bishop, Vincent Van Gogh, Pablo Picasso, primitivism, travel, text, urban, people, travel, primitive, oil painting, grey


    Anywhere
    Connie Millholland...

    Category

    21st Century and Contemporary Outsider Art Figurative Paintings

    Materials

    Oil

  • 1926, Oil Painting
    Located in San Francisco, CA

    Artist Comments
    A group of joyful women walks down the street, each holding a glass of wine, a balloon, or a book, celebrating and having a good time. Their laughter fills the air, creating a vibrant and festive scene. Their attire matches the purple and yellow background, adding to the lively atmosphere.


    About the Artist


    Words that describe this painting: women, woman, friends, friend, fashion, wine, celebration, friendship, people, fashion, primitive, oil painting, purple


    1926
    Connie Millholland...

    Category

    21st Century and Contemporary Outsider Art Figurative Paintings

    Materials

    Oil

  • Regressive, Oil Painting
    Located in San Francisco, CA

    Artist Comments
    The artwork depicts a snapshot of modern urban life, where people on the streets are glued to their phones. Whether chatting, checking notifications, or scrolling through feeds, the scene shows how busy a city can be in the digital age. Using a harmonious palette mostly with warm orange tones, the painting exudes a vibrant and inviting atmosphere. Loose brushstrokes infuse the composition with liveliness.


    About the Artist


    Words that describe this painting: street, walking, cellphone, crowd, walking, urban, crowd, pedestrians, shadow, warm, people, primitive, oil painting, orange


    Regressive
    Connie Millholland...

    Category

    21st Century and Contemporary Outsider Art Figurative Paintings

    Materials

    Oil

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    Guy Pene du Bois' "Two Figures in Courtroom" is a WPA era American scene oil painting created in a realistic style. Modernism at its best The work is framed by Heydenryk. Pène du Bois descended from French immigrants who settled in Louisiana in 1738 and was raised in a Creole household. He was born in 1884 in Brooklyn, NY and first studied with William Merritt Chase at the New York School of Art and later continued his training with Robert Henri. Pène du Bois was greatly impressed with Henri's credo that "real life" was subject matter for art and throughout his life a realist philosophy informed his art as well as his parallel career, art criticism. In 1905, Pène du Bois made his first visit to Paris where he painted scenes of fashionable people in cafes rendered in the dark tonalities and impasto associated with the Ashcan School. By 1920, he had achieved his mature style, which was characterized by stylized, rounded, almost sculptural figures painted with invisible brushstrokes. The subjects of his paintings were often members of society whom he gently satirized. In 1924, Pène du Bois and his wife, Floy, left for France where they would remain until 1930. Returning to America showcases pictures the artist produced after this very productive period abroad. After five years of living in France, Pène du Bois was able to observe American life with fresh eyes. His work becomes more psychologically intense and less satirical. In Girl at Table a slender, blond is shown gazing at a small statue that she holds at arm's distance. The meaning is elusive, but a powerful sense of longing is evoked. Similarly, paintings such as Dramatic Moment and Jane are taut with unresolved dialogue. Both pictures depict mysterious interiors in which a lone woman anxiously awaits the denouement of a suspenseful scene. Other pictures, for example, Chess Tables, Washington Square and Bar, New Orleans, recall Pene du Bois's Ashcan origins in their depiction of urban entertainment. During this period, landscape becomes an important subject for Pène du Bois. Girl Sketching...
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