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Ky Anderson
Star School 6

2020

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  • Portland Old Port
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    Located in Kansas City, MO
    Artist : Kory Twaddle Title : Portland Old Port Materials : Oil and acrylic on canvas Date : 2004 Dimensions : 20 x 14 x 0.2 inches Kory Twaddle is a Kansas...
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    Early 2000s Abstract Geometric Mixed Media

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  • Nerve Center
    By Kory Twaddle
    Located in Kansas City, MO
    Artist : Kory Twaddle Title : Nerve Center Materials : Acrylic, gouache, postage stamps, and mixed media on paper Date : 2018 Dimensions : 24 x 36 x 0.3 inches Kory Twaddle is a Ka...
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    2010s Abstract Geometric Mixed Media

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    Acrylic, Tempera, Watercolor, Cardboard, Newsprint, Pencil, Color Pencil...

  • India Cell Mitosis Library
    By Kory Twaddle
    Located in Kansas City, MO
    Artist : Kory Twaddle Title : India Cell Mitosis Library Materials : Acrylic, bread ties, paper book shelf label, and mixed media on foam core Date : 2019 Dimensions : 38 x 24 x 3 i...
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    2010s Abstract Geometric Mixed Media

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  • Waltham Biogram
    By Kory Twaddle
    Located in Kansas City, MO
    Artist : Kory Twaddle Title : Waltham Biogram Materials : Oil, acrylic, resin, string, and mixed media on canvas Date : 2007 Dimensions : 54 x 56 x 0.3 inches Kory Twaddle is a Ka...
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    Early 2000s Abstract Geometric Mixed Media

    Materials

    Tempera, Watercolor, Cardboard, Newsprint, Pencil, Color Pencil, Graphit...

  • Home Decor Cell Mitosis Library
    By Kory Twaddle
    Located in Kansas City, MO
    Artist : Kory Twaddle Title : Home Decor Cell Mitosis Library Materials : Acrylic, postage stamps, bobby pins, bread ties, paper book shelf label, and mixe...
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    2010s Abstract Geometric Mixed Media

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    Paint, Paper, Conté, Charcoal, India Ink, Acrylic, Tempera, Watercolor, ...

  • Portland Apartment Organ Building
    By Kory Twaddle
    Located in Kansas City, MO
    Artist : Kory Twaddle Title : Portland Apartment Organ Building Materials : Pastel, charcoal, conté crayon, marker, graphite, and mixed media on paper diptych Date : 2006 Dimensions...
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    Early 2000s Abstract Geometric Mixed Media

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  • Nancy Baker, Pink Box, 2017, paper, acrylic paint, digital pigment print
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    In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
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  • Nancy Baker, Registration 1, 2017, paper, acrylic, digital pigment print
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    In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
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    In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
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  • Nancy Baker, Registrating Green, 2017, paper, acrylic, archival digital print
    By Nancy Baker
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    In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
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    By Nancy Baker
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    In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres. This collapsible, frantic universe parallels the global climate created by our current administration. Nancy Baker is compelled to put things together; underscoring the process of combining and interlocking forms in elegant configurations, she interweaves mathematical data in her constructions that speak to her need for stasis and a reliable reality. The recently new experience of living once again in an urban environment has made her sensitized to the dominating forces of infrastructure, and to those corresponding interstitial spaces that, arouse wonder and anxiety. The competition for space and sky has been instructive; her work reflects this struggle by recreating the battlefield in the studio, and attempting to tame it, and ultimately, to own it. For the exhibit, No Regrets, Baker seizes upon current political anxiety that informs her series of works which employ text from the US Constitution, in addition to mathematical constructs such as Pi, and the Golden Section...
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