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Metal Figurative Paintings

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Period: 21st Century and Contemporary
Medium: Metal
Infinite Blessings
Located in Greifswald, DE
The lively energies of “Infinite Blessings” brings completion and success luck in all your undertakings. The vibrancy and liveliness of the island vortex winds embodies magical multi...
Category

2010s Abstract Impressionist Metal Figurative Paintings

Materials

Gold, Gold Leaf

Two Hearts
Located in Greifswald, DE
Two Hearts Authentic Feng Shui Art Spice up your love life and elevate your relationship to the next level with the warm fiery energy of these golden hearts. Real 24K gold emanates ...
Category

2010s Abstract Metal Figurative Paintings

Materials

Gold, Gold Leaf

100 Phoenix and Hearts
Located in Greifswald, DE
100 Phoenix with Hearts Authentic Feng Shui Art In feng shui, birds are manifesting symbols of new opportunities, specially as we are entering Period 9, the Period of the Rising Phoe...
Category

2010s Abstract Metal Figurative Paintings

Materials

Gold, Gold Leaf

Purple Heart
Located in Greifswald, DE
Purple Hearts Authentic Feng Shui Art Sparkling amethyst colored hearts are attracting protective and faithful energies into existing relationships. Amethyst has always been used to ...
Category

2010s Abstract Metal Figurative Paintings

Materials

Gold, Gold Leaf

Beautiful new modernist work by Giancarlo Impiglia, "The Marionettes"
Located in Bridgehampton, NY
A new work by the indelible Giancarlo Impiglia, who value can only increase. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the shou...
Category

2010s Metal Figurative Paintings

Materials

Metal

Holders Of New Light - Andrea Stella- Figurative Abstract Painting - Mixed Media
Located in Carmel, CA
Andrea Stella (1950-2019). The child of Greek immigrants raised in Italy, Andrea was destined to create. His first concentration in the art world was antique woodworking, which lead...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Gold Leaf

"Elvis", Denied Andy Warhol Silver & Black Pop Art Painting by Charles Lutz
Located in Brooklyn, NY
Elvis, Metallic Silver and Black Full Length Silkscreen Painting by Charles Lutz Silkscreen and silver enamel painted on vintage 1960's era linen with Artist's Denied stamp of the Andy Warhol Art Authentication Board. 82" x 40" inches 2010 Lutz's 2007 ''Warhol Denied'' series gained international attention by calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on the full-length Elvis Presley paintings by Pop Artist Andy Warhol in 1964, this is likely one of his most iconic images, next to Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando. This is the rarest of the Elvis works from the series, as Lutz sourced a vintage roll of 1960's primed artist linen which was used for this one Elvis. The silkscreen, like Warhol's embraced imperfections, like the slight double image printing of the Elvis image. Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's most recently presented an installation of new sculptures dealing with consumerism at Frank Lloyd Wright's Fallingwater House in 2022. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project is "Officially DENIED" "Warhol" paintings authored by Lutz. Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers. Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." Leonard Bernstein in: Exh. Cat., Boston, The Institute of Contemporary Art and traveling, Elvis + Marilyn 2 x Immortal, 1994-97, p. 9. Andy Warhol "quite simply changed how we all see the world around us." Kynaston McShine in: Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13. In the summer of 1963 Elvis Presley was just twenty-eight years old but already a legend of his time. During the preceding seven years - since Heartbreak Hotel became the biggest-selling record of 1956 - he had recorded seventeen number-one singles and seven number-one albums; starred in eleven films, countless national TV appearances, tours, and live performances; earned tens of millions of dollars; and was instantly recognized across the globe. The undisputed King of Rock and Roll, Elvis was the biggest star alive: a cultural phenomenon of mythic proportions apparently no longer confined to the man alone. As the eminent composer Leonard Bernstein put it, Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." (Exh. Cat., Boston, The Institute of Contemporary Art (and traveling), Elvis + Marilyn 2 x Immortal, 1994, p. 9). In the summer of 1963 Andy Warhol was thirty-four years old and transforming the parameters of visual culture in America. The focus of his signature silkscreen was leveled at subjects he brilliantly perceived as the most important concerns of day to day contemporary life. By appropriating the visual vernacular of consumer culture and multiplying readymade images gleaned from newspapers, magazines and advertising, he turned a mirror onto the contradictions behind quotidian existence. Above all else he was obsessed with themes of celebrity and death, executing intensely multifaceted and complex works in series that continue to resound with universal relevance. His unprecedented practice re-presented how society viewed itself, simultaneously reinforcing and radically undermining the collective psychology of popular culture. He epitomized the tide of change that swept through the 1960s and, as Kynaston McShine has concisely stated, "He quite simply changed how we all see the world around us." (Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13). Thus in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original superstar artist, Double Elvis is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and the lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age. The source image was a publicity still for the movie Flaming Star, starring Presley as the character Pacer Burton and directed by Don Siegel in 1960. The film was originally intended as a vehicle for Marlon Brando and produced by David Weisbart, who had made James Dean's Rebel Without a Cause in 1955. It was the first of two Twentieth Century Fox productions Presley was contracted to by his manager Colonel Tom Parker, determined to make the singer a movie star. For the compulsive movie-fan Warhol, the sheer power of Elvis wielding a revolver as the reluctant gunslinger presented the zenith of subject matter: ultimate celebrity invested with the ultimate power to issue death. Warhol's Elvis is physically larger than life and wears the expression that catapulted him into a million hearts: inexplicably and all at once fearful and resolute; vulnerable and predatory; innocent and explicit. It is the look of David Halberstam's observation that "Elvis Presley was an American original, the rebel as mother's boy, alternately sweet and sullen, ready on demand to be either respectable or rebellious." (Exh. Cat., Boston, Op. Cit.). Indeed, amidst Warhol's art there is only one other subject whose character so ethereally defies categorization and who so acutely conflated total fame with the inevitability of mortality. In Warhol's work, only Elvis and Marilyn harness a pictorial magnetism of mythic proportions. With Marilyn Monroe, whom Warhol depicted immediately after her premature death in August 1962, he discovered a memento mori to unite the obsessions driving his career: glamour, beauty, fame, and death. As a star of the silver screen and the definitive international sex symbol, Marilyn epitomized the unattainable essence of superstardom that Warhol craved. Just as there was no question in 1963, there remains still none today that the male equivalent to Marilyn is Elvis. However, despite his famous 1968 adage, "If you want to know all about Andy Warhol, just look at the surface of my paintings" Warhol's fascination held purpose far beyond mere idolization. As Rainer Crone explained in 1970, Warhol was interested in movie stars above all else because they were "people who could justifiably be seen as the nearest thing to representatives of mass culture." (Rainer Crone, Andy Warhol, New York, 1970, p. 22). Warhol was singularly drawn to the idols of Elvis and Marilyn, as he was to Marlon Brando and Liz Taylor, because he implicitly understood the concurrence between the projection of their image and the projection of their brand. Some years after the present work he wrote, "In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star...So you should always have a product that's not just 'you.' An actress should count up her plays and movies and a model should count up her photographs and a writer should count up his words and an artist should count up his pictures so you always know exactly what you're worth, and you don't get stuck thinking your product is you and your fame, and your aura." (Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again), San Diego, New York and London, 1977, p. 86). The film stars of the late 1950s and early 1960s that most obsessed Warhol embodied tectonic shifts in wider cultural and societal values. In 1971 John Coplans argued that Warhol was transfixed by the subject of Elvis, and to a lesser degree by Marlon Brando and James Dean, because they were "authentically creative, and not merely products of Hollywood's fantasy or commercialism. All three had originative lives, and therefore are strong personalities; all three raised - at one level or another - important questions as to the quality of life in America and the nature of its freedoms. Implicit in their attitude is a condemnation of society and its ways; they project an image of the necessity for the individual to search for his own future, not passively, but aggressively, with commitment and passion." (John Coplans, "Andy Warhol and Elvis Presley," Studio International, vol. 181, no. 930, February 1971, pp. 51-52). However, while Warhol unquestionably adored these idols as transformative heralds, the suggestion that his paintings of Elvis are uncritical of a generated public image issued for mass consumption fails to appreciate the acuity of his specific re-presentation of the King. As with Marilyn, Liz and Marlon, Warhol instinctively understood the Elvis brand as an industrialized construct, designed for mass consumption like a Coca-Cola bottle or Campbell's Soup Can, and radically revealed it as a precisely composed non-reality. Of course Elvis offered Warhol the biggest brand of all, and he accentuates this by choosing a manifestly contrived version of Elvis-the-film-star, rather than the raw genius of Elvis as performing Rock n' Roll pioneer. A few months prior to the present work he had silkscreened Elvis' brooding visage in a small cycle of works based on a simple headshot, including Red Elvis, but the absence of context in these works minimizes the critical potency that is so present in Double Elvis. With Double Elvis we are confronted by a figure so familiar to us, yet playing a role relating to violence and death that is entirely at odds with the associations entrenched with the singer's renowned love songs. Although we may think this version of Elvis makes sense, it is the overwhelming power of the totemic cipher of the Elvis legend that means we might not even question why he is pointing a gun rather than a guitar. Thus Warhol interrogates the limits of the popular visual vernacular, posing vital questions of collective perception and cognition in contemporary society. The notion that this self-determinedly iconic painting shows an artificial paradigm is compounded by Warhol's enlistment of a reflective metallic surface, a treatment he reserved for his most important portraits of Elvis, Marilyn, Marlon and Liz. Here the synthetic chemical silver paint becomes allegory for the manufacture of the Elvis product, and directly anticipates the artist's 1968 statement: "Everything is sort of artificial. I don't know where the artificial stops and the real starts. The artificial fascinates me, the bright and shiny..." (Artist quoted in Exh. Cat., Stockholm, Moderna Museet and traveling, Andy Warhol, 1968, n.p.). At the same time, the shiny silver paint of Double Elvis unquestionably denotes the glamour of the silver screen and the attractive fantasies of cinema. At exactly this time in the summer of 1963 Warhol bought his first movie camera and produced his first films such as Sleep, Kiss and Tarzan and Jane Regained. Although the absence of plot or narrative convention in these movies was a purposely anti-Hollywood gesture, the unattainability of classic movie stardom still held profound allure and resonance for Warhol. He remained a celebrity and film fanatic, and it was exactly this addiction that so qualifies his sensational critique of the industry machinations behind the stars he adored. Double Elvis was executed less than eighteen months after he had created 32 Campbell's Soup Cans for his immortal show at the Ferus Gallery, Los Angeles in July and August 1962, and which is famously housed in the Museum of Modern Art, New York. In the intervening period he had produced the series Dollar Bills, Coca-Cola Bottles, Suicides, Disasters, and Silver Electric Chairs, all in addition to the portrait cycles of Marilyn and Liz. This explosive outpouring of astonishing artistic invention stands as definitive testament to Warhol's aptitude to seize the most potent images of his time. He recognized that not only the product itself, but also the means of consumption - in this case society's abandoned deification of Elvis - was symptomatic of a new mode of existence. As Heiner Bastian has precisely summated: "the aura of utterly affirmative idolization already stands as a stereotype of a 'consumer-goods style' expression of an American way of life and of the mass-media culture of a nation." (Exh. Cat., Berlin, Neue Nationalgalerie (and traveling), Andy Warhol: Retrospective, 2001, p. 28). For Warhol, the act of image replication and multiplication anaesthetized the effect of the subject, and while he had undermined the potency of wealth in 200 One Dollar Bills, and cheated the terror of death by electric chair in Silver Disaster # 6, the proliferation of Elvis here emasculates a prefabricated version of character authenticity. Here the cinematic quality of variety within unity is apparent in the degrees to which Presley's arm and gun become less visible to the left of the canvas. The sense of movement is further enhanced by a sense of receding depth as the viewer is presented with the ghost like repetition of the figure in the left of the canvas, a 'jump effect' in the screening process that would be replicated in the multiple Elvis paintings. The seriality of the image heightens the sense of a moving image, displayed for us like the unwinding of a reel of film. Elvis was central to Warhol's legendary solo exhibition organized by Irving Blum at the Ferus Gallery in the Fall of 1963 - the show having been conceived around the Elvis paintings since at least May of that year. A well-known installation photograph shows the present work prominently presented among the constant reel of canvases, designed to fill the space as a filmic diorama. While the Elvis canvases...
Category

21st Century and Contemporary Pop Art Metal Figurative Paintings

Materials

Enamel

Classical Head: Contemporary Figurative Oil Painting by John Emanuel
Located in Brecon, Powys
Latest opulent work from the artist's Classical Head series. Oil and gold leaf on board in white wood frame Signed verso Image 8.75" x 7". Framed 13" x 11.75"
Category

2010s Contemporary Metal Figurative Paintings

Materials

Gold Leaf

Angel Of Peace: Contemporary Mixed Media Figurative Painting
Located in Brecon, Powys
In these testing times it's become easy to turn inwards rather than looking outwards into the world. In a painting that is archetypical of Sax Berlin Angel of Peace is a reflection ...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Marble, Gold Leaf

"Guardian Angel, Sista". Contemporary Painting. New York City
Located in Brecon, Powys
Guardian Angel Sista was created by Berlin as part of his Neo-expressionism series. He uses sgraffito to evoke the feel of the New York subway and it frames the iconic Guardian Angel...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Silver, Gold Leaf

Peace Will Come, Oil and silver leaf on canvas.
Located in Brecon, Powys
From the shimmering Silver Leaf series - Peace Will Come. In turbulent times this piece creates a notion of universal pathos. Berlin has the power to imbue his paintings with deep se...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Silver Leaf

Clothed In Light, Abraham and Sarah
Located in Brecon, Powys
This majestic double portrait "Abraham and Sarah" is part of a series of paintings by breaking British artist, Sax Berlin. Inspired by the Bible and also by a commission to paint “Is...
Category

21st Century and Contemporary Contemporary Metal Figurative Paintings

Materials

Gold Leaf

Soviet Allegory, Contemporary Art, Original oil Painting, Ready to Hang
Located in Granada Hills, CA
Artist: Ara Harutyunyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Metal Year: 2024 Style: Contemporary Art, Title: Soviet Allegory, Size: 32" x ...
Category

2010s Impressionist Metal Figurative Paintings

Materials

Metal

Spring Blossom
Located in Brooklyn, NY
“I spent my childhood in the countryside, where nature became my first, and forever biggest, inspiration. Nature taught me how to find an inner balance and how to listen to the voice...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Gold Leaf

"That Kat Miles" Neo Expressionist Contemporary Portrait of Miles Davis
Located in Brecon, Powys
Jazz aficionado Sax Berlin offers his homage to Miles Davis. This piece is a street art version of portraiture, bold & incisive. There's a raw feel to this painting that has the musi...
Category

2010s Abstract Expressionist Metal Figurative Paintings

Materials

Silver

Longing, Contemporary Mixed Media Painting With Silver & Gold Leaf
Located in Brecon, Powys
From Sax Berlin's Silver Series this is a piece that portrays heart rending pathos. In this piece Sax has created beauty, emotion & tranquillity. A deeply moving, touching work.
Category

21st Century and Contemporary Contemporary Metal Figurative Paintings

Materials

Gold Leaf

Mid Century Airplane Abstract Original Painting Collage on Paper -- "Airfoul 1"
Located in Soquel, CA
Mid Century Airplane Abstract Original Painting Collage on Paper -- "Airfoul 1" This is dynamic figurative abstract painting by Marc Foster Grant (American, b. 1947) titled "Airfoul...
Category

Early 2000s Abstract Metal Figurative Paintings

Materials

Foil

DAY TIME
Located in CÓRDOBA, ES
Acrylic on canvas Shipped rolled in a tube
Category

2010s Post-Modern Metal Figurative Paintings

Materials

Gold Leaf

BASQUIAT : Caught in the Crossfire: Large Neo Expressionist Oil Painting
Located in Brecon, Powys
Basquiat: Caught in the Crossfire is a very heartfelt and personal tribute to Basquiat and a large statement piece and with this painting Sax takes up the mantle and upgrades the con...
Category

2010s Neo-Expressionist Metal Figurative Paintings

Materials

Gold Leaf

"To Whom The Gods Love Destiny Comes Late" Contemporary Figurative Oil Painting
Located in Brecon, Powys
Just when you think an artist has reached the zenith of creativity and beauty a piece arrives that is simply breathtaking. It truly is Sax Berlin's destiny to create these stunning w...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Copper, Gold Leaf

Green Iron Jungles N1 by Calo Carratalá - Round painting, landscape, green
Located in Paris, FR
Green Iron Jungles N1 is a unique round acrylic on iron and matte varnish painting by Spanish contemporary artist Calo Carratalá, diameter is 150 cm (59.1 in). The artwork is signed,...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Iron

I Walk In The Art - Andrea Stella- Red Color Gold Leaf Painting - Mixed Media
Located in Carmel, CA
Andrea Stella (1950-2019). The child of Greek immigrants raised in Italy, Andrea was destined to create. His first concentration in the art world was antique woodworking, which lead...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Gold Leaf

A Sunday To Remember - Andrea Stella- Figurative Abstract Painting - Mixed Media
Located in Carmel, CA
Andrea Stella (1950-2019). The child of Greek immigrants raised in Italy, Andrea was destined to create. His first concentration in the art world was antique woodworking, which lead...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Gold Leaf

Golden Buddha: Oil and Gold Leaf on Canvas
Located in Brecon, Powys
A work of True quality by this master artist Sax BERLIN. Quote from Sax "….gaze into the face…with this piece the Buddha reveals himself to himself." Sax Berlin is creating the Gre...
Category

21st Century and Contemporary Contemporary Metal Figurative Paintings

Materials

Gold Leaf

Cambell's Warhol Soup. Large Neo Expressionist Oil Painting
Located in Brecon, Powys
Where once Warhol led the charge Sax Berlin has assumed the mantle and is in the vanguard of the renaissance of Neo-Expressionism. This is a witty take on the famous Campbell Soup sc...
Category

2010s Neo-Expressionist Metal Figurative Paintings

Materials

Gold Leaf

Cry For Freedom, The Promise Of America, Neo Expressionist Oil Painting
Located in Brecon, Powys
Delivering beautiful paintings is what Sax Berlin does and this striking piece is both beautiful and has a narrative. Neo-Expressionism and abstract in its construct Berlin delivers ...
Category

2010s Neo-Expressionist Metal Figurative Paintings

Materials

Gold Leaf

Musical Emanations Contemporary figurative oil & goldleaf painting by Sax Berlin
Located in Brecon, Powys
A glorious painting from Sax Berlin's studio. Richly clothed & adorned, the Muse sits in peaceful meditation, her guitar held to her breast. Muse of music, bringing joy & peace to t...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Gold Leaf

Silver Skulls. Contemporary Neo-Expressionist Painting
Located in Brecon, Powys
Sax Berlin’s Skull series form part of his Neo-Expressionist works. Berlin works with speed on these pieces, gives them a sense of urgency. In “person” they are electric and magnetic...
Category

2010s Abstract Expressionist Metal Figurative Paintings

Materials

Silver

GOLDEN MASK
Located in CÓRDOBA, ES
Acrylic on canvas Shipped rolled in a tube
Category

2010s Post-Modern Metal Figurative Paintings

Materials

Gold Leaf

Stunning oil on metal painting "Crosswalk" by the famous Impiglia
Located in Bridgehampton, NY
A new work by the indelible Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the shoulders of Futurism and Cubism,...
Category

2010s Metal Figurative Paintings

Materials

Metal

Harlequin's Golden Collar: Contemporary Figurative Mixed Media Painting
Located in Brecon, Powys
The latest rendition of Sax Berlin's interpretation of Harlequin. A beautiful piece evocative of medieval wall art where Harlequin wears his traditional hat, often shown in the modern world to have belonged to jesters but is really an allusion to the diamond pattern associated with Harlequin. There may also be a hidden reference to Picasso here; in Guernica Picasso...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Gold Leaf

Yin & Yang
Located in Los Angeles, CA
Guided by her passion for life and her spirit, French Canadian painter Zabel creates vibrant artworks filled with romance and immersive textures. With a belief that art is all about ...
Category

21st Century and Contemporary Abstract Metal Figurative Paintings

Materials

Gold Leaf

Saphos Queen Of Lesbos. Contemporary Figurative Mixed MediaPainting
Located in Brecon, Powys
Lyric poet Sappho was born on the Greek island of Lesbos sometime in the 600's BC, although little is certain about her life and much of her poetry is lost to us her reputation, orig...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Silver Leaf

Jazz Man. Contemporary Large Neo Expressionist Oil Painting
Located in Brecon, Powys
Music is a real love for Sax Berlin, second only to his art. These twin passions have given rise to a series of works that concentrate on jazz music. Jazz Man puts one right at the h...
Category

2010s Neo-Expressionist Metal Figurative Paintings

Materials

Silver

"Peace To America" Large Contemporary Oil, Gold & Silver Leaf Painting
Located in Brecon, Powys
Perhaps this stunning painting by Sax Berlin is more pertinent than when it was first conceptualised. Sax Berlin, top of his game. Sax lived and painted in America for many years in ...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Silver, Gold Leaf

Contemporary portrait "Feast"
Located in Sempach, LU
The last painting of 2023. I managed to do it!) In this painting, I've poured my soul into capturing the essence of tranquility interwoven with mystery. The subject stands contemplat...
Category

2010s Realist Metal Figurative Paintings

Materials

Gold Leaf

Stunning new painting by world renowned Giancarlo Impiglia "Walking the dog"
Located in Bridgehampton, NY
A new work by the indelible Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the shoulders of Futurism and Cubism,...
Category

2010s Metal Figurative Paintings

Materials

Metal

Heartfelt Meeting
Located in Atlanta, GA
Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Gold Leaf

Floating Thoth & Two Boat Fish Sea, Japanese style, ink and gold leaf on panel
Located in Dallas, TX
"Floating Thoth and Two Boat Fish" is a fantastical Japanese and Byzantine inspired artwork by Greek artist Konstantinos Papamichalopoulos. It shows a dynamic sea, and beautifully il...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Gold Leaf

Japanese Contemporary Art by Hiromi Sengoku - A Cup of the Sky
Located in Paris, IDF
Oil, tempera, acrylic, Japanese mineral pigment, gold leaf on paneled canvas Hiromi Sengoku is a Japanese artist born in 1982 who lives & works in Tokyo, Japan. She graduated from M...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Gold Leaf

The Blue Piano, 2024, oil, ink and foil on canvas 40x80 cm
Located in Jerusalem, IL
The Blue Piano, 2024 oil, ink and foil on canvas 40x80 cm Yonatan Zohar was born in 2000 in Jerusalem, Israel where he lives with his wife. His Talmudic s...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Foil

"My Timeless Heart" Taupe & Gold Leaf Contemporary Oil Painting with White Frame
Located in New York, NY
Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Gold Leaf

Take #44
Located in Bonn, NW
The hair is made of actual gold leaf (imitation), so the hair shines and sparkles nicely in light. Original painting. Acrylic, oil, paper and gold leaf on high quality linen canvas s...
Category

2010s Art Deco Metal Figurative Paintings

Materials

Gold Leaf

A Universal Song, 2024, oil, ink and foil on canvas 80x120 cm
Located in Jerusalem, IL
A Universal Song, 2024 oil, ink and foil on canvas 80x120 cm Yonatan Zohar was born in 2000 in Jerusalem, Israel where he lives with his wife. His Talmudic studies occupy most of h...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Foil

Mary And The Grain Of Mustard Seed, Oil and Gold and Silver Leaf Painting
Located in Brecon, Powys
An almost gospel theme from Sax Berlin; harking to the parable of the mustard seed that we find in the gospel of Luke. Sax has combined this powerful imagery with the equally powerfu...
Category

21st Century and Contemporary Contemporary Metal Figurative Paintings

Materials

Gold Leaf

The Poet: Contemporary Mixed Media Figurative Oil Painting. Gold and Silver Leaf
Located in Brecon, Powys
A beautiful representation of an ancient Grecian lyric poet, only Sax Berlin knows which one! This is a quite spectacular piece; it's richly created and could, one believes, be a wor...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Gold Leaf

Cosmos III by Lumi Mizutani - Japanese style painting, flower, silver leaves
Located in Paris, FR
Cosmos III is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments and silver leaves on Japanese cardboard, dimensions are 27.3 × 24.2 cm (10.7 ...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Silver

Finding the Sun
Located in Atlanta, GA
Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Gold Leaf

Cranes at Dusk
Located in Denver, CO
This piece is a diptych. Thomas Swanston was born 1956 in Annapolis Md., Naval Hospital. He graduated from Hobart & William Smith Colleges 1978 with a Bachelor of Arts, with studie...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Gold, Silver

Sounds of the Harp, 2024, oil, ink and foil on canvas 80x120 cm
Located in Jerusalem, IL
Sounds of the Harp, 2024 oil, ink and foil on canvas 80x120 cm Yonatan Zohar was born in 2000 in Jerusalem, Israel where he lives with his wife. His Talmudic studies occupy most of...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Foil

Deep into Twilight
Located in Denver, CO
Thomas Swanston was born 1956 in Annapolis Md., Naval Hospital. He graduated from Hobart & William Smith Colleges 1978 with a Bachelor of Arts, with studies in London and at the Stud...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Gold, Silver

Crypto Vincent Van Gogh
Located in OIA, ES
This piece is part of a special collection curated by Saatchi Art, where 154 artists were carefully selected from among hundreds of thousands of Saatchi participants. The premise of ...
Category

2010s Street Art Metal Figurative Paintings

Materials

Enamel

Fall Light III
Located in Denver, CO
Thomas Swanston was born 1956 in Annapolis Md., Naval Hospital. He graduated from Hobart & William Smith Colleges 1978 with a Bachelor of Arts, with studies in London and at the Stud...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Silver, Copper

La Mirada
Located in OIA, ES
"La Mirada" ("The Gaze"), a title that captures the essence of the penetrating gaze that dominates this canvas, is an exemplary piece that showcases the transformative artistry of Ti...
Category

2010s Neo-Expressionist Metal Figurative Paintings

Materials

Enamel

Carnaval Kawaii
Located in OIA, ES
🔸 _Title: Carnaval kawaii 🔸 _Artist: Diego Tirigall 🔸 _Year of Creation: 2024 🔸 _Dimensions: 160 W x 100 H x 2 D cm 🔸 _Medium: Enamel, Spray paint, Acrylic and Oil Stick 🔸 _Su...
Category

2010s Street Art Metal Figurative Paintings

Materials

Enamel

Hot lips
Located in Spetses, GR
I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my work all the dots are spread out evenly...
Category

21st Century and Contemporary Pop Art Metal Figurative Paintings

Materials

Enamel

"My Princess Forever Heart" Colorful Acrylic & Gold Leaf Painting on Paper
Located in New York, NY
Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured acrylics in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic displ...
Category

2010s Contemporary Metal Figurative Paintings

Materials

Gold Leaf

Silver Skull. Contemporary Neo-Expressionist Painting
Located in Brecon, Powys
Sax Berlin's Skull series form part of his Neo-Expressionist works. Berlin works with speed on these pieces, gives them a sense of urgency. In "person" they are electric and magnetic...
Category

2010s Abstract Expressionist Metal Figurative Paintings

Materials

Silver

Metal figurative paintings for sale on 1stDibs.

Find a wide variety of authentic Metal figurative paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, orange, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Sax Berlin, Giancarlo Impiglia, Eleanor Aldrich, and Zabel. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Metal figurative paintings, so small editions measuring 0.1 inches across are also available

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