Philip Naviasky

A British 20th Century Post Impressionist oil painting of boats on the seashore

Paul Stephens (British, b.1957) Seaside - St. Michael's Mount Cornwall Oil on panel Signed `P Stephens’ (lower left) 23.5/8 x 23.5/8 in. (60 x 60 cm.)

Emile Rene Menard (French, 1862-1930) L`enlevement de Dejanira (The rescue of Deianara) Oil on canvas Signed `E R Menard’ (lower left) and inscribed with t...

Attributed to Philips Wouwerman (Dutch, 1619 – 1668) The departure of hunters near a ruin Oil on canvas 24 x 28.3/4 in. (61 x 73 cm.) Provenance: A Schonlank Gallery, Cologne; 28th A...

Neapolitan school, circa 1810 Vessels on the key side at Naples during the Napoleonic occupation Oil on canvas 11.1/4 x 16.7/8 in. (28.1/2 x 43.2 cm.) It is unclear whether this wor...

Attributed to Rowland Wheelwright, 20th Century 'Bather's on the shore' and 'Sunbathing by the Cliffs' Oil on canvas board 9 X 10. 1/4in. (22.8 X 2...

A very romantic and detailed painting of figures enjoying the views of a waterfall in summertime, Europe Circle of Caspar David Friedrich (Germ...

Ernst Link (Swiss, ∗ 14th of October, 1874 in Windisch, † 29th of June, 1935 in Bern) Stöckli with Clothesline • Oil painting on canvas approx. 25.5 x 26.5 cm • Pine frame approx. 34.5 x 35.5 cm (obvious signs of age) • Signed lower right A most pleasant depiction of a typical ‘Stöckli’ in bright sunshine with the a few shirts on the washing line, somewhere in the Canton of Berne in Switzerland. Such small cottages would sit next to the large farmhouses and upon retirement the old couple would move into it, to make room for the next generation to take up residence in the main building and run the farm. The Painting is in pleasingly good and clean condition, with no damage or restoration Ernst Linck was an important representative of the "Berner Schule" (Bernese school) led by the famous Ferdinand Hodler, which also included Traugott Senn, Emil Cardinaux, Eduard Boss...

A. J. Bennett (South African, fl. Early 20th century) Light and Shade • Oil on canvas artist board ca. 42.5 x 29.5 cm • Later frame ca. 53.5 x 41 cm Worldwide shipping is complime...

Post-impressionist work by early 20th-century French painter Gaston Balande

Signed with monogram lower left * The Robert Lehman Collection at the Metropolitan Museum of Art contains more paintings (nine) by Georges D’Espagnat than any other nineteenth- or ...

A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...

Scottish artist John Maclauchlan Milne, RSA, (1885-1957) is a contemporary of Scottish Colourists Peploe, Fergusson, Cadell and Hunter. Like the...