Debbie Baxter

Morning Bluebells. Contemporary Landscape Painting

2019

Welsh mountain landscape Oil and acrylic on board. Designed to be hung as is. The edging can be painted a different colour if required

Winter landscape in typical Therese James style. The snow has settled And all is white A moon is peeping It will soon be night The snowman watches The world pass by Soon he ...

Puncheston Common 2017 Mixed media on box canvas 914 x 609 mm Y Comins, Cas-Mael. Lowland heath studded with farmsteads and scrub in Pembrokeshire, Wales U.K..

From the "Living The Dream" Series comes Therese James' lovely painting of this most iconic of lighthouses. Standing on the easternmost point of Long Island it's New York States fir...

From the "Living The Dream" Series comes Therese James' lovely painting of this most iconic of lighthouses. Standing on the easternmost point of Long Island it's New York States fir...

The Church of the Holy Cross (Eglwys y Grog) at Mwnt on the Welsh coast near Cardigan. Mixed media on board

Acrylic on wooden panel

Acrylic & oil on wooden panel

Looking toward Downtown Los Angeles Skyline

Kentaro Hiramatsu, Hope House (2005), Acrylic on wood panel, 18" x 33.5"

This contemporary landscape painting by Carol Young is made with acrylic paint on board. A warm creme-colored structure with a blue roof sits on muted green grass next to a lush gree...

Born and raised in Houston, KRISTIN MOORE began attending art classes at the Glassell School at a young age. She moved to Austin in 2009 to obtain her BA in Art from St. Edward’s University. Soon after graduating, Moore moved to Los Angeles to pursue her MFA at Otis College of Art + Design. Moore’s first solo exhibition, Rear Window, was unveiled during the culmination of her participation in the MFA program in 2016. Upon moving back to Texas, Moore continued to explore contemporary landscapes through painting. The juxtaposed architecture of LA, the smoggy atmosphere, and unique characteristics of the city became source material for her work. Upon moving back to Texas in 2016, Moore viewed Austin through the same lens; the architecture is quickly changing, a new atmosphere is emerging, and the skyline is directly reflecting those elements. Oscillating between these two bustling cities of Austin & LA, lies the open space and peaceful landscape of Marfa. Texas. Often a favorite pit stop during the long road trips back and forth from Texas to California, Marfa holds space as a source of continued inspiration for Moore. Her Texas roots and California influence have culminated into her current body of work. Often inspired by Ed Ruscha’s work Every Building on the Sunset Strip and A Few Palm Trees, Moore sources the images that influence her paintings from her many car rides, walks, and hikes up to overlooks. A homage to Hollywood, Moore also finds visual influence for her work in the world of film; particularly from visionaries such as Stanley Kubrick, Ridley Scott, and Alfred Hitchcock. Her work has been featured in group exhibitions such as Turbulent Landscapes at Modified Arts in Phoenix, AZ, Excavations; Shindig at Mantle Art...