William Collins (b.1788)

The Storyteller. Humorous Early Victorian Original Oil Painting. Royal Academy.

1843

William Arthur Breakspeare. English ( b.1855 - d.1914 ). A Rendezvous in the Park in the Autumn Fall. Oil on Panel. Signed lower right. Image size 12.6 inches x 7.3 inches ( 32cm x 1...

Harold Walton Freckleton. English ( b.1890 - d.1979 ). Milly with Minstrel. Oil on Canvas. Signed lower right. Image size 24.4 inches x 29.52 inches ( 62cm x 75cm ). Frame size 30.7 ...

Late 18th or Early 19th Century Continental follower of Peter Paul Rubens. Flemish ( b.1577 - d.1640 ). Judith and the Head of Holofernes. Oil on Canvas. Image size 31.1 inches x 23...

Elin Siân Blake. Welsh ( b.1981). Until Tomorrow (Tan Yfory). Oil on artist’s canvas board. Signed lower right. Image size 9.5 inches x 11.6 inches ( 24cm x 29.5cm ). Frame size 16....

Elin Siân Blake. Welsh ( b.1981). First Light. Oil on canvas. Signed lower left. Image size 23.4 inches x 17.3 inches ( 59.5cm x 44cm ). Frame size 28.5 inches x 22.4 inches ( 72.5c...

Elin Siân Blake. Welsh ( b.1981). War Horse. Lest we forget. Oil on artist’s canvas board. Signed lower left. Image size 23.4 inches x 19.5 inches ( 59.5cm x 49.5cm ). Frame size 28...

A late Victorian period painting by British artist, David W. Haddon, active (1884-1914). The canvas measures 20 x 14 inches and is signed low...

Provenance: Christie’s, London, 3 March 1922, lot 46 (with The Tower of Babel); James Nicoll Private Collection Sotheby’s, London, 29 March 1983, lot 157 Private Collection, New Yo...

Edward Charles Barnes was a London painter of Victorian domestic scenes and interiors, especially of women and children. He exhibited at the Royal Academy, Suffolk Street, and at th...

Oil on canvas, signed lower right Image size: 33 1/2 x 56 1/2 inches (85 x 143 cm) Original gilt frame Provenance With the artist's son, Millie Dow Stott Esq., until 1912. Artist's Studio Sale, Christies, November 1913. Private Collection Exhibitions London, Royal Academy, 1895, no. 679. Paris, Societe de la Nationale des Beaux-Arts, 1896, no. 1179. Berlin, VII Internationale Kunstausstellung 1897. no. 3533. Manchester, City of Manchester Art Gallery, 1912, no. 339. In the 1890s William Stott exhibited regularly at the Royal Academy, mainly highly decorative works with subjects derived from classical mythology and literature. This painting was Stott's 1895 entry to the Royal Academy and was subsequently exhibited at the Paris Salon of 1896 and then on to the Berlin, VII Internationale Kunstausstellung 1897. Shakespeare was a favourite source for Victorian painters, and the tragic romance of Ophelia, from Hamlet, was an especially popular subject, featuring regularly in the Royal Academy exhibitions. The most popular and iconic image of Ophelia's death was, and is to this day, John Everett Millais's 1851 painting showing the confused and tragic Ophelia floating downstream on her back in a state of mad ecstasy, arms raised in a gesture of inevitable submission. However, although Stott chose not to pastiche this image, it seems highly likely that he was prompted to take up this subject, which had almost become a 'rite of passage' among Victorian painters, by the fact that in 1894 Millais's Ophelia was presented to the National Gallery of British Art by Sir Henry Tate. It appears that Stott was much influenced by John William Waterhouse...

Clement Nye Swift "Breton Chores" 1870 Oil on Canvas Signed and Dated Lower Right Canvas Size: approx 27 x18 inches Framed Size: approx 34 x 35 inches Provenance: Private Midwes...

Head Portrait of a Terrier Dog by W. Mitchell (English, late 19th Century) oil on canvas, unframed canvas: 12 x 10 inches provenance: private collection, UK condition: very good and ...