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Mid-Century Modern Swedish Oil Painting, Framed Street Scene - Pedestrians

1950s

MARKET SQUARE Size: 37 x 42 cm (including frame) Oil onto paper laid to board A richly coloured mid century modernist figure scene, painted in oil onto paper laid on board, by the ...

SEASIDE Size: 28.5 x 41 cm (including frame) Oil on Board A small yet impactful mid-century modernist painting, executed in oil onto board. The composition presents a scenic and i...

SEA CATCH Size: 54.5 x 87 cm (including frame) Oil on Canvas A brilliantly executed and lively mid-century modernist composition in oil, painted onto canvas. In this scene, we see ...

STROLL Size: 47 x 55 cm (including frame) Oil on Canvas An expressive mid century modernist street scene composition, executed in oil onto canvas. Working under a mostly monochrom...

Snow Storm Size: 52.5 x 32 cm (including frame) Oil on canvas A sombre yet expressive work of art presenting a scene of a human figure trudging through a snow storm. The artist has...

CITY TOUR Size: 64.5 x 56 cm (including frame) Oil on Canvas A lively and energetic city street scene composition, executed in oil onto canvas and dated 1998 by Swedish artist Uno V...

Alphons (Alfons) Müller (Swiss, * 24.8.1898 Mitlödi, † 8.6.1955 Biel) ' Im Häfeli ' The small harbor at the Lake of Biel / Bienne in Switzerland • Oil on artist board, ca. 47 x 38 cm • Frame, ca. 54 x 45 cm • Signed bottom right Alphons Müller lived and worked in the watch industries in Biel/Bienne in Switzerland up to about 1933. He then decided to become a full-time artist and painted landscapes, still lifes, portraits/nudes in various styles up to his early death in 1955. Alphons Müller was the proverbial hardworking bohemian artist. He lived in a small cold room above a pup and often struggled to make ends meet. On one hand he would paint commercial views of local beauty spots - often of the Lake of Bienne. These paintings were generally executed using very thin paint layers (to make the expensive material last longer ...) in a very bright impressionist style. On the other hand, he would create intelligent, generous and deep reaching images - especially during the war. In the late thirties he meets his two loyal patrons, the baker Werner Gass and the pharmacist...

Sand Pit Hungarian American Oil Painting Workers Horses European Modernism 1928 WPA The board measure 10 3/4 x 15 1/2 inches. The work was painted in Hunga...

"Harvest" Working Women Hungarian European Modernism Expressionism 1926 WPA Era. 10 x 11 inches oil on board. Painted in Hungary. Stephen (Istvan) Csoka was born in Gárdony, Hungary on January 2, 1897 and died in New York in 1989. He is best remembered as a painter and etcher of portraits, nudes, landscapes, genre, and horses. Csoka studied at the Budapest Royal Academy of Art and his memberships include Associate of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the Society of Brooklyn Artists; and the Hungarian Etchers Association. Csoka's exhibitions and awards include a medal at the Barcelona International Exhibition in 1929; a prize at the City of Budapest Exhibit in 1930; prizes at the Society of American Etchers in 1942 and 1945; prizes at the Library of Congress in 1944 and 1946; a prize at the Society of Brooklyn Artists in 1944; a prize at the Philadelphia Watercolor Club in 1945; the Corcoran Gallery of Art in 1945; the Carnegie Institute in 1943, 1944, and 1945; the Art Institute of Chicago in 1944; the Los Angeles Museum of Art in 1945; the National Academy of Design from 1940 through 1945; one-artist shows at the Contemporary Artists in 1940, 1943, and 1945; and the Minneapolis State Fair in 1943. *Stephen continued to recieve awards and exhibit his work throughout his life. In 1997, Hofstra Museum sponsored a Retrospective/Centennial exhibition in honor of his birth. Collections representing Csoka's work are the Metropolitan Museum of Art, New York, NY; the Brooklyn Museum, Brooklyn, NY; the Museum of Fine Arts, Boston, MA; the British Museum, London, England; the Bezalel National Museum, Jerusalem, Israel; the Butler Institute of American Art, Youngstown, Ohio; Whistler House Museum of Art, Lowell, MA; the Cleveland Museum of Art, Cleveland, OH; Columbus Museum of Art, Columbus, OH; the Sheldon Swope Art Museum, Terre Haute, IN; the Mobile Museum of Art, Mobile, AL; the Frederick R. Weisman Art Museum, Minneapolis, MN; the Museum of New Mexico, Santa Fe, NM; the Budapest Museum of Fine Arts, Budapest, Hungary; Hungarian National Gallery, Budapest, Hungary, the Museum of the City of Budapest, Budapest, Hungary; the Library of Congress, Washington, DC; Carnegie Museums of Pittsburgh, Pittsburgh, PA; the Chrysler Museum of Art, Norfolk, VA; Georgia Museum of Art, Athens, GA; Hofstra Museum, Hofstra University, Hempstead, NY; Holocaust Museum, Glen Cove, NY; National Academy of Art, New York, NY; New Orleans Museum of Art, New Orleans, LA; New York Historical Society, New York, NY;New York Public Library, New York, NY; National Gallery of Art, Washington, DC; Peabody Museum, Cambridge, MA; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Reading Public Museum, Reading, PA; Livingston Arts Center, Mount Morris, NY; Ball State Teachers College, Muncie, IN; City College, New York, NY; Fashion Institute of Technology, New York, NY; Hungarian Consulate, New York, NY; Hungarian Heritage, New Brunswick, NJ; Hunter College, New York, NY; IBM Collections; Princeton Print Club...

Figurative Expressionist portrait and scene of a travellers gypsy caravan. The painting is signed bottom right, Fayo (?) but further research is necessary for an attribution. Presented in a fine chip carved Montparnasse frame. Provenance: from a Private French collection, South of France. A strong and powerful scene, part portrait part scene of a travellers life. Both characters seem to be in quiet contemplation aware of each other but not looking. The artist has created a mood to the painting featuring simple lines with an almost monumental quality and muted colour harmonies. The work is very reminiscent of the paintings of Ramiro Arrue and the scenes of his beloved Basque country. Ramiro Arrue was born in Bilbao, into an artistic family: his three older brothers, Alberto, Ricardo, and José, were also artists and frequently held joint exhibitions with him. He also had two sisters. Their father, Lucas Arrue, was an art collector who sold his collections (including a Goya) to pay for the artistic training of his sons. At the age of nineteen, Ramiro travelled to Paris to take courses at the Académie de la Grande Chaumière. Living in Montparnasse, he became an associate of his countrymen Ignacio Zuloaga and Paco Durrio, as well as the sculptor Antoine Bourdelle, who became a close friend. He was also associated with Picasso, Modigliani, and Jean Cocteau. In 1911, Arrue exhibited at the Salon des Artistes Français. In 1922, along with his friends Philip Veyrin and Commandant William Boissel, he founded the Musée Basque at Bayonne. In 1925 Arrue won a gold medal at the Exposition Internationale des Arts Decoratifs. He exhibited in Bayonne, Pau, Strasbourg, Bilbao, and Cordoba. Along with his brother José, he travelled and exhibited in South America, to Buenos Aires and Montevideo. He often, however, returned to the Basque Country, particularly to Saint-Jean-de-Luz, where he settled in 1917 and where he found his main inspiration for landscapes, portraits, and everyday scenes. In 1929, he married Suzanne: they went on honeymoon in St. Tropez. Arrue produced illustrations for Francis Jammes (La Noce basque), Pierre Loti (Ramuntcho), Joseph Peyré (Jean le basque...

French Expressionist oil on board of The Place du Tertre and Sacre Coeur in Paris by Bernard Vivier. Signed to the back of the panel, presented in plain wood frame. A wonderful colo...

Paris. 2009, canvas on cardboard, oil, 30x40 cm Sunny day in Paris with people and cars