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L Nicod
Le Bureau, Charming French Interior Scene, Oil On Wood panel.

1923

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  • Early 20thC Oil on Canvas Still Life, Autumn Harvest, Oranges, Hops and Flowers
    Located in Cotignac, FR
    Early 20th Century oil on canvas still life of oranges, hops and flowers signed E Pritchard and dated 1904 bottom left, presented in period gilt ...
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    Early 20th Century Romantic Still-life Paintings

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  • Large Early 20th Century Oil on Canvas of Tulips Displayed in a Confit Jar.
    Located in Cotignac, FR
    Large early 20th century French oil on canvas of tulips displayed in a confit jar. Signed Jean Julien to the bottom left and presented in a period frame. A rather charming and romantic impression of a tulip display. The colour palette is soft and gentle, light and airy and the artist has managed to impart to the whole painting a chalky texture which gives the impression of soft focus. The tulips are delicately painted but with great precision and attention to detail. The artist has thought carefully about both the scale and the shape of the image. The elongated rectangle is a perfect fit for the long ranging tulip stems. A thoroughly charming painting. Jean Pierre Louis Joseph Julien was a French painter born in Marseille on the 12th of May 1888. Julien was a member of the Salon des Artistes Français, friend of Marcel Pagnol, Fernandel, Raimu and Tino Rossi. Guy Dornand called him “the ambassador of Provence in Paris”. Between the wars, he stayed in Italy, travelled to North Africa and designed posters for tourism, murals and theatre sets, while remaining faithful to his hometown. He was a member of the 'Association des Marseillais de Paris.' along with his colleague Auguste Durand-Rosé. In 1933 Emmanuel Pontremoli, director of the École nationale supérieure des beaux-arts proposed a design project for a school in Rue Saint-Martin, Paris. Several artists were given the chance to compete for this opportunity. Jean Julien impressed and was given the task. Julien taught at the School of Fine Arts in Paris and was also a drawing teacher at the Polytechnic School. Jean Julien died in Sanary-sur-Mer on the 5th of September 1974.
    Category

    Early 20th Century Romantic Still-life Paintings

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  • The Sunflowers
    Located in Cotignac, FR
    French oil on panel still life of sunflowers in a typical provencal glazed vase by Deldos. The work is signed and dated bottom right and presented in a wood, plaster and gilt frame. ...
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    1950s Post-Impressionist Still-life Paintings

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    Oil, Wood Panel

  • 19th Century Overdoor Trumeau, Still Life Oil on Panel of a Cornucopia of Fruit.
    Located in Cotignac, FR
    A 19th century oil on wood panel overdoor still life of a tablescape with fruits, presented in a period gilt frame. A charming cornucopia from the belle époque period when artists w...
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    Late 19th Century Impressionist Still-life Paintings

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    Oil, Wood Panel

  • Post Impressionist Still Life in Green
    Located in Cotignac, FR
    Mid 20th Century oil on board Post-Impressionist still life by Polish painter P Mostowski, signed bottom right, presented in modern contemporary frame. ...
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    Mid-20th Century Post-Impressionist Still-life Paintings

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  • Chanterelles, La Récolte de l'Automne, Autumn Harvest
    Located in Cotignac, FR
    French mid century still life, oil on canvas, showing chanterelle mushrooms and the delights of an autumn harvest by Claude Le Baube. Signed to the fron...
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    Mid-20th Century Realist Still-life Paintings

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    Oil, Canvas

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    Born in Queens, NY to a family of artists, inventors and actors, Lizbeth Mitty grew up painting and writing. Her work has been exhibited in galleries and museums in both the United States and abroad and is held in public and private collections including the The Metropolitan Museum of Art, The New York State Museum, The Orlando Museum of Art, The Zimmerli Archive, The U.S. State Department, and Trierenberg Holding AG (Austria). My studio is located in Brooklyn, NY. Described by New York Times critic Ken Johnson as a combination of “painterly verve and hellish beauty” — Mitty's work has long been concerned with examining and amplifying the intrinsic abstract beauty of deteriorating or overlooked corners of urban architecture and interiors. In 2015, one object, the chandelier, rose up from detritus to dominate her body of work. Spectacular, illuminated and intricate, the chandelier is evocative of grandeur. In contrast, for much of Mitty's career, scrap yards and other sites of urban devastation, locations of organized chaos, formally beautiful, yet apocalyptic and terrifying. Similarly, the chandeliers speak of decadence, sadness, elegance, death and hope. By 2017, the chandeliers began to open and morph into architecture in the round. Gazebos and scrap dominate a verdant post-apocalyptic landscape...
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  • Harry Keay, Dorothea’s Bonnet, Oil Painting
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