Charles Henry Miller

Charles Henry Miller Hudson River School landscape of Queens, NY

c. 1900

Charles Henry Miller (American, 1842-1922) Untitled (New York Landscape), c. 1900 Oil on canvas laid on foam 6 1/8 x 10 5/8 in. Signed lower left: C.H.M. Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier. After the 1874 death of his father, Jacob Miller, who was a wealthy architect and builder, Miller received a large inheritance that allowed him to paint as an independent artist for the remainder of his long life. He worked seriously and exhibited regularly, including at international exhibitions. The majority of his oil paintings depict Long Island subjects, especially those in and around Queens Village. Fed up with the development of the eastern part of Queens (present-day Nassau County), he began to spend part of his summers in East Marion, Long Island, c. 1910. Here he spent his time sketching and painting the surrounding areas. In 1885 he published The Philosophy of Art in America, using the pseudonym Carl De Muldor (he was descended from the De Muldor family). His work was recognized: in 1873, he was elected an associate of the National Academy of Design and an academician in 1875. He served as president of the New York Art Club in 1879 and of the American Committee at the Munich International Exposition in 1883. Legacy and honors • In 1910 Miller founded the Queens Borough Allied Arts & Crafts Society. • A New York City public school, Queens P.S. 33, was once named for him. • 1878, gold medal awarded by the Massachusetts Charitable Association • 1885, gold medal at the World's Exposition in New Orleans. Following is a list, which includes many of his known exhibitions: • National Academy of Design, New York, NY, 1860-61, 1865-67, 1870-1921 • Brooklyn Art Association, Brooklyn, NY, 1872-84, 1891-92 • Artist's Fund Society, New York, NY, 1874 (exhibition & sale), 1886 (exhibition & sale) • Century Association, New York, NY, (1874-1917) • Philadelphia Centennial Exhibition, Philadelphia, PA, 1876 (prize) • Society of American Artists, New York, NY, (1878-1882) • Massachusetts Charitable Mechanic Association, Boston, MA, 1878 (prize) • Paris International Exposition, Paris, France, 1878, 1889 • American Water Color Society Exhibition, New York, NY, 1879 • Pennsylvania Academy of Fine Arts, Philadelphia , PA, 1879-99 • Boston Art Club, Boston, MA, 1880-1907 (prize) • Union League Club, New York, NY, 1880 • Lotos Club, New York, NY, 1880, 1896, 1899-1900, 1906 • Salons of Paris, Paris, France, 1882 • International Exhibition, Munich, Germany, 1883 (president & exhibitor) • New Orleans Exposition, New Orleans, LA, 1885 (prize) • Art Institute of Chicago, Chicago, IL, 1888-89, 1891, 1894-98, 1904 • Fifth Avenue Art Gallery, New York, NY, 1889 (exhibition & sale) • World's Columbian Exposition, Chicago, IL, 1892 • Frederick A. Chapman Gallery, New York, NY, 1898 (solo) • Miller Studio...

Max Millman (American, ?-1998) Along Route 201, 1976 Oil on canvas 20 x 24 in. Framed: 27 3/4 x 32 x 2 in. Signed lower left: Miller Titled, dated verso: Along Route 201 [Possibly 20...

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The Harbor at Camden, Maine (c.1907) Oil on canvas 24" x 27" 32 ½" x 35 ½" x 3 ½" framed Signed "Irvine" lower right. Provenance: Private collection, Beverly Hills California until 1944 Private collection, Glendale, California 1944-1987 By descent About this artist: American Impressionist painter Wilson Henry Irvine was born just outside of Byron, Illinois in 1869. Though raised in the Midwest, Irvine was captivated by the scenic coast and landscape of New England and spent most of his adult life there. Painting in the American Barbizon tradition, modeled after the nineteenth century French Barbizon School, Irvine sketched and painted directly from nature preferring to work en plein air. His impressionistic style and choice of subjects are often compared to painters of the American Barbizon School, particularly Irvine’s contemporary, Childe Hassam. Irvine stands out from other American Impressionists of his time, for his willingness to push the traditional techniques of impressionism with his aquaprints and prismatic paintings of the late 1920s. Shortly after graduating from Rockford’s Central High School, Irvine moved from the suburbs to Chicago in order to attend business school. He worked at the Chicago Portrait Company starting in 1893, and began evening classes at The Art Institute of Chicago two years later. Irvine continued taking courses at the Art Institute for eight years. His classes included life drawing and illustration with a heavy focus on human anatomy. In 1895, Irvine founded the Palette and Chisel Club of Chicago with his classmates, and served as both treasurer and president. It was with this group that he began exploring landscape painting, and soon he began showing his landscapes at group shows at The Art Institute of Chicago. Initially Irvine’s work is reminiscent of early impressionism, with the artist’s use of lively, visible brush strokes and his emphasis on the contrasts of color and texture to create a sense of depth in his paintings. Though he spent a brief amount of time sketching in Brown County with Indiana based “Hoosier” school...

One of Johann Berthelsen's iconic nocturne views of New York City across the Hudson River. Bridge Nocturne (c.1945) Oil on canvas, 22" x 28" 29 ½" x 36" x 2" framed Signed "Johann ...

I Came to Where the Lone Pilgrim Lay by Michael Ome Untiedt Oil on Canvas, 36" x 48", 43" x 55" (framed), hanging hardware included. From the artist: "In Memory of Tom Horn: This is another of my feeble attempts to break down, to rage against the tyranny of time. I have fought this battle for a half century, yet my limbs grow slower, my hair more moon-bleached. I ponder as I apply brush strokes to the canvas, what thoughts pass through the viewer of this work a hundred years hence, two hundred years later? Will they know what I carry in my heart today? Am I on a great mandala of life, and will I return one day to this same experience, or am I adrift on a great "river" flowing endlessly through the Cosmos, heeding shoal water and seeking shoreline that is forever changing? A dear friend passed this week from the plague scourging our fair land. When and where will I hear his sweet self deprecating laughter again?" Born and raised in rural southeastern Colorado, Michael Ome Untiedt maintains a studio in Denver. Traveling extensively, he is known as a painter of the world who sees with a westerner’s eye. Through the color, brush strokes, and symbolic subject matter of his paintings, he attempts to examine the human predicament and its connections to the landscape and history of the American West. He is driven to portray twenty-first-century psychology on a nineteenth-century saddle! Untiedt has participated in numerous shows including the Western Masters Art Show and Sale, Settler’s West Miniatures Show and Art of the American West...

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