Nahum Tschacbasov

“Portrait of Susan”

1966

This is a oil on masonite painting by Nahum Tschacbasov done in 1946. Signed lower left and housed in a hand carved wood frame circa 1920. Overall size with frame is 40 x 33 inches.

Oil on canvas painting done in heavy impasto paint. Signed lower right. Has 2 patches that are much bigger than actual holes. Each repair is half the size of a dime and is not visible from the front of the painting. Original bill of sale from the Gallerie Ferrero in Geneve comes with the painting. Titled in French verso "La Cartomancienne" which translates to the fortune teller...

Outstanding and vibrant figurative oil on canvas painting by the well known American artist, Nahum Tschacbasov. Signed lower right and dated 1945. Partial Perl’s Gallery, New York label verso with partial title on same label verso. Title might be “Mountains and Horses” Condition is very good. The painting is housed in it”s original House...

Original oil on canvas painting by the well known Russian/American artist, Nahum Tschacbasov. Signed middle right and dated 1943. Condition is very good. Unlined canvas. The painti...

Original colorful and vibrant acrylic abstract figurative painting on heavy cardstock by the American artist, Arthur Rosskam Abrams. Signed lower left. Condition is very good to excellent. Circa 1975. The painting with abstract colorful figures was mostly likely executed in Sarasota where the artist had moved to in 1973. Framed with off white linen mat and gold leaf frame. Under glass.. Frame with some imperfections. Frame with “Frame St. Pete” label verso. Overall framed measurements 36.5 by 30.5 inches. Provenance: Sarasota, Florida collector. Arthur Rosskam Abrams 1909-1981 The following, submitted August 2005, is from Paul J. Abrams, son of the artist Born February 21, 1909 in Philadelphia, Arthur Abrams began drawing as a child of five, and continued producing art until just before his death in Sarasota, Florida during 1981. He began studies at the Graphic Sketch Club of Philadelphia, later teaching and exhibiting there. 1924 brought a scholarship to the Philadelphia College of Art, but his lack of interest in commercial art had him move to the Pennsylvania Academy of Fine Arts. In 1927 he went to Paris, studying where he could, including Academie Julian, The Academie Colarossi, the Ecole de la Grande Chaumiere, and then he found Andre L'Hote, who experimented with presenting space without perspective. Adams felt he had found what he had been looking for. Later he studied with Hans Hoffman at his School Fine Arts, Munich, where he became further convinced that art did not have to consist of a photo like quality of an object, but could be concepts, of personal expression of the artist. He toured around with other artists into Italy and Spain, meeting the artists of the day and painting. While painting around The Sacre Coeur some man, 'slightly under the weather' asked if he were an American. He replied that he was, and asked if he and the man had met at the Picabia exhibition, the man said they had, and his name was Maurice Utrillo. He told Arthur that if he remained there in France he will become a great painter, but if he went back to America he would become a businessman. He did return to America at the end of 1929 because his scholarship money was about gone. He had a one-man show in McClees Gallery, in Philadelphia, putting the proceeds of the sale in the Bankers Trust Company, which he lost when the company failed. He then traveled between Philadelphia and New York. In 1931, he did some traveling to Elmira to visit Sally Frank whom he had met in Philadelphia, and he also did and painting and sketching around the area. While sketching on the Louis Hoftrup farm near Elmira, Hoftrup came up to him and said he had a brother Lars, who was an artist living in New York and said Arthur should look him up when back in New York City. In September of 1931 his first New York one-man show was held at the Fifteen Gallery on West 57th Street. This was a gallery owned by artists to by-pass restrictive dealers and high commissions. Unfortunately a number of his paintings were kept in a studio in the Lincoln Arcade Building when it burned down. Still mainly in New York he became a charter member of the American Art Congress, and later of Artists' Equity. In the summer he went to Elmira where he, Lars Hoftrup and Armand Wargny...

Original oil on masonite painting of a girl with hula hoop and a carnival merry-go-round in the background by Carol Blanchard. Signed lower right. Condition...

Ben Wilson Ozymandias, 1989 Oil on masonite board Boldly signed by Ben Wilson on the back 36 × 48 inches Unframed Provenance: acquired from the Estate of Ben Wilson This work is titled "Ozymandias" after the famous sonnet written by Percy Bysshe Shelley (1792-1822). Shelley's poem is one of the most poignant meditations on the fleeting nature of human power and the inevitability of decline. The poem serves as a reminder that time erodes even the most imposing empires and leaders and that the pursuit of lasting fame and control is ultimately futile. Depending on how one views Ben Wilson's Abstract Expressionist painting of "Ozymandias" -- some of the imagery might reveal the head of an angry king and a sickle. Shelley's poem Ozymandias reads: I met a traveler from an antique land...

"7 Koi" is a complex work of koi fish swimming underwater filled with light and brilliant color painted in a lush and fluid style bordering on abstraction. Fish are in shades of ...

Swirling vortex of color and the words: "Johann Strauss' Tale(s) from the Vienna (Woods) Artie Shaw & Orchestra" by Kansas artist Clarke Blocher Unframed. I...

Moody figurative abstract expressionist painting of a Victorian couple with an angel by artist David Rosen (American, 1912-2004), c. 1970. Signed "Rosen" lower right. Unframed. Image size: 30.25"H x 26.38"W. Born in 1912, Rosen grew up in Toronto, Canada before pursuing arts in the United States. Upon arriving, Rosen settled in New York City and attended the Cooper Union Art school in 1930. While participating in the Federal Arts Project, he worked for the program's mural department until 1941. He also worked with an artist collective, Siqueiros Art Workshop. There, Rosen met fellow FAP artist Jackson Pollack, and together, with artist Phillip Guston, they experimented with new painting techniques and mediums. Art movements are often reactions to the popular styles that precede them, and Abstract Expressionism applied a new and exciting method to Modern Art. Gradually, artists began to break away from an overly-studied, academic approach to painting and liberated their technique. During these workshops, Rosen was introduced to Pollack's groundbreaking "drip painting" before it changed the art world. As America became involved in World War II, the Federal Arts Project wound down, officially ending in 1942. Around this time, Rosen enlisted as a Merchant Seaman with the U.S Merchant Marines. During this time, he traveled to North Africa and Italy before concluding his service and moving to California where, in 1945, he devoted his full attention to building an art career. Within a couple of years, he landed a major exhibition at the Los Angeles County Museum of Art in 1947, and his first one-man show, which opened to rave reviews, was held at Hollywood's Contemporary Art Gallery. The exhibition’s success led to mural commissions from Palm Springs' Hotel del Tahquitz, and he scored more solo shows at West Hollywood's Chabot Gallery. The early 1950s brought a surge of recognition for Rosen's career, and while his work was certainly still influenced by Abstract Expression, his painting style included elements of Surrealism, Figurative Art, and Cubism. Like his colleague Jackson Pollack, Rosen produced work inspired by drip painting; however, rather than splattering, his drips were the natural flow marks from painting freely without regard for "mistakes." Throughout Rosen's long career, he would acquire techniques from vastly different art styles which made for a varied, eclectic catalog of work. Rosen continued to build his California art career and settled at a Laguna Beach art colony in 1958. There, he entered his work in the Laguna Beach Festival of Arts and was the first painter to contribute Abstract Art to the event. Rosen would participate in the festival for the next fifteen years. A year after his move, in 1959, Rosen opened his first studio gallery and began a 12-year collaboration with the Laguna Playhouse. For the next two decades, Rosen participated in 17 art exhibitions and 20 solo shows, and received considerable critical praise. Rosen's themes were as varied as his evolving painting style, and one of his themes focused on classic characters like Shakespeare's Hamlet. Rosen's close-up portraits of historical and literary figures, illustrated by the piece To Be or Not to Be: Soliloquy From Hamlet, capture the essence of the characters while remaining loose with the painting and even adding a slight cartoon feel. His ongoing Hamlet series, as a complete collection, makes an impact with the diversity of technique. Unlike the loose style of some of his works, the painting Madaam... that he is mad is true is influenced by the structure of Cubism, the flat dimensions of Byzantine Art, and his utilization of mixed media. After Rosen's death in 2004, the Laguna Beach Festival of Arts sponsored an exhibition of his Hamlet paintings at the Wells Fargo Building gallery. Throughout Rosen's career, he amassed a great deal of critical, industry, and public praise for his work. His beloved town of Laguna Beach bestowed numerous awards that include the Laguna Beach Annual Art Gallery Award and Orange County's Annual Exhibit Award. Rosen's work flourished in California, and he received recognition from the San Diego County Fair, Los Angeles' Miracle Mile...

"Blue Heart Wife Love" San Francisco Figurative School -Joe Lysowski "Prankster" Portrait of his ex-wife while studying for his MFA in Fine art in Mexico by Joe Lysowski (American, 1938-2016) Signed on verso "J. S. Lysowski - Mexico - 6-65 Blue Heart - Wife Love" Image, 46"H x 36"W Frame, 47.25"H x 37.25"W x 1'D Joe Lysowski, former painter for the Maharishi Mahesh Yogi, the Kauai Hindu Monastery for Denny’s in-production film, Atlantis Risen. A Marine, Surfer, Artist, Ken Kesey...

Gorgeous mid century modernist abstract combining earth-tones and subtlest metallic silver background by Corban LePell (American, b. 1933), 1955. Signed ...