T.S. Harris

"Afternoon on the Water" Woman in a Sunhat on a Boat, Blues, Ochres, Reds

2018

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

The work of Cindy Press celebrates women by exploring the connection between our physical bodies and personal identity. Inspired by fashion and popular cul...

“I have been creating art on some level for as long as I can remember. Life has led me in various directions but one thing that has always remained a constant is my love for art and involving myself in the creative process. Jill was born and raised in the inspiring state of Vermont. She studied Fine Art at The University of Vermont and upon graduating with a B.S. in Art Education, she moved to San Diego California where she continued studying painting at The University of California San Diego. After a brief career as a fine art educator, she realized her true passion was being more hands on in creating and has been painting professionally ever since. Jill and her family have recently settled back on the east coast from the San Francisco area. She feels so fortunate to be living and working in the inspiring state of Maine. As with anything, art is a process and my recent work is representative of how it has evolved. One of the hardest things as an artist is to find a voice in your work. I spent a long time focusing on replicating things that I saw rather truly seeing them through an artistic eye. My work now is based on an initial idea or vision, I still will use some references in the process, but my most successful moments in painting happen when I lose that security and the work is coming from within. Adding, editing, allowing color interaction...

The work of Cindy Press celebrates women by exploring the connection between our physical bodies and personal identity. Inspired by fashion and popular cul...

From an incandescent sunset on Long Island Sound to an iconic pop-kitsch ice storage bin at the neighborhood corner store, Rob Brooks offers us a visual journey from the real to surr...

Artist Unknown Medium: Oil on Canvas Dimensions: 16" x 13" (canvas) 22" x 19" (frame) Framed

Samuel John Egbert Jones (1797- 1861) PHEASANT SHOOTING Oil on canvas Frame H. 38cm x W. 47cm Image H. 30cm x W. 40cm A hunting scene in a beautiful early autumnal wooded landscap...

Guy Pene du Bois' "Two Figures in Courtroom" is a WPA era American scene oil painting created in a realistic style. Modernism at its best The work is framed by Heydenryk. Pène du Bois descended from French immigrants who settled in Louisiana in 1738 and was raised in a Creole household. He was born in 1884 in Brooklyn, NY and first studied with William Merritt Chase at the New York School of Art and later continued his training with Robert Henri. Pène du Bois was greatly impressed with Henri's credo that "real life" was subject matter for art and throughout his life a realist philosophy informed his art as well as his parallel career, art criticism. In 1905, Pène du Bois made his first visit to Paris where he painted scenes of fashionable people in cafes rendered in the dark tonalities and impasto associated with the Ashcan School. By 1920, he had achieved his mature style, which was characterized by stylized, rounded, almost sculptural figures painted with invisible brushstrokes. The subjects of his paintings were often members of society whom he gently satirized. In 1924, Pène du Bois and his wife, Floy, left for France where they would remain until 1930. Returning to America showcases pictures the artist produced after this very productive period abroad. After five years of living in France, Pène du Bois was able to observe American life with fresh eyes. His work becomes more psychologically intense and less satirical. In Girl at Table a slender, blond is shown gazing at a small statue that she holds at arm's distance. The meaning is elusive, but a powerful sense of longing is evoked. Similarly, paintings such as Dramatic Moment and Jane are taut with unresolved dialogue. Both pictures depict mysterious interiors in which a lone woman anxiously awaits the denouement of a suspenseful scene. Other pictures, for example, Chess Tables, Washington Square and Bar, New Orleans, recall Pene du Bois's Ashcan origins in their depiction of urban entertainment. During this period, landscape becomes an important subject for Pène du Bois. Girl Sketching...

Artist Notes: There is never a dull moment with this pair of predators out on a sinister prowl. Look at their eccentric fashion and the blend of color splashes, that celebrate the cr...

This licensed Blend Cota oil on canvas painting of Wonder Women - Champion of Themyscria - oil on Canvas is brought to life utilizing Blend's own famous col...

This licensed Blend Cota oil on canvas painting of Ballerina is brought to life utilizing Blend's now famous colorism technique. This painting captures what...