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Antique Greek Orthodox 17thCentury Icon Gilded Egg Tempera Saint Athanasios 1650

Circa 1650

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  • Antique 18th Century Flemish Netherlandish Religious Baroque Gilt Wood Triptych
    Located in Portland, OR
    Antique late 18th Century Baroque, Netherlandish/Flemish Gilt Wood Triptych Painting, egg tempera on panel, circa 1780, "Saint Tobias and The Angel". The gilt wood case with iron strap hinges and gilded decoration, the central panel painted with an allegory of Saint Tobias. The triptych evidently influenced by the Italian Renaissance work of Verrocchio's altar painting...
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  • Italian Renaissance Tempera on Parchment Painting Holy Family by Giuseppe Cesari
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    A rare & important Italian Renaissance tempera on parchment painting, Giuseppe Cesari Il Cavalier d'Arpino (Giuseppe Cesari, 1568-1640), the painting c...
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    16th Century Renaissance Figurative Paintings

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  • Antique Irish Oil Canvas Fishing Maritime Painting William P Rogers Dublin 1870
    By William P. Rogers
    Located in Portland, OR
    A good & whimsical oil on canvas painting by the Irish painter William P. Rogers (fl 1846-1872). The work depicts a fisherman mending his nets, with baskets & ropes to the foreground...
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    1870s Victorian Figurative Paintings

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  • Antique Italian Oil on Panel Painting Costume Genre Dog & Beauty Franceso Vinea
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    Located in Portland, OR
    A very good antique oil on panel costume genre painting by the celebrated Northern Italian artist, Francesco Vinea (1845-1902), the painting dated signed and dated 1873. Vinea studied at The Academy of Fine Arts in Florence and then worked as a designer of illustrated periodicals, he returned to Florence and studied under professor Enrico Pollestrini. Vinea unapologetically produced incredibly high quality humorous and whimsical scenes that were always elegant and depicted figures in period costume situated in lavishly ornamented interiors. Vinea became quite famous and wealthy in his lifetime and his work was particularly sought after in France, England and The United States. The 19th Century American art collector James Jackson...
    Category

    1870s Italian School Figurative Paintings

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  • Frank Brangwyn Painting Mural Study Christ's Hospital West Horsham England 1912
    By Sir Frank Brangwyn
    Located in Portland, OR
    FRANK BRANGWYN ( U.S./U.K./Belgium, 1867-1956) watercolor, gouache, and charcoal on paper, "The Scourging of St. Alban," study for the mural painted for Christ's Hospital, West Horsh...
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    1910s Art Nouveau Figurative Paintings

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    Chalk, Charcoal, Watercolor, Gouache, Pencil

  • Old Master Flemish Oil on Canvas Baroque Painting Jesus Christ Ecce Homo 1630
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    An important Old Master oil on canvas painting by the Flemish artist, Jan Cossiers, a follower of the style of Caravaggio (1600-1671). Born in Antwerp in 1600, Jan Cossiers was a pupil of his father, the painter Antoon Cossiers (died 1646/1647), and also studied under Cornelis de Vos...
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    17th Century Baroque Figurative Paintings

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    1990s Byzantine Figurative Paintings

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  • Christ Pantocrator" After an Icon in the style of the Moscow School
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    "Christ Pantocrator". After an Icon in the style of the Moscow school (15th century). Somewhat similar to that of Rublev. Author: Oliver Samsinguer Egg tempera and gold leaf on gesso and on wood. Dimensions; (H) 42 x (W) 33.5 x (D) 3.5 cm. (H) 16.54 x (W) 13.19 x (D) 1.38 in. This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with an agate. Gold leaf is real 24-carat gold . Now, the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...
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    1990s Byzantine Figurative Paintings

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    Gold Leaf

  • Icon of Our Lady of Jerusalem with oklad by Oliver Samsinger
    Located in Segovia, ES
    Icon of Our Lady of Jerusalem. Egg tempera on gesso and over a wooden board. Dimensions in centimeters: 42 x 34 x 2 cm / In inches: 16.54 x 13-39 x 0-79 " Author: Oliver Samsinger...
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  • "Birth of Christ" after a Russian icon of the 15th century. Oliver Samsinger
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    "Birth of Christ", after a Russian icon of the 15th century. Tempera and gold leaves on gesso, wooden board. Dimensions: (H) 68 x (W) 52 x (D) 4 cm. This icon sums up the events of the birth of Christ. At the top left the three wise men from the Orient approach on horses. ABOUT THE ARTIST Oliver...
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    1990s Byzantine Mixed Media

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  • Saint Nicolas in the style of Russian icons of the 18th century. With Oklad
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    Icono of Saint Nicolas in the style of Russian icons of the 18th century. Egg tempera and gesso on wood, covered by a metal oklad made by the artist himself. The oklad, in principle, were made to cover damaged parts of highly revered ancient icons...
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