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Keith Longcor
'Kitchen Still Life', Large California Pop Art oil, style of Wayne Thiebaud

1996

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  • 'Hot Dogs and Mexican Fruit Cups', Very Large Pop Art Painting, Vasos de Fruta
    Located in Santa Cruz, CA
    Signed indistinctly lower right, (Matt Baum?) and dated 1994. N.B. The photo of the signature detail is included for clarity and has not been color corrected. A very large (6'6" x 6'6") and vibrant still-life showing a close-up selection of fruit cups...
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    1990s Pop Art Still-life Paintings

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  • 'Red Gladioli in a Chinese Vase', Aesthetic Movement Still Life, Woman Artist
    By Rose Marshall
    Located in Santa Cruz, CA
    Signed lower left with monogram, 'R.M.' for Rose Marshall' (American, 19th century) and dated 1887. Additionally signed, verso, on old label, 'Mrs. Rose Marshall. Displayed in the original and substantial, 19th century carved giltwood and gesso frame...
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  • 'Still Life, Agave with a Japanese Woodblock Print', Paris, Post-Impressionist
    By Victor Isbrand
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    Signed lower left, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1935. Precocious as a child, Victor Isbrand painted professionally from a young age and was...
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    1930s Post-Impressionist Still-life Paintings

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    Canvas, Oil

  • 'Interior with Still Life', Dallas Art Museum, Modernist oil, Woman Artist
    By Belle Golinko
    Located in Santa Cruz, CA
    Signed lower left, 'Belle Golinko' (American, 20th century) and painted circa 1945. This Israeli-American woman Modernist exhibited widely and with success, including at the Dallas ...
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    1940s Post-Impressionist Still-life Paintings

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  • 'Roses with a Quimper Plate', Paris, Salon d’Automne, Fauve, Section d'Or
    By Jais Nielsen
    Located in Santa Cruz, CA
    Signed lower right 'Jais' for Jais Nielsen (Danish, 1885-1961) and dated 1913. An early twentieth-century, oil still-life of pink dog-roses shown loosely arranged in a cobalt blue glass vase, set beside two Breton tin-glazed earthenware plates, resting on an azure-turquoise tablecloth and contrasted against a coral-ochre background. An elegant, early work by this foundational Danish Modernist. Born in Denmark, Jais Nielsen initially studied at Kunstnernes Frie Studieskoler under Kristian Zahrtmann and exhibited for the first time at the 1907 Autumn Salon at the Charlottenborg Palace. Nielsen participated in the early and groundbreaking, “Group of Thirteen" Modernist show, where his focus on dynamic figural painting and his bold use of color set him dramatically apart from his contemporaries. From 1907-11, Nielsen's use of 'primitive' Fauve colors would continue to reinforce his break with traditional Danish painting. During this period, he made study excursions to important art centres, including, in 1909, to Berlin. In 1911, he moved to Paris where he settled in the Latin Quarter near the Musée Cluny. His first formal Paris exhibition was at the Salon d’Automne of 1912. During this first Paris period, Nielsen attended meetings of the Section d’Or at the studio of Jacques Villon and, as a result, began to incorporate subtle, yet distinct, Cubist elements into his work.   With the outbreak of World War One, Nielsen returned to Copenhagen, taking with him both his increasing compositional sophistication and a thorough understanding of the principles of Modernism. During this period, ports, dance and circus life became subjects of interest and he painted many canvases in the style of Analytic Cubism, of which he became the earliest and, arguably, the finest Danish exponent. From 1915 onwards, Nielsen also created Cubist sculptures and, from 1922-28, was employed as a sculptor by the Royal Copenhagen porcelain factory. Here, he produced a series of ceramic sculptures on Biblical themes which included the Good Samaritan and several versions of Jacob Wrestling with the Angel...
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    1910s Post-Impressionist Still-life Paintings

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    Oil, Canvas

  • 'Still Life with Lemons and a Green Jug', California Post-Impressionist oil
    By Anthony McNaught
    Located in Santa Cruz, CA
    Initialed lower right, 'A.E.M.' for Anthony McNaught (American, born 1952); additionally signed verso, 'Anthony McNaught', titled 'Still Life with Green Jug', and dated 2019. This California Post-Impressionist artist studied at the Esalen Institute with Erin Gafill...
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    2010s Expressionist Interior Paintings

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    Canvas, Oil

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