Wood Figurative Paintings

Ideal head by 19th-century American painter.

Painting is signed “H. Gritten” in the lower center. Spectacular depiction of one of most picturesque town on the middle Rhein was painted in the mid-19th century by British artist H...

Signed lower right "Nasmyth" leading to one of the whole pleiad of renowned Scottish artists starting with Alexander Nasmyth (1758 -1840). This painting showcases a scene of a landsc...

As we gaze upon this artwork, we are immediately struck by the warmth and tenderness exuding from the scene. The woman, with a gentle smile on her face, carefully feeds the pet calf,...

An Ema is a votive plaque people hang in a "dedication area", at a Shinto shrine, with their wish to the gods. Wishes usually would revolve around health, love, career, prosperity, a...

Unsigned, but it is attributed to Thomas Miles Richardson Jr., R.W.S. (1813 - 1890), since the similar work was sold through Christies in 1998 (same size with signature and date 1861...

Signed lower right "C. Daubigny". As we gaze upon the painting, we are immediately drawn to the foreground, where a small group of women are diligently washing clothes on the banks o...

The short signature lower left a monogram of joined Cyrillic letters "V" and "P" with date 77, leads to the Russian painter Vasily Dmitrievich Polenov (1844 - 1927). Here we have pl...

Painting signed lower right "M Kruseman". What sets this painting apart is the large number and complexity of details that the artist managed to include in the scene without visually overwhelming the viewer. The color palette of the landscape is very realistic and harmonious. The foreground of the picture there are people standing by a sleigh drawn by one horse, in front of a charming small castle with turrets, nearby boats frozen in the ice at the pier are visible. The background, on the left side of the scene, we see houses and three windmills standing tall against the winter sky, adding a touch of Dutch countryside charm to the composition. From the frozen surface of the water, the whimsical silhouettes of trees to the intricate details on the façade of the castle and windmills - every element of the painting is a testament to the skill and talent of the artist. Antique oil painting on canvas, signed, framed. Size app.: 40,5 x 57.5 cm cm (roughly 15.9 x 22.6 in), frame is 60 x 75.5 cm (roughly 23.6 x 29.7 in). Very good ready to hang condition with age wear and retouches to frame (notable at close examination). Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 4.7 kg is going to measure 8 kg packed for shipment. Signature leads to the artist Fredrik Marinus Kruseman (1816 - 1882), Dutch painter who specialized in Romantic style landscapes (sold as is). Received his first drawing lessons from Jan Reekers (1790 - 1858) and attended the Vocational School in Haarlem from 1832 to 1833. That year, he began to study painting with Nicolaas Johannes Roosenboom and, in 1835, moved to the Gooi, where he took advanced studies with Jan van Ravenswaay. He also studied briefly with the landscape painter, Barend Cornelis Koekkoek.

Late 19th early 20th century marked a period of great artistic expression and innovation, particularly in the realm of painting. During this time, artists sought to capture the beaut...

The scene of this landscape unfolds with a tranquil river nestled between rolling hills, its heavily wooded banks casting a serene backdrop. In the center of the composition, two fis...

Summer rustic scene depicts an idyllic picture of country life in which harmony and happiness reign. The muted, slightly blurry colors convey the artist's inner world and mood, while...

Brass plate leads to Russian artist Pavel Pavlovich Dzhogin (1834 - 1885). This 19th century oil painting beautifully captures a serene rural scene with travelers on a cart traveling...

Gospel of Apostle Luke, Chapter 22: 61. and the Lord turned and looked at Peter; and Peter remembered the word of the Lord, how he had said to him, “Befor...

This tender depiction of the Holy Family represents a subject which was central to Raphael's oeuvre. The painting is based on the famous panel by Giulio Romano, called Madonna della ...

Attributed by Nikolay Alekseyevich Kasatkin (1859 - 1930). In this touching artwork, the artist perfectly conveyed the character of the old woman, who has seen a lot in her life. The hands, tired out and riddled with veins, lie helplessly on the knees. Her slouched body tells us about the load of years lived. The painter skillfully conveys a sense of wisdom, kindness, and humility through her wrinkled face and detached gaze. The painting exudes warmth with a subtle touch of sadness and reflection on a life lived. Thanks to moderately contrasting colors, the portrait comes to life and shows us the depth of the artist's intention. Kasatkin not only continued the traditions of the best masters of portraiture in Russia in the 19th century, but also introduced new principles into it. He sought to display on canvas not only the external features of a person, but also to demonstrate his spiritual world. Antique oil painting on canvas, signed bottom left, framed. Size app.: 68.5 x 52.3 cm (roughly 27 x 20.6 in), frame is 80.5 x 63.5 cm (roughly 31.7 x 25 in). Very good condition, very well preserved recently conserved condition with minimal wear (notice few micro losses here and there). Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 5.4 kg is going to measure 8 kg packed for shipment. Nikolay Alekseyevich Kasatkin (1859 - 1930) was a Russian painter, considered to be one of the founders of Social Realism in Russia. From 1873 to 1883 he studied at the Moscow School of Painting, Sculpture and Architecture with Vasily Perov and Illarion Pryanishnikov. Upon graduating, he received a medal for his painting "Beggars at the Church Door". In 1891, he began exhibiting with the Peredvizhniki and, from 1894 to 1917, was a teacher at his alma mater. For thirty years, beginning in 1883, he worked with Ivan Sytin, providing illustrations for his popular almanac/calendars and teaching lithography. He also contributed The Great Reform, an encyclopedia that celebrated the fiftieth anniversary of the Emancipation (1861), and a collection called "Russian History in Pictures". In 1903, he became a member of the Imperial Academy of Arts. He participated in the Exposition Universelle (1900), where he won a silver medal, and the Louisiana Purchase Exposition (1904), among others. In 1923, following the Civil War, he was named the first "People's Artist of the Republic" and became a member of the AKhRR (Association of Artists). He is considered to be one of the forerunners of Socialist Realism in the arts and was sometimes called the "Gorky of Painters". In 1956, the Soviet Union honored him with a 40 kopeck commemorative postage stamp. In 1971, his painting of a female mine worker...

Attributed by Wilhelm von Gegerfelt (1844—1920). The disheveled crowns of the trees indicate to us the raging wind, and the evening sky in the background...

Fred Morgan, ‘The Hero of the Hour’, large Victorian oil painting English, Late 19th Century Canvas: Height 86cm, width 120cm Frame: Height 122cm, width 154.5cm, depth 11cm This su...

Orientalist watercolour by Stephanoff of a Middle Eastern scene English, 1855 Paper: Height 22cm, width 30cm Frame: Height 45cm, width 51.5cm, depth 3cm This expertly rendered water...

The painting depicts a French cuirassier in full combat gear on a mounted patrol, peering into the distance... The powerful physique of the rider and his horse inspires awe and fear ...

Large oil painting by C. Delort entitled ‘The Wedding, Fontainebleau’ French, Late 19th Century Canvas: Height 90cm, width 130cm Frame: Height 109cm, width 148cm, depth 7cm This s...

Set of twelve antique Chinese pith paper paintings of festival processions Chinese, 19th Century Panel: Height 20cm, width 31cm Frame: H...

Orientalist antique watercolour painting of a woman dressing, A. Fabbi Italian, 19th Century Panel: Height 40cm, width 25cm Frame: Height ...

Evening landscape on the river. wood, oil, 29x39 cm The artwork depicts a landscape scene of Netherlands, showcasing the unique characteristics and natural beauty of the region. Wi...

Set of Antique Chinese pith paintings depicting tea production Chinese, 19th Century Panel: Height 21cm, width 33cm Frame: Height 37cm, ...

Antique set of six Chinese paintings depicting weaving Chinese, 19th Century Panel: Height 32cm, width 21cm Frame: Height 47.5cm, width 36cm, depth 1.5cm This set of Chinese pith ...

A BERLIN (K.P.M.) PORCELAIN PLAQUE: BALTHAZAR'S FEAST Mid-19th century The reverse with impressed sceptre and KPM factory marks and various incised numbers, in a giltwood frame. Fr...

Signed lower right “Henningsen” and dated 1881 at reverse. Attributed by Erik Ludvig Henningsen (1855 - 1930) was a Danish painter and illustrator. Masterly painted genre scene “testing grandfather’s pipe” depicting lively domestic moment. The little prankster wants to be like his grandfather, but how can he not try his grandfather’s pipe, which he loves so much and does not let go of even in his sleep. The curious and brave sly man, despite the consequences, took off his shoes to approach quietly... One can imagine his disappointment and emotions after he accomplished what he had planned... The boy's faithful friend, a small dog, looks at all this with interest and curiosity. Loved and admired for his talent to realistically portray life and tell a story at the same time, Henningsen took great pride to never include any personal feelings or philosophy, but to stay neutral to the subject matter for whichever painting he was doing. Antique oil painting on canvas, signed, framed. Size: 43 cm x 35 cm (roughly 16.9 x 13.8 in), frame 52 x 43.5 cm (roughly 20.5 x 17.1 in). Very Good pristine condition with minimal wear. Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 1 kg is going to measure some 2 kg packed for shipment. Erik Henningsen was educated at the Copenhagen Royal Academy of Art. He Traveled and studied in Germany, Italy, France and Holland, and received numerous awards and medals throughout Europe. He later became a member of the Royal Academy of Art. Exhibited in Charlottenborg, Copenhagen, Vienna, Paris, Berlin, Munich, Lubeck, and many more. Erik Henningsen is always mentioned in the same breath as his older brother, painter Frants Henningsen. Both with their traditionally classic approach to realism, anecdotal undertones and bold use of dark colors, they were the most loved and celebrated illustrators of life and times; often depicting the hardships and trials of that day and age. One of Erik Henningsen’s large...

An early 19th century, figural oil of a young woman with chestnut hair, shown wearing a headscarf and glancing towards the viewers left. A detail from a copy of 'Rebeca at the Well',...

Attributed Paul Von Franken (1818-1884), famous Gemany a genre and landscape painter, signed bottom right. Fertile scenery coastal town with castle, mosque, minaret, large travelers ...

Signed lower right: Johan Arsenius and dated 1858 or 1853, attributed Johan Georg Arsenius (1818 - 1903), was a Swedish military man, painter and draftsman. Up for sale is important ...

A gorgeous novecento animalier painting, depicting a curious colt and.a white rabbit, by Gaetano Jerace (1860-1940) Gaetano Jerace was born in Polistena in Calabrian into a dynasty of artists: his brothers Francesco (1894-1937) and Vincenzo (1862-1947) also became painters. Gaetano moved to Naples as a young man, where a attended the Academy of Fine Arts, studying with Francesco Lojacono...

Signed lower left: Charles Hunt Jr., (1829–1900), was British. Painting resembles those of Ch. Dickens novels especially dress fashion. An unequal snowball fight, three tomboys again...

A wonderful rural scene of a woman walking at sunset in a wide landscape, imbued with almost magical light. It is a work by French artist Pierre-Ernest Ballue, who had studied painti...

A very substantial, early 19th century, oil-on-canvas laid down on panel showing a view of the risen Christ Pantocrator flanked by the Virgin Mary and St....

One of early of the French artist’s works by Emile Godchaux (fra.: Émile Godchaux, 1860 - 1938), late 19th century. This amazing landscape takes us to a cloudy spring day, making us ...

Carl Lasch (1822-1888 German) "The Walk Back Home" A Monumental Exhibition Painting, Oil on canvas laid to masonite in original gilt-wood frame. ...

This folk hand-painted panel, laden with meaning, was originally an interior painted panel of a large storage cabinet. The panel is painted with ...

Cheerful winter landscape with children playing and sledding. Signed lower left. Age-related condition. Dimensions with frame: 48 cm x 58.5 c...

Drawn with a fine line and fresh, sketched quality, this folk hanging unites two scenes of lucky hoho lotus boys circumscribed in frames punctuated with fruits such as pomegranate, symbolic of prosperity and good fortune. On top, the two explore the natural wonders of the world...

The Sand Barge by Jozef Israëls Oil on wood panel. 18 x 40 cm (7 1/16 x 15 3/4 in). Signed Artist biography Dutch-Jewish artist Jozef Israëls was born ...

The scene depicted is taken from the Chapter 20 of the apocriphal gospel of Pseudo-Matthew, telling about an event happened during the rest on the flight...

This huge Italian 19th century armorial painting features the coat of arms of Montini, a noble Italian family that has among its ancestors the Archbishop of Milan, later known as Pope Paul VI. The large oval canvas has a brown and red background, the latter shaped like a shield, in which six mountains (from the etymology of the surname) and three white fleur de lis are painted. This big scale palatial oil painting...

Girl in restaurant in Paris. 19th century, oil on wood, 46x37,5 cm Eduardo Léon Garrido (1856-1949) Eduardo León Garrido was born in Madrid in 1856. He falls within the Group of Spaniards in Paris, as he warns in his style, with clear influences of Impressionism, somewhat reminiscent of Manet. He was the eldest son of Luis Garrido Fernandez, an official at the Ministry of Finance. His father would have liked him to embrace an administrative career but Eduardo León moved towards the artistic career. Trained in the Escuela Superior de Madrid, he painted his first work « the theft of the Sabine women », at only eighteen years old. Then he entered the Studio of Vicente Palmaroli (1834-1896). He will always consider the latter as his true teacher. In 1875, at the age of 19, he arrived in Paris to continue his studies with a scholarship from the city of Madrid. The same year he exhibited for the first time at the Salon where he presented a « Saint Jerome ». Very quickly he appears to be noticed by the famous merchant of the Rue Chaptal, Adolphe Goupil, for who he worked a few years. Notice that Vincent van Gogh worked for Goupil & Cie from 1869 till 1876 (his brother Theo entered in 1873. From 1876 on Garrido exhibits portraits and stylish, contemporary scenes. Catalogues indicates that he changed his dealer for the gallery Borniche around 1880. During the years 1882-1894 he did not expose anymore at the Salon (except once, in 1887, with the portrait of his friend, the painter Bréauté) . However, he painted a lot to feed the gallery of his dealer and a few galleries in Madrid. During that period he had also some student : Anne Blanche Dillaye (1851-1931), the american painter, studied with him from 1885 till 1887. From 1892 onwards it is the merchant Félix Gérard (one of the first dealers of work by Manet and Courbet), of the Rue Lafitte, which concludes with him an exclusive contract. He probably imposed to the artist to paint a different style. This sealed a radical departure from his 1880-1890 period, during which he painted the streets of Paris, café terraces, newspaper kiosks, and was likened to very fashionable Belle-Époque artists. From 1892 onwards, Garrido painted almost solely gallant scenes in the 18th century style, in keeping with current tastes and clients’ demands. Meanwhile, Garrido left Paris. In 1888 he established a studio on the banks of the Marne at La Varenne-Saint-Hilaire (Val-de-Marne near Paris). He married there in 1892 one of its models, Leonie Beck, and in 1893 their first child, Louis- Edouard, was born. He is quickly integrated into local life and became an art teacher in the Philotechnic Association of La Varenne. From 1895 onwards he presented new works at the Salon des Artistes Français and in 1914, he obtained the French citizenship, while two of his son went into battle (World War I). He continued painting, mainly landscapes, portraits of family members (children, granddaughter Odile born in 1923) and flowers. At the end of his life and because of poor eyesight he painted exclusively flower bouquets. In 1939, Eduardo León and his wife Leonie arrive at Caen. They settled with their son, Louis- Edouard, who resided there. Eduardo Leon Garrido died there in 1949. He is buried in the family burial at the cemetery Venoix in Caen. Some of his paintings can be seen in the Museo del Prado (Madrid), the Museo Carmen Thyssen (Málaga), the Museo Nacional de Bellas Artes (Argentina), Bilbao Fine Arts Museum and private collections such as the Bellver Collection in Sevilla. In the Musée Charles Léandre...

Wonderful mid 19th Century painting of a stable's interior with two horses, stable hand, two spaniels, a rooster and ducks from a follower of John Frederick Herring, Sr. (British, 17...

Artist/ School: French School, 19th century Title: The Soldiers Camp Medium: oil painting on thick wooden panel, with a bevel edge Size: painting: 12.5 x 22 inches, frame: 16.5 ...

Henry Thomas Schafer Original Oil Painting Original oil on masonite. Masonite dimensions 14" wide x 12" high. Frame dimensions 17.5" wide x 16" ...

A pair of paintings, dancing ladies. Around 1900. Oil on wood. Signed. Unknown artist. Good condition. Dimensions Including frame.