Mihai Florea

The Emotional Reunion - Contemporary, Dream, Blue, Black, Hug, Affection

2019

Acquiescence, 2012 Oil on canvas (Signed on the reverse) 80.76 H x 80.76 W in 180 H x 180 W cm Radu Rodideal is interested in the atmosphere of his work...

Frozen Fire, 2018 Oil on canvas (Signed on reverse) 14 61/64 H x 18 7/64 W in. 38 H x 46 W cm In his paintings, Radu Rodideal speaks about the concept o...

Deviant Stroll, 2018 Oil on canvas (Signed on reverse) 47 1/4 H X 31 1/2 W in. 120 H x 80 W cm In his paintings, Radu Rodideal speaks about the concept of loneliness. Everybody is b...

Distrust, 2012 Oil on canvas (Signed on reverse) 70.86 H x 70.86 W in 180 H x 180 W cm Radu Rodideal is interested in the atmosphere of his work. Human ...

You and Me, 2019 Oil on canvas (Signed on reverse) 35 7/16 H x 23 5/8 W in. 90 H x 60 W cm In his paintings, Radu Rodideal speaks about the concept of loneliness. Everybody is born...

Doorless Bar, 2019 Oil on canvas 31 1/2 H x 47 1/4 W in. 80 H x 120 W cm The artwork was part of the solo show ONIRIX. ONIRIX is a project about how we remember and interpret our ...

"The Brass Ring" by Bob Byerley is a realistic original oil painting measuring 24x12 in. The artist’s photographic memory of his boyhood adventures combin...

"Neglected Stone" serves as a poignant metaphor for the potential found within damaged individuals who emerge from underprivileged backgrounds to shine as stars in society. The young man in the artwork embodies the spirit of those who have faced adversity, yet refused to be defined by it. Just as a neglected stone can become the cornerstone of a grand structure, so too can those who have experienced hardship rise above their circumstances to become pillars of strength and inspiration. The brown hat worn by the young man symbolizes the trials and struggles he has encountered throughout his life. It represents the weight of his past, the challenges that threatened to overshadow his potential. However, the hat also serves as a testament to his resilience—the ability to bear the weight of his history while moving forward with determination. Against the backdrop of a vibrant blue, the artwork accentuates the stark contrast between the young man's journey and the potential that lies ahead. Blue, often associated with serenity and tranquility, represents a world of possibilities and a bright future. The blue background serves as a reminder that even amidst difficulties, hope and opportunity can emerge, paving the way for greatness to shine forth. Adewale's artwork eloquently conveys the message that great beauty and strength can emerge from the depths of misfortune. Just as a diamond is formed under immense pressure, so too can individuals forged in the crucible of hardship display a brilliance that defies all odds. The young man in "Neglected Stone" epitomizes the triumph of the human spirit, illustrating that a resilient heart can overcome even the most adverse circumstances. Moreover, the artwork serves as a poignant admonition to society not to write off anyone passing through hard times as totally useless. It is a call for compassion, understanding, and the acknowledgment that every individual has the potential for greatness, regardless of their past or current circumstances. By showcasing the young man's fortitude and determination, Adewale invites viewers to reflect on their own preconceptions and biases, urging them to see beyond the surface and recognize the inherent worth and potential in every human being. In conclusion, "Neglected Stone" by Busari Adewale...

Megan Elizabeth Read's "Waves" is an original, handmade oil painting that depicts a nude female figure with her hands outstretched. Megan Elizabeth Read (b. 1982) is an American fi...

An original late 20th Century realist interior scene by Italian artist Andrea Vizzini. This important work was exhibited at The Anderson Gallery an...

Map Room at the Public Library, Bryant Park, NYC Born in New York City in 1959, Max Ferguson started as a filmmaker, making award-winning animated films as a teenager. But it was wh...

A FEAST OF THE GODS WITH VENUS AND BACCHUS Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; John and Eileen Harris, acquired from the above, to 2015. Literature: Jacob Simon and Ellis Hillman, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, cat. no.12 (as by Louis Laguerre); Elizabeth Einberg (ed.), Manners and Morals: Hogarth and British Painting, 1700-1760, exh. cat., London (Tate Gallery), 1987, cat. no.10 (as by Louis Laguerre); Tabitha Barber and Tim Bachelor, British Baroque: Power and Illusion, exh. cat., London (Tate Britain), 2020. Exhibited: Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, no.12 (as by Louis Laguerre); London, Tate Gallery, Manners and Morals: Hogarth and British Painting, 1700-1760, 1987, no.10 (as by Louis Laguerre); London, Tate Britain, British Baroque: Power and Illusion, cat. no 92, 2020. CUPID AND PSYCHE BEFORE JUPITER Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; Anthony Hobson, acquired from the above, to 2015. These recently re-united paintings are the most ambitious surviving baroque ceiling sketches made in Britain in the early eighteenth century. From the Restoration until the rise of Palladianism in the 1720s decorative history painting formed the preeminent artistic discipline in Britain. It was a field dominated by Continental artists including the Italian Antonio Verrio and the Frenchmen Louis Laguerre and Louis Chéron...