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Romantic French Ecole de Paris Painting - Swan in a lake

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  • French Post Impressionist oil - Wauding River Landscape in Long Island - 1940
    By William Malherbe
    Located in Antwerp, BE
    French American post impressionist oil painting depicting "La Chaumine - Wauding river in Long Island" in 1940 William Malherbe was a French Impressionist painter born in 1884. His success came in the 1930’s exhibiting at the gallery Durand Ruel, the famous Paris gallery who’s fortune had been made by backing the Impressionists. Fleeing the Nazi’s in 1939 he immigrated to New York city exhibiting at the Corcoram Gallery in Washington DC. His success was instantaneous and became a highly sought after artist. Our painting is a very beautiful example of this oeuvre during that period. We also have a second work by him from the same period in our other listings. After the war, he returned to France and passed away there in 1955. His works can be found in several museums including the Princeton art...
    Category

    Early 20th Century American Impressionist Landscape Paintings

    Materials

    Oil, Cardboard

  • 19th century French romantic painting - The art fair in a park landscape
    By Paul Denarié (Jean Sorlain)
    Located in Antwerp, BE
    19th century French romantic painting depicting a peaceful and luxurious day at an outdoor art market Elegantly dressed people can be seen browsing through an open air art market on a sunny day, glancing at the many beautiful works on display. Some are discussing paintings with their friends, whilst others seem to be acquiring a work for their own collection. Very much like you might be doing at the current moment, only from the comfort of your own place. Paul Denarié...
    Category

    19th Century Romantic Figurative Paintings

    Materials

    Canvas, Oil

  • 19th century oil painting - The romantic getaway to the waterfall - Love
    Located in Antwerp, BE
    19th century romantic oil painting "The romantic getaway to the waterfall" This charming painting depicts a couple gazing at a majestic waterfall which is nestled in a densely green...
    Category

    19th Century Romantic Figurative Paintings

    Materials

    Canvas, Oil

  • Large 19th century French Barbizon school oil - The outdoor concert - Monticelli
    Located in Antwerp, BE
    Large 19th century Barbizon painting "The outdoor concert" This peaceful and dreamy painting depicts a group of elegantly dressed people in a magnificent park. The painting has wond...
    Category

    19th Century Barbizon School Figurative Paintings

    Materials

    Oil, Panel

  • 19th century French painting - Seascape at sunset - Galien Laloue
    By Eugene Galien-Laloue
    Located in Antwerp, BE
    19th century French oil painting depicting a seascape at sunset, with fishermen returning home from their day at sea. In the distance we can see people enjoying themselves and walkin...
    Category

    Late 19th Century Impressionist Figurative Paintings

    Materials

    Canvas, Oil

  • Large 17th century Dutch Old Master painting - Cavalry celebration - soldiers
    Located in Antwerp, BE
    Magnificent 17th century Dutch old master painting depicting a merry cavalry encampment This large and rare painting depicts a merry company of soldiers at rest in their encampmen...
    Category

    Mid-17th Century Old Masters Landscape Paintings

    Materials

    Oil, Panel

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    By Georges Henri Manzana Pissarro
    Located in London, GB
    *UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Brume et Soleil du Matin (The Seine at Les Andelys) Oil on board 38 x 54.8 cm (15 x 21 ⅝ inches) Signed lower le...
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    1920s Post-Impressionist Figurative Paintings

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  • La Plage aux Andelys, oil on board by Georges Manzana Pissarro - Landscape
    By Georges Manzana Pissarro
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    La Plage aux Andelys by Georges Manzana Pissarro (1871 - 1961) Oil on board 23.7 x 32.9 cm (9 ⅓ x 13 inches) Signed lower left, Manzana Pissarro Executed circa 1930 Provenance Priva...
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  • Toits Rouges à Menton by Georges Manzana Pissarro - Landscape oil painting
    By Georges Henri Manzana Pissarro
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    *UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Toits Rouges à Menton by Georges Manzana Pissarro (1871-1961) Oil on board 40 x 56.5 cm (15 ¾ x 21 ⅞ inches) Sign...
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    1950s Post-Impressionist Figurative Paintings

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  • "Place de la Bastille" French Impressionist Street Scene of Paris Oil Painting
    Located in New York, NY
    In this piece, the artist depicts his subject in an abstract and impressionistic way, capturing the Place de la Bastille busy street scene from the 20th Century with much life. The a...
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    Mid-20th Century Post-Impressionist Landscape Paintings

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  • Bretonne sous un Arbre by LUDOVIC RODO PISSARRO - Post Impressionist painting
    By Ludovic-Rodo Pissarro
    Located in London, GB
    Bretonne sous un Arbre by LUDOVIC-RODO PISSARRO (1878 - 1952) Oil on board 33 x 41 cm (13 x 16 ⅛ inches) Signed and dated lower right, Ludovic Rodo 1903 Provenance Private Collecti...
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  • French Riviera Harbor Scene Oil Painting Ecole D'Paris, WPA, Bezalel Artist
    By Jacques Zucker
    Located in Surfside, FL
    Genre: Post Impressionist Subject: Landscape Medium: Oil Surface: board Country: France Dimensions: 13" x 16" Jacques Zucker was born in 1900 in Radom, Poland. He was a notably famous Jewish American artist mostly known for his expressionist figure paintings. In his young years he traveled to Palestine to study fine arts at the Bezalel Art School in Jerusalem. In 1917 he joined the British Royal Fuesiliers under the leadership of General Allenby to liberate Palestine from the Turks. After the first World War he settled in Paris, where he continued his studies at Académie Julian and Academie Colarossi. He then emigrated to the United States in 1922 and continued his art studies at the National Academy of Design. He supported himself by designing jewelry. In 1925 he returned to Paris and studied at the Academie de la Grande Chaumier et Colarossi. During the Depression he worked for the WPA. From 1928 he took part in the Paris Salons: Autumn and the Tuileries. His works are expressionistic variations in the type of the Ecole de Paris. As a protégé of both Chaim Soutine and Renoir, hints of their style can be observed in much of his own work. Zucker’s style, that may have been influenced from the art of artists such as Marc Chagall, took pride in being an “internationalist”, standing the art of painting in its highest expression is universal no matter where the canvas was created. People who respond to quality in art will understand the beauty and meaning, in their own land or in a foreign land, this was his main idea behind his artworks that was exhibited in numerous solo show in leading galleries and museums in New York, Paris, Tel Aviv, and other art centers. Claude Roger-Marx of Figaro Litteraire, dean of French art critics, write a comprehensive study of Zucker’s illustrated with 135 color and black and white plates. He traveled widely, including Italy, Spain, Portugal, Mexico and Israel. From then on Zucker lived alternately in New York and Paris, maintaining homes in both places, and spent considerable time painting in Mexico, Portugal, Greece, and Israel. Zucker's post-impressionist works including town and landscapes, still-lives, and portraits, are part of an array of permanent installments in numerous museums and private collections in Tel Aviv, including the Joseph Hirschorn collection in Washington, D. C., the Museum of Modern Art in Paris, and the Bezalel Art Museum in Jerusalem. In 1947 he settled in Arcueil near Paris. Zucker died in 1981 in New York. The School of Paris, Ecole de Paris, was not a single art movement or institution, but refers to the importance of Paris as a center of Western art in the early decades of the 20th century. Between 1900 and 1940 the city drew artists from all over the world and became a centre for artistic activity. School of Paris was used to describe this loose community, particularly of non-French artists, centered in the cafes, salons and shared workspaces and galleries of Montparnasse. Before World War I, a group of expatriates in Paris created art in the styles of Post-Impressionism, Cubism and Fauvism. The group included artists like Pablo Picasso, Marc Chagall, Amedeo Modigliani and Piet Mondrian. Associated French artists included Pierre Bonnard, Henri Matisse, Jean Metzinger and Albert Gleizes. The term "School of Paris" was used in 1925 by André Warnod to refer to the many foreign-born artists who had migrated to Paris. The term soon gained currency, often as a derogatory label by critics who saw the foreign artists—many of whom were Jewish—as a threat to the purity of French art. Art critic Louis Vauxcelles, noted for coining the terms "Fauvism" and "Cubism", Waldemar George, himself a French Jew, in 1931 lamented that the School of Paris name "allows any artist to pretend he is French. it refers to French tradition but instead annihilates it. The artists working in Paris between World War I and World War II experimented with various styles including Cubism, Orphism, Surrealism and Dada. Foreign and French artists working in Paris included Jean Arp, Joan Miro, Constantin Brancusi, Raoul Dufy, Tsuguharu Foujita, artists from Belarus like Michel Kikoine, Pinchus Kremegne, and Jacques Lipchitz, the Polish artist Marek Szwarc and others such as Russian-born prince Alexis Arapoff. A significant subset, the Jewish artists, came to be known as the Jewish School of Paris or the School of Montparnasse. The core members were almost all Jews, and the resentment expressed toward them by French critics in the 1930s was unquestionably fueled by anti-Semitism. Jewish members of the group included Emmanuel Mané-Katz, Chaim Soutine, Adolphe Féder, Chagall, Moïse Kisling, Maxa Nordau and Shimshon Holzman...
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    Mid-20th Century Post-Impressionist Landscape Paintings

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