Brian Sanders

The Silver Ghost

Metal plaque on lower center on wood frame with title and artist name. Additional labels / tags on verso. Commissioned by Exxon. Work window measures 21" x 26 3/8" in length. Frame m...

Date: 1959 Medium: Oil on Board Dimensions: 30.00" x 28.00" Signature: Signed Lower Left: John Clymer

Medium: Gouache on Board Signature: Signed Lower Left

Date: 1948 Medium: Gouache on Board Dimensions: 14.00" x 18.00"

Approximate Date: 1954 Medium: Gouache on Paperboard Signature: Signed Lower Left Size: 26 1/8 x 20 in. Saturday Evening Post, October 9, 1954, cover illustration. Exhibited: Norman Rockwell Museum...

Date: 1918 Medium: Grisaille Gouache on Illustration Board Dimensions: 15.75" x 22.38" Signature: Signed Lower Right

Ferdinand Sommer (German, * 28.5.1822 Coburg, † 26.7.1901 Luzern) Romantic view of the wild Lauterbachbrunnental with the Schmadribachfall and the Jungfrau Mountain and three circli...

Dmitry Alexandrovich Kustanovich (Belarusian, 29.3.1970) Lively Urbane Landscape on a rainy day in Minsk , Belarus • Oils on canvas, mounted on to fiberboard, ca. 27 x 35 cm • Fram...

A. J. Bennett (South African, fl. Early 20th century) Light and Shade • Oil on canvas artist board ca. 42.5 x 29.5 cm • Later frame ca. 53.5 x 41 cm Worldwide shipping is complime...

This attractive portrait features the five-masted schooner ELINOR H. at full sail in an active sea. The ship has crisp lines and a sharp sense of detail, likely because it was painte...

Thomas Birch is considered one of the earliest American Marine painters of importance both in his own time and historically, forming the foundation of what would become a great American Maritime movement in the successive years of the 19th century. Born in England, Birch started as a landscape painter but after the War of 1812 he turned to marine subjects, taking inspiration from the best of both English and Dutch maritime traditions but refining these techniques into a very recognizable style all his own. The work featured here is a classic of Birch's later period, when he focused specifically on maritime subjects, mainly the busy waterways of Philadelphia Harbor. Here we see one of those scenes- a series of ships plying their trade, all framed by the city as it sits across the Delaware River, with the tall, white spire of what is either Independence Hall or Christ Church to the left of the main vessel. The details of the city are particularly good in this painting, with the wharf building to the left and the long line of buildings all along the shore. The American Merchant Bark at the center of this painting is rendered in excellent detail, from her house flag and pennant, to her rigging and sails, and down to her deck filled with the activity of crewmembers readying the ship to head out, her gilt billet...

An artist who knew the vessels he painted firsthand, Baltimore artist Otto Muhlenfeld has captured the Great Lakes Steam Tug CALUMET in a colorful, working profile. Her American Ensi...