Anatoliy Lukash

Lush Garden Original Oil Painting by 20th Century Russian Landscape Artist

1999

French Landscape Impressionistic Riverscape Painting by Modern French Artist, Georges Charles Robin (1903-2003). View of the River Seine, France, during the snow melt. Oil on Canvas, Signed on the lower right (faintly). Presented in an authentic period frame with canvas slip. Art measures 29 x 23 inches Frame measures 36 x 30 inches (approx.) Born in Paris in 1903, Georges Charles Robin was a student of Paul Michel Dupuy...

Original painting of the beautiful medieval French village of Saint Cirq Lapopie, Midi-Pyrénées, France, by leading Contemporary British Artist, Angela...

Painting of Figures at a Parisian Market at Wintertime in the late 19th Century, by M Stanley. This is a signed original, oil on canvas, in good condition. P...

Ireland Lake Seascape Landscape with Boats & Figures by Contemporary Irish Artist, Frank Fitzsimons Art measures 36 x 16 inches Frame measure 41 x 21...

Ireland Lake Seascape Landscape with Boats & Figures by Contemporary Irish Artist, Frank Fitzsimons Art measures 20 x 16 inches Frame measure 27 x 2...

Expressive Abstract Landscape Painting of Ireland by Contemporary Irish Artist, Frank Fitzsimons Art measures 30 x 16 inches Frame measure 35 x 21 ...

Beach In Numana Suzanne Eisendieck was born at Holzraum Platz in Danzig (now Gdańsk in Poland) to German parents Karl Eisendick and Anna Eisendick. At the age of 12, Suzanne Eisendieck became one of the youngest pupils of the painter Fritz August Pfuhle. When she was 21, she went to study for three years at Berlin State Academy for Fine and Applied Arts, attending the class of Maximilian Klewer, and there took part in an exhibition with over 1400 objects displayed in a group collection. Only 9 were sold and 3 of these were her canvases. This successful show in Berlin enabled her later to travel to Paris where she took residence in a tiny attic of Latin Quarters near the Place St. Michel and started painting. It was a continuous financial struggle for Suzanne until one friend organized for Madame Zak to visit her small studio. She immediately purchased 6 of her paintings and put them in her gallery, Galerie Zak, at the Place Saint Germain des Près. There they were so much admired that she arranged for the first exhibition of Suzanne Eisendieck works. That was followed later by few others in the Leicester Galleries London. This was also the end of bitter hardship for young artist and the start of great success. Artistically her work was inspired by the French Impressionists and is in many private collections mostly in America. Majority of her drawings are rapid chalk or pen sketches...

Ernst Link (Swiss, ∗ 14th of October, 1874 in Windisch, † 29th of June, 1935 in Bern) Stöckli with Clothesline • Oil painting on canvas approx. 25.5 x 26.5 cm • Pine frame approx. 34.5 x 35.5 cm (obvious signs of age) • Signed lower right A most pleasant depiction of a typical ‘Stöckli’ in bright sunshine with the a few shirts on the washing line, somewhere in the Canton of Berne in Switzerland. Such small cottages would sit next to the large farmhouses and upon retirement the old couple would move into it, to make room for the next generation to take up residence in the main building and run the farm. The Painting is in pleasingly good and clean condition, with no damage or restoration Ernst Linck was an important representative of the "Berner Schule" (Bernese school) led by the famous Ferdinand Hodler, which also included Traugott Senn, Emil Cardinaux, Eduard Boss...

A. J. Bennett (South African, fl. Early 20th century) Light and Shade • Oil on canvas artist board ca. 42.5 x 29.5 cm • Later frame ca. 53.5 x 41 cm Worldwide shipping is complime...

Post-impressionist work by early 20th-century French painter Gaston Balande

Signed with monogram lower left * The Robert Lehman Collection at the Metropolitan Museum of Art contains more paintings (nine) by Georges D’Espagnat than any other nineteenth- or ...

A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...