Marina Yevgenyevna Uspenskaya

"Squirrels" cm . 20 x 27 watercolor 1956

1956

Little girl, child, red, blue, reading we send the work anywhere Shipping included OLGA BOGAEVSKAJA (Moscow, 1916 – St. Petersburg, 2000) Works by Olga Bogaevskaja can be found in v...

Real Socialism,Moscow,1970,Russia,Orange,Men at Work,Propaganda VIKTOR A. KONOVALOV (Uidol, Vladimir region 1912 – Moscow 1995) Russian painter and gr...

Boat, lake, russia, impressionism, 1950,blue, GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collections in Europe, Japa...

Eccezionale disegno dei primi anni 20 stile Simbolista ,Orientalista Anche il Passepartout attorno all'opera è stato realizzato dall'artista. Louise JANIN nasce nel 1893, a Durham, ...

with frame is cm. 70 x 60 no frame cm. 45 x 35

watercolor, forest, green Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patroniz...

A whimsical pastel featuring a Mother with her Child on her lap that just pulled a goldfish from it's bowl. A charming large work that is exquisitely framed. Peggy Dodds Williams ...

Jules Schyl (Sweden, 1893-1977) Title: Ballet Dancers A Ballet Dancer painting is a rare find for an artist mostly known for his oeuvre with Cubism and Expressionist paintings. The current painting has many similarities with Degas sketches...

Bob Peak is one of the true giants of post-war American Illustration. He is a virtuoso artist, with a heightened level of skill and talent that very few living artists today possess...

Signed impressionist figurative pastel on board circa 1895 by sought after French impressionist painter Jean Louis Forain. The piece depicts a man asleep in a bed while a woman stands at the foot of the bed getting dressed. The room is dimly lit by the bedside lamp. Signature: Signed upper right Dimensions: Framed: 22"x26" Unframed: 15"x19" Provenance: Galerie Jean-Claude Bellier Jean Forain was the son of a painter and decorator and was apprenticed to a visiting card engraver. He studied briefly under Gérôme and Carpeaux at the École des Beaux-Arts in Paris and regularly visited the Louvre, where he copied works by the masters. It is said that for a time he made a precarious living by selling small drawings in the style of Grévin. He went on to collaborate on various publications as a draughtsman and columnist, starting in 1876 on La Cravache and then collaborating on the newspapers Le Journal Amusant, Le Figaro and L'Écho de Paris. This introduced him to the diverse worlds of Paris society - the world of the theatre, of shows, and of literature - where he wryly noted the habits and shortcomings particular to each. This led him to follow a route very characteristic of this period, already seen in the work of Steinlen, Caran d'Ache and Toulouse-Lautrec in the journals La Pléiade, La Vogue and La Revue Blanche. His work draws a picture of the society of the period, not in a strictly imitative fashion but in the form of the 'dessin-charge' or mild caricature. In 1880 he illustrated Parisian Sketches...

Pierre Carrier-Belleuse 1851-1932 | French Danseuse Signed “Pierre Carrier-Belleuse” (lower right) Pastel on canvas Strikingly elegant, this extraordinary pastel by French impress...

Dear art lover, This artwork makes part of my series dedicated to " Women" and in particularly celebrates a special bond and connection between women. This artwork highlights the f...