Hananiah, Mishael, and Azariah in the Furnace of Fire, Prayer, Oil Painting
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Yitzchak RomanHananiah, Mishael, and Azariah in the Furnace of Fire, Prayer, Oil Painting
About the Item
- Creator:Yitzchak Roman (1913, Israeli)
- Dimensions:Height: 18 in (45.72 cm)Width: 15 in (38.1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU3821847493
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- Whimsical French Folk Art, Naive, Oil Painting Madeline Marie Christine ClavierBy Madeline Christine ClavierLocated in Surfside, FLMADELINE CHRISTINE CLAVIER (1913-2015) Signature: Signed lower right & titled verso Medium: Oil on canvas Provenance: The collection of the artist's family Marie Christine Clavier was born in Saigon, Vietnam in 1913 to French parents and lived there for her formative years. She returned to France as a teenager and began to study painting. Her work quickly developed into whimsical paintings of poetry and songs – harmonized in a unique and distinct painting technique. Her work has an impasto feel and a folk art, outsider artist sensibility to it. Similar in style to Maik and other fantasy realists who use animals, flowers and foliage in their artworks. Marie Clavier painted ro herself rather than for profit as she was quite independently wealthy. She exhibited extensively in the United States in the 1970s especially across Connecticut and New York, showing at various galleries and cultural centres. She had numerous solo exhibitions in the 1970’s- notably at the Maison Francaise in New York and New York University. She showed at Galerie Bernheim Jeune in Paris. She won many awards for her work including Gold Medals and Palme D’Or medals. In 1988 the prestigious art publisher Leopard D’Or produced catalogue book on her life and work – by this point she had virtually given up painting. She died in 2015 aged 102. Bernheim-Jeune gallery is one of the oldest art galleries in Paris. Opened on Rue Laffitte in 1863 by Alexandre Bernheim (1839-1915), friend of Delacroix, Corot and Courbet, it changed location a few times before settling on Avenue Matignon. The gallery promoted realists, Barbizon school paintings and, in 1874, the first impressionist and later post-impressionist painters. It closed in 2019. In 1901, Alexandre Bernheim, with his sons, Josse (1870-1941), and Gaston (1870-1953), organized the first important exhibition of Vincent van Gogh paintings in Paris with the help of art critic Julien Leclercq. In 1906, Bernheim-Jeune frères started presenting works by Pierre Bonnard, Edouard Vuillard, Paul Cezanne, Henri-Edmond Cross, Kees van Dongen, Henri Matisse, Le Douanier Rousseau, Raoul Dufy, Maurice de Vlaminck, Amedeo Modigliani, Maurice Utrillo and Georges Dufrenoy. From 1906 to 1925, art critic Félix Fénéon was the director of the gallery and was instrumental in bringing in the art of Georges Seurat and Umberto Boccioni. In 1922, an exhibition brought together works by Alice Halicka, Auguste Herbin, Pierre Hodé...Category
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- Whimsical French Folk Art, Naive, Oil Painting Madeline Marie Christine ClavierBy Madeline Christine ClavierLocated in Surfside, FLMADELINE CHRISTINE CLAVIER (1913-2015) Signature: Signed lower right & titled verso Medium: Oil on canvas Provenance: The collection of the artist's family Marie Christine Clavier was born in Saigon, Vietnam in 1913 to French parents and lived there for her formative years. She returned to France as a teenager and began to study painting. Her work quickly developed into whimsical paintings of poetry and songs – harmonized in a unique and distinct painting technique. Her work has an impasto feel and a folk art, outsider artist sensibility to it. Similar in style to Maik and other fantasy realists who use animals, flowers and foliage in their artworks. Marie Clavier painted ro herself rather than for profit as she was quite independently wealthy. Her work is in a more whimsical style of Francoise Gilot. She exhibited extensively in the United States in the 1970s especially across Connecticut and New York, showing at various galleries and cultural centres. She had numerous solo exhibitions in the 1970’s- notably at the Maison Francaise in New York and New York University. She showed at Galerie Bernheim Jeune in Paris. She won many awards for her work including Gold Medals and Palme D’Or medals. In 1988 the prestigious art publisher Leopard D’Or produced catalogue book on her life and work – by this point she had virtually given up painting. She died in 2015 aged 102. Bernheim-Jeune gallery is one of the oldest art galleries in Paris. Opened on Rue Laffitte in 1863 by Alexandre Bernheim (1839-1915), friend of Delacroix, Corot and Courbet, it changed location a few times before settling on Avenue Matignon. The gallery promoted realists, Barbizon school paintings and, in 1874, the first impressionist and later post-impressionist painters. It closed in 2019. In 1901, Alexandre Bernheim, with his sons, Josse (1870-1941), and Gaston (1870-1953), organized the first important exhibition of Vincent van Gogh paintings in Paris with the help of art critic Julien Leclercq. In 1906, Bernheim-Jeune frères started presenting works by Pierre Bonnard, Edouard Vuillard, Paul Cezanne, Henri-Edmond Cross, Kees van Dongen, Henri Matisse, Le Douanier Rousseau, Raoul Dufy, Maurice de Vlaminck, Amedeo Modigliani, Maurice Utrillo and Georges Dufrenoy. From 1906 to 1925, art critic Félix Fénéon was the director of the gallery and was instrumental in bringing in the art of Georges Seurat and Umberto Boccioni. In 1922, an exhibition brought together works by Alice Halicka, Auguste Herbin, Pierre Hodé, Moise Kisling, Marie Laurencin, Henri Lebasque, Fernand Leger and Henri Matisse. The gallery now exhibits painters and sculptors in the tradition of the École de Paris and artists such as Jean Carzou, Shelomo Selinger or Pollès. Her style is a recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić...Category
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- Children, Oil PaintingLocated in San Francisco, CA
Artist Comments
A small group of children huddle around a street fire. The flickering flames cast a modest glow on their pale complexions and provide warmth on a cold winter night. In this piece, artist Connie Millholland...Category21st Century and Contemporary Outsider Art Figurative Paintings
MaterialsOil
- Anywhere, Oil PaintingLocated in San Francisco, CA
Artist Comments
In a subway station, commuters engage in various pastimes as they wait for the train to arrive. One reads a newspaper, another talks on a cell phone, while the rest occupy themselves with their thoughts. Amidst the bustle, mumbled conversations, and rumbling railway noises, the red-haired woman sits with her eyes closed, immersed in a contemplative moment.About the Artist
Words that describe this painting: train, subway, cellphone, newspaper, reading, waiting, Isabel Bishop, Vincent Van Gogh, Pablo Picasso, primitivism, travel, text, urban, people, travel, primitive, oil painting, grey
Anywhere
Connie Millholland...Category21st Century and Contemporary Outsider Art Figurative Paintings
MaterialsOil
- 1926, Oil PaintingLocated in San Francisco, CA
Artist Comments
A group of joyful women walks down the street, each holding a glass of wine, a balloon, or a book, celebrating and having a good time. Their laughter fills the air, creating a vibrant and festive scene. Their attire matches the purple and yellow background, adding to the lively atmosphere.About the Artist
Words that describe this painting: women, woman, friends, friend, fashion, wine, celebration, friendship, people, fashion, primitive, oil painting, purple
1926
Connie Millholland...Category21st Century and Contemporary Outsider Art Figurative Paintings
MaterialsOil
- Regressive, Oil PaintingLocated in San Francisco, CA
Artist Comments
The artwork depicts a snapshot of modern urban life, where people on the streets are glued to their phones. Whether chatting, checking notifications, or scrolling through feeds, the scene shows how busy a city can be in the digital age. Using a harmonious palette mostly with warm orange tones, the painting exudes a vibrant and inviting atmosphere. Loose brushstrokes infuse the composition with liveliness.About the Artist
Words that describe this painting: street, walking, cellphone, crowd, walking, urban, crowd, pedestrians, shadow, warm, people, primitive, oil painting, orange
Regressive
Connie Millholland...Category21st Century and Contemporary Outsider Art Figurative Paintings
MaterialsOil
- Waiting, Oil PaintingLocated in San Francisco, CA
Artist Comments
In their daily lives, individuals from diverse backgrounds briefly converge in a shared space as they progress toward a mutual destination. The scene portrays a busy subway station where individuals may have brief and disconnected interactions but are all bound by the same journey and humanity. Each person's story weaves together with others, forming a tapestry of diverse experiences and connections.About the Artist
Words that describe this painting: street, subway, crowd, traveling, shadow, urban, people, primitive, oil painting, grey
Waiting
Connie Millholland...Category21st Century and Contemporary Outsider Art Figurative Paintings
MaterialsOil
- Suspicious, Oil PaintingLocated in San Francisco, CA
Artist Comments
A young woman wearing a matching gray dress and boots stops in the middle of a city street. Her eyes widen as she looks back on so...Category21st Century and Contemporary Outsider Art Figurative Paintings
MaterialsOil