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Early 20th Century Oil - Sailing Boat

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  • M. A. Batchelor - 2004 Oil, Drying The Sails At Sunset
    Located in Corsham, GB
    A dramatic and busy harbour scene with a multitude of boats on the sand at low tide with crowds of fishermen tending to the boats, loading them up, smoking their pipes as crowds of p...
    Category

    21st Century and Contemporary Figurative Paintings

    Materials

    Oil

  • M.M. Sullivan - Large Contemporary Oil, Fishermen at the Harbour
    Located in Corsham, GB
    A wonderfully detailed harbour scene, likely depicting a Cornish fishing village. Fishermen sort through their catch in the foreground while seagulls soar overhead. Presented in an o...
    Category

    21st Century and Contemporary Figurative Paintings

    Materials

    Oil

  • Contemporary Oil - Bringing In The Boats
    Located in Corsham, GB
    An atmospheric oil showing a Mediterranean coastal town, with figures bringing in their boats at a small cove, as brooding clouds form overhead. The painting has been indistinctly si...
    Category

    21st Century and Contemporary Figurative Paintings

    Materials

    Oil

  • H. Leung - 20th Century Oil, Fishing Boats
    Located in Corsham, GB
    A charming impasto oil painting, depicting a coastal scene with several fishing boats. Signed to the lower left-hand corner. Presented in a distressed, gilt-effect frame, as shown. O...
    Category

    21st Century and Contemporary Figurative Paintings

    Materials

    Oil

  • Calailo - 20th Century Oil, Harbour Scene
    Located in Corsham, GB
    A colourful panoramic harbour scene. Presented in a gilt-effect wooden frame. Signed to the lower-right edge. On canvas on stretchers.
    Category

    21st Century and Contemporary Figurative Paintings

    Materials

    Oil

  • W. Spencer - Signed Contemporary Oil, Wonders of Coral
    Located in Corsham, GB
    Enamel paint dances and swirls in a cacophony of colour to depict a coral bursting with life and beauty. The artwork is signed and inscribed on the reverse and is well presented in a...
    Category

    21st Century and Contemporary Figurative Paintings

    Materials

    Oil

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    By Carole Feuerman
    Located in Miami, FL
    Carole A. Feuerman (born 1945) is an American sculptor and author working in Hyperrealism. She is one of the three major artists credited with starting the movement in the late 1970s...
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    2010s Contemporary Figurative Sculptures

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  • Large Oil Painting Titled: The People’s Princess
    By Christina Major
    Located in West Palm Beach, FL
    Words in painting: I think the biggest disease the world suffers from in this day and age is the disease of people feeling unloved. I know I can give love for a minute, for a half an...
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  • Let Her Go - Thickly Painted Impasto Surface Oil Painting with Dream-Like Scene
    By Victor Wang
    Located in Chicago, IL
    Victor Wang's highly textured paintings involve thick layers of paint over collaged images from the Tang Dynasty. In "Let Her Go", the foreground shows a modern female figure sitting upon the side of a boat which gives the impression she is wearing wings and about to take flight. Upon closer look, there are various scenes taking place around her in the water - warriors with knives drawn, a jeep in pursuit of some unseen enemy, a cauldron boiling over. Influence by the Renaissance Masters, Titian and Rembrandt for their glazing and layering techniques respectively, the artist builds the surface using heavy paint, swirling and mixing the color on the canvas. The end result is a poetic and emotionally powerful representation of the human form. Victor Wang Let Her Go oil on canvas 48h x 60w in 121.92h x 152.40w cm VWG011 My path through life has been adventurous, exciting, and dream-like. My experience of settling into America in search of better opportunities has been both challenging and inspiring. I use the human face as a vehicle to paint human experiences - worry and wonder, sadness and pleasure - which reflect the emotional stage directly tied to my immigration experiences. I grew up amongst the sunflower fields in northern China. In my childhood years, I played under the bright, yellow sunflowers with my brothers everyday. China’s Cultural Revolution played an important part in my life. During that time, sunflowers were used as political allegories to depict how citizens of China should follow Mao who represented the sun, since sunflowers follow the sun’s movements. People eventually inferred the deception that this symbol masked. After graduating from high school, I was sent to a labor camp in the country for ‘reeducation’ during China’s Cultural Revolution. There, I was subject to grueling farm work. Often, I worked in corn and sunflower fields from sunrise to sunset. Thus, for me, sunflowers evoke both personal joy and sadness. Therefore, to deliver my complex feelings, I use sunflowers as a metaphor to connote my background and emotional stage. My incorporation of collages of figures from China’s Tang Dynasty represents my Chinese heritage and is a constant reminder of where I came from. The texture and earthiness on the canvas’s surface are inspired by the texture of the soil on the farm where I worked in China. Although I often gain great pleasure from the process of painting, it is most important to unfold expressively those feelings within myself. Wang belongs to a generation of immigrant painters from China, whose artistic background was defined by socialist realism but took advantage of their skills and broke away from that tradition to create new subjects in the U.S. “When I was a student during Cultural Revolution, Soviet realism art was among the dominant source of influence and it grabbed us like lightening...
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  • Union - A Group of Uniformed Soldiers Standing in an Open Field, Oil on Linen
    By William Blake (b. 1991)
    Located in Chicago, IL
    A group of uniformed soldiers gather in a grassy field. We see cannons yet must bring our own decisions about what is about to transpire. Painted in the loose style of Winslow Homer, "Union" by William Blake captures a scene in a Civil War Reenactment as the Union Army's Artist Reporter. Portraying Homer as an Artist-reporter, Blake has to be more than merely good draftsmen. He has to be an astute observer, have an instinct for story and drama, the ability to sketch quickly and accurately, and no small amount of daring, as he faces battles first hand. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. Please contact the gallery for framing options. William Blake Union, 2022 oil on linen 24h x 36w in 60.96h x 91.44w cm WIL034 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...
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  • A Great Battlefield - A Lone Soldier Sanding in an Open Field, Oil on Linen
    By William Blake (b. 1991)
    Located in Chicago, IL
    A solitary figure, head bowed, stands in a field in contemplation of what has just taken place or what is about to take place. "A Great Battlefield" channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to contemplate the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. A Great Battlefield oil on linen 60h x 35w in 152.40h x 88.90w cm WIL029 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...
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  • "No King: One Route". Contemporary Neo Expressionist Oil Painting
    By Sax Berlin
    Located in Brecon, Powys
    Sharp edged and sassy from Sax Berlin. A bang on trend, urban street painting with an undercurrent of the darkness of the city. Oil and acrylic on canvas
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