Unknown

Saint Francis In Ecstasy Oil On Canvas 1847

1847

Olio su tela. Tradizionale raffigurazione del Crocifisso, attorniato dai Santi legati al culto del committente. In questo caso si hanno la Maddalena, abbracciata al palo della Croc...

Oil on canvas. Outside the fortifications of a city, a commander, surrounded by his soldiers, is about to light the fuse of the cannon. The army defends the citadel outside the walls...

Oil on Canvas. Central-Italian school of the late 17th-early 18th century. The composition proposes a female bust in the center, portrayed as if it were a sculptural effigy, because ...

Olio su tela. Il dipinto è copia dall'opera di Alexis Grimou (1678 -1733), eseguito nel 1725 ed oggi conservato alla Galleria degli Uffizi di Firenze. Il Grimou, definito anche il Re...

Olio su tela. Scuola italiana del XVII secolo. I due dipinti fanno probabilmente parte di un gruppo raffigurante le quattro virtù cardinali, ovvero Giustizia, Prudenza, Temperanza e ...

Olio su tela. In basso a destra presente firma non identificata. La grande tela presenta una scena di interno, ambientata in una corte settecentesca: nella sala riccamente arredata con tendaggi di velluto, sculture e e grandi...

Artist Unknown Medium: Oil on Canvas Dimensions: 16" x 13" (canvas) 22" x 19" (frame) Framed

Samuel John Egbert Jones (1797- 1861) PHEASANT SHOOTING Oil on canvas Frame H. 38cm x W. 47cm Image H. 30cm x W. 40cm A hunting scene in a beautiful early autumnal wooded landscap...

Guy Pene du Bois' "Two Figures in Courtroom" is a WPA era American scene oil painting created in a realistic style. Modernism at its best The work is framed by Heydenryk. Pène du Bois descended from French immigrants who settled in Louisiana in 1738 and was raised in a Creole household. He was born in 1884 in Brooklyn, NY and first studied with William Merritt Chase at the New York School of Art and later continued his training with Robert Henri. Pène du Bois was greatly impressed with Henri's credo that "real life" was subject matter for art and throughout his life a realist philosophy informed his art as well as his parallel career, art criticism. In 1905, Pène du Bois made his first visit to Paris where he painted scenes of fashionable people in cafes rendered in the dark tonalities and impasto associated with the Ashcan School. By 1920, he had achieved his mature style, which was characterized by stylized, rounded, almost sculptural figures painted with invisible brushstrokes. The subjects of his paintings were often members of society whom he gently satirized. In 1924, Pène du Bois and his wife, Floy, left for France where they would remain until 1930. Returning to America showcases pictures the artist produced after this very productive period abroad. After five years of living in France, Pène du Bois was able to observe American life with fresh eyes. His work becomes more psychologically intense and less satirical. In Girl at Table a slender, blond is shown gazing at a small statue that she holds at arm's distance. The meaning is elusive, but a powerful sense of longing is evoked. Similarly, paintings such as Dramatic Moment and Jane are taut with unresolved dialogue. Both pictures depict mysterious interiors in which a lone woman anxiously awaits the denouement of a suspenseful scene. Other pictures, for example, Chess Tables, Washington Square and Bar, New Orleans, recall Pene du Bois's Ashcan origins in their depiction of urban entertainment. During this period, landscape becomes an important subject for Pène du Bois. Girl Sketching...

Artist Notes: There is never a dull moment with this pair of predators out on a sinister prowl. Look at their eccentric fashion and the blend of color splashes, that celebrate the cr...

This licensed Blend Cota oil on canvas painting of Wonder Women - Champion of Themyscria - oil on Canvas is brought to life utilizing Blend's own famous col...

This licensed Blend Cota oil on canvas painting of Ballerina is brought to life utilizing Blend's now famous colorism technique. This painting captures what...