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Nat Power
Exit, Contemporary Figurative Painting, Acrylic on Cotton Rag and Panel

2021

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    Jasmine Zelaya is a multi- disciplinary first generation Honduran- American artist based in Houston, Texas. The daughter of parents who immigrated to the U.S. in the early 1970’s, much of the artist’s work references the aesthetics of that period. Zelaya’s work explores themes of identity, assimilation and the brown body through a familial narrative rich with symbolism. Zelaya received her BFA in Painting in 2006 from the Kansas City Art Institute. Her work has been included in exhibitions at the Blaffer Art Museum (Houston), Project Row Houses (Houston), The Louise Hopkins Underwood Center for the Arts (Lubbock), and was recently included in the 2021 Texas Biennial: A New Landscape, A Possible Horizon, at the San Antonio Art Museum. Recent public art projects in Houston include Twins for Art Blocks at the Main Street Marquee and Detroit Red at the Moody Center for the Arts. Her work has been featured on television media and in numerous publications, including as a cover artist for New American Paintings (#132). Zelaya has used portraiture to explore themes of identity throughout her career, specifically from the perspective of a first generation, Latinx artist. This newest body of work is heavily informed by memory, the awkwardness of youth, and the experience of assimilation. Graphic floral masks, a subtle head tilt, teary eyes, and explosive gradients of color all coalesce to capture the strong, mixed emotions of introspective teen years. **This work is on view at Ivester Contemporary...
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