W. Smithson Broadhead

The Story of Rembrandt

1928

Approximate Date: 1902 Medium: Charcoal, Watercolor and Oil on Illustration Board Signature: Signed Lower Right Sight Size 23.50" x 15.50", Framed 31.50" x 23.00" Bed-Time, published...

Medium: Mixed Media on Board Signature: Signed Lower Center "Dancing the minuet before a camera and the hundred people behind it isn't the same as just dancing because you like the ...

Approximate Date: 1958 Medium: Oil on Board Signature: Signed Lower Right Size: 25.00" x 22.00" The Progressive Farmer magazine cover, January 1958 Exhibited: Masters of the Golden Age: Harvey Dunn and His Students South Dakota Art Museum, Brookings, South Dakota May 5, 2015 - September 13, 2015 Norman Rockwell Museum...

Approximate Date: 1955 Medium: Oil on Board Signature: Signed Lower Left Size: 18.70" x 27.00" A Native American finding a Raggedy Ann doll on a...

Medium: Oil on Paperboard Signature: Signed and Inscribed, Signed Maxfield Parrish and inscribed A gift to his son / Maxfield Parrish Jr. / June 1939 on the reverse Sight Size 3.50" ...

Approximate Date: November 1902 Medium: Pencil on Paper Laid on Board Signature: Signed Lower Left Sight Size 19.125" x 14.75", Framed 27.00" x 22.75" The Century Magazine...

In "Tipping point", Pierre Morquin invites us on a journey into the world of abstract expressionism. The canvas is dominated by vivid colors and dynamic shapes that intersect and ove...

In Djinn guerrier, Pierre Morquin invites us on a journey into the beyond. The emotionally intense painting is an ode to the power and resilience of the human spirit. Vivid colors an...

Bratin Khan - Christ Charcoal & Pastel on Canvas, 30 x 24 inches, 2009 The anecdotes and narratives of Krishna's life are generally titled as Krishna Leela. He is a central character in the Mahabharata, the Bhagavata Purana and the Bhagavad Gita, and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: a god-child, a prankster, a model lover, a divine hero, and as the universal supreme being. His iconography reflects these legends, and shows him in different stages of his life, such as an infant eating butter, a young boy playing a flute, a young man with Radha or surrounded by women devotees, or a friendly charioteer giving counsel to Arjuna. He is sometimes accompanied by cows or a calf, which symbolise the divine herdsman Govinda. Alternatively, he is shown as a romantic and seductive man with the gopis (milkmaids), often making music or playing pranks. Style : Marked for the refined handling of line work and palette, his painterly compositions, reflect influences of folk art and Bengal School. The renderings are poetic and the narratives mythical, folklore-inspired or religious. His curvaceous and languid figures, often accompanied by a surrounding halo, are set amidst a natural habitat. The imagery features Buddha, Krishna, other legendry icons as well as pretty damsels and lotus flowers. Figures dominate the whole thinking process of his paintings with different subjects such as mermaids, musicians (Classical Musicians , Rajasthani Folk Singers and Baul Singers) and mythological figures appearing in his works. He was deeply influenced by the life Sri Aurobindo and thus enlightened beings. Such as Buddha, Jesus and Krishna are also a recurring theme in his Golden Man series. His focus on detail and remarkable skill over the line make his style unique. He uses a traditional method of tempera painting which goes back to the Indian miniature though the material he uses is totally contemporary. Knowledge of the wash technique further enables him to create a soft, twilight effect in his paintings. About the Artist and his work : Born : 1969, West Bengal. Education : 1993 Bachelor of Fine Arts (Painting), Visva Bharati University, Santiniketan. Selected Solo Exhibitions : 2000 - Classic Source, Mumbai. 1999 - Rightlines Art Gallery, Bangalore. 1993 - Grindlays Bank Gallery, Kolkata. Selected Group Exhibitions : 2007 - ‘A Brush with Durga’ ,Gallery Kolkata, Kolkata. 2002 - 'Gems of Bengal Art...

With "Djinn imprévisible", Pierre Morquin plunges us into a dreamlike, phantasmagorical universe. Bright colors and abstract shapes create an atmosphere...

This layered paper collage and drawing artwork titled "Mass Study III" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood panel. Usin...

In this abstract painting, Pierre Morquin explores the theme of the birth of a Djinn, a supernatural creature from Islamic tradition. Bright colors and ...