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Late 19th Century Cupids Forging Gold -- House of Vetti Frieze Pompeii

1890s

A beautiful abstract composition, rich in visual texture by using several mediums - watercolor, ink, handmade paper and oil pastel - by Aptos, California artist Diane Pendleton Stein...

Wonderful mid century mixed media coastal/figurative in loose/painterly style by Irmal Gertrude Attridge (American, 1894-1962), circa 1950. Signed lower right. Presented in vintage frame under glass (included as-is). Image size: 9"H x 12"W. Irma Gertrude Attridge was born in Chicago and studied at Chouinard Art Institute in Los Angeles with Henry McFee and Oscar Van Young. Member of Calif. AC; AEA; Cal. WC. Soc.; Women Painters...

Bold, embossed kimono by Patricia A. Pearce (American, b. 1948). Numbered, titled, and signed along bottom edge ("1/25 Kimono 6 Patricia A Pearce"). No frame. Patricia Pearce ...

"Rue St. Marguerite" Montreal Street Scene in Watercolor, Pastel, and India Ink Vibrant drawing of Montreal, Canada, by Richard D. Wilson (Canadian, 1920-1994). A street scene of 1960s Montreal, complete with cars, people walking and crisscrossing telephone and power lines...

Dynamic, expressive rendition of a jazz trio by San Francisco artist Michael William Eggleston (American, 20th century). There are three abstracted figures in this piece - a guitar p...

Highly detailed village scene by notable South African artist Tsepiso Lesenyeho (b. 1968). A cluster of houses sit atop a hill, against a dramatic backdrop of mountains and clouds. I...

Artist/School: After Filippo Lippi, Italian 1406-1469. The work is most likely by an English hand, late 19th century Title: The Adoration of the Christ ...

The Madonna & Child by J. Canava, Italian late 19th century miniature painting on ceramic, framed within velvet inset and frame image measures 3.2...

The Madonna & Child by J. Canava, Italian late 19th century miniature painting on ceramic, framed within velvet inset and frame image measures 3.2...

Italian Renaissance Angels Making Music - 16th Century Renaissance Fresco Fragment - Lombardy Italy A detached Renaissance Fresco dating to the ea...

Circle of Amico Aspertini Oil on panel, 59x31 cm. Provenance: Asta Pandolfini 8 marzo 2023 lot. 47. He was born in Bologna to a family of painters (including Giovanni Antonio Asperti...

Provenance: Palazzo Pisani at San Stefano, Venice Mrs. F. Craighead (possibly Mrs. Fay Stinson Craighead, Evansville, Indiana) Sale, Sotheby Parke Bernet, New York, 7 June 1978, lot 310, as Bonifazio Veronese Daniel M. Friedenberg, New York, until 2011; and by descent to: Russell Friedenberg, until 2014 Literature: Giuseppe Pavanello, Gli Inventari di Pietro Edwards nella Biblioteca del Seminario Patriarcale di Venezia, Venice 2006, pp. 132, 140, as no. 10 in Pietro Edwards’ inventory of the Palazzo Pisani: “Giuseppe che fugge dalla moglie di Pitifarre” by Bonifacio Veronese. Philip Cottrell and Peter Humfrey, Bonifacio de’ Pitati, (forthcoming), cat. no. 166h. Antonio Palma is the least well-known member of the illustrious Palma family of Venetian painters of the 16th century. He was the nephew of Jacopo Palma—Palma il Vecchio—and upon his uncle’s death in 1528, he began to work with Palma Vecchio’s principal student and the inheritor of the elder artist’s studio, Bonifazio de’ Pitati (Bonifazio Veronese). Antonio worked with Bonifazio as his principal assistant and right-hand man until Bonifazio’s death in 1553, after which he continued his independent career. He married a niece of his master, and their second son, Jacopo, born in 1648, would achieve fame as Palma il Giovane...