Amedee Boucher

Large Mid 20th Century French Signed Post-Impressionist Oil - Busy City Street

'Sunbather' by Édouard Righetti (1924-2001) Signed lower front and back oil painting on canvas, beautifully painted with rick thick impasto oil and bold colors. very good conditio...

'Fisherman' by Édouard Righetti (1924-2001) Signed Lower Front oil/gouache painting on artist paper, beautifully painted very good condition Painting: 15.75 x 25 inches provenance...

Artist/ School: French School, mid 20th century, signed lower corner Title: Drying the Nets. Wonderfully thick textured oil painting and diverse palette range of color. Medium: o...

Artist/ School: French School, circa 1930's Title: The Chateau Gardens Medium: oil painting on board, unframed, board: 15 x 18 inches Provenance: private collection, France Con...

Artist/ School: Georges Rocher, signed and dated 1944 (signed to the left corner, dated to the right) Title: Provencal Landscape at Sunset Medium: oil painting on panel, unframed ...

Artist/ School: French School, mid 20th century, signed lower corner Title: Fishermen in Marseille Harbour, painted with wonderfully rich impasto oil creating a beautiful textured s...

David R. Buchanan 20th Century British. 'Men at Work' circa 1930's oil on canvas 45cmx60cm good quality gallery frame 61cmx76cm A dymanic scene of a gang of road workers laying mains...

Emile CHAUMONT (Perigueux 1877 - 1927) Summer landscape in Périgord Oil on panel H. 32 cm; L. 41 cm Signed lower left, dated 1912 Provenance: Private c...

A. J. Bennett (South African, fl. Early 20th century) Light and Shade • Oil on canvas artist board ca. 42.5 x 29.5 cm • Later frame ca. 53.5 x 41 cm Worldwide shipping is complime...

Signed with monogram lower left * The Robert Lehman Collection at the Metropolitan Museum of Art contains more paintings (nine) by Georges D’Espagnat than any other nineteenth- or ...

A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...

Scottish artist John Maclauchlan Milne, RSA, (1885-1957) is a contemporary of Scottish Colourists Peploe, Fergusson, Cadell and Hunter. Like the...