Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Edmund John Niemann
Distant Landscape

More From This SellerView All
  • Flower Market, La Madeleine, Paris
    By Antoine Blanchard
    Located in Sheffield, MA
    Antoine Blanchard French, 1910-1988 Flower Market, La Madeleine, Paris Oil on canvas 13 by 18 in. W/frame 19 by 24 in. Signed lower right Provenance: Catalda Fine Arts, Inc., New York Private Collection, New York Trinity House Paintings, London Private Collcetion, New York Alexander Avenard Collection Le Trianon...
    Category

    Mid-20th Century Post-Impressionist Landscape Paintings

    Materials

    Oil

  • Mother & Child in a Landscape, framed in an important Carrig Rohane frame
    By André Gisson
    Located in Sheffield, MA
    Andre Gisson American, 1921-2003 Mother & Child in a Landscape Oil on canvas 24 by 36 in. W/frame 32 by 44 in. Signed lower left Framed in an important Carrig Rohane frame...
    Category

    1960s Post-Impressionist Landscape Paintings

    Materials

    Oil

  • Moonlight Over the Promenade
    Located in Sheffield, MA
    Wilhelm von Gegerfelt Swedish, 1844-1920 Moonlight Over the Promenade Oil on canvas 27 by 45 in. W/frame 39 by 57 in. Signed lower right Wilh...
    Category

    Early 1900s Post-Impressionist Landscape Paintings

    Materials

    Oil

  • At The Seaside
    By Gaston Sebire
    Located in Sheffield, MA
    Gaston Sebire French, 1920-2002 At The Seaside Oil on canvas 25 by 31 in. W/frame 33 ½ by 39 ½ in. Signed lower right Gaston Sebire (1920 – 2002) Gaston Sebire, was one of Europe’s leading landscapists, was born in the village of Saint-Samson in Normandy in 1920. A self taught artist, he began to paint seriously at the age of eighteen. For eight years he worked as a postal clerk in the Rouen, sorting letters at night in order to support his career as a painter. In 1952 Gaston Sebire had his first exhibition at the Galerie Gosselin in Paris. The following years he enjoyed the double triumph of winning both the coveted Prix de la Critique and the Prix Casa Velasquez. The Latter award made it possible for him to spend a year and a half in Spain. Of this formative period he said, “They were my first, wonderful years without worry. For fifteen years I had never known what the next day would bring.” The year 1957 marked another important stage in his career. His painting “La Dinde” won the Greenshields Prize in a field of 136 competitors, making it possible for him to paint for another two years without the worry of finances. Winning the awards naturally drew public attention to the artist from Normandy, and his works were presented in highly successful one-man shows in Paris. Sebire was a Norman, a man strongly attached to the soil, and after his exhibitions in Paris, he returned to Rouen to his large house overlooking the town and once again plunged into painting the countryside. Gaston Sebire was a strongly built man with square hands and a rather heavy walk. He had immense vitality, and used that to his advantage.  As he said of himself, “When the snow falls, I can’t stay indoors. I set out with my paint box. I paint outdoors from nine in the morning until five at night. If it were only a question of money, one could just as well paint in one’s own room.” But Sebire went into the countryside, or into the village, and sets up his easel. When there is a café into which people are going; there is a fence, a telegraph pole, a few buildings in the background. The scene takes on life, vivid life, with a sense of some event about to take place in the scene. Like many artists, and like a typical Norman, Sebire was silent and solitary by nature, with a personality as strong and frank as his paintings. A painting, he says, “must have an element of mystery, show an effort to look beyond the aura surface of things.” Sebire’s early paintings were somber with much use of black and white tones. In 1970 he turned to colour. The subtle light of the Normandy skies; the shifting light and color along the seacoast; the magnificent blues of the Rouen pottery...
    Category

    1960s Post-Impressionist Landscape Paintings

    Materials

    Oil

  • A Day at the Beach
    Located in Sheffield, MA
    Leonce De Joncieres French, 1871-1947 A Day at the Beach Oil on canvas Signed and dated 'L. de Joncieres/ 1903' (lower right) 46 1/2 by 65¼ in. W/f...
    Category

    Early 1900s Impressionist Landscape Paintings

    Materials

    Oil

  • Montmartre -La Place Dutertre, Paris 1952
    By Jean Salabet
    Located in Sheffield, MA
    Jean Salabet French, 20th Century Montmartre Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes. His work is comparable to those of Jules Herve, An...
    Category

    1950s Post-Impressionist Landscape Paintings

    Materials

    Oil

You May Also Like
  • The Young Shepherdess
    By Charles Amable Lenoir
    Located in New York, NY
    The Young Shepherdess by Charles Amable Lenoir (1860-1926) Oil on canvas 48 x 32 inches unframed (121.92 x 81.28 cm.) 58 ½ x 42 ¾ inches framed (148.59 x 10...
    Category

    Late 19th Century Academic Portrait Paintings

    Materials

    Oil

  • The Crossing
    By Charles Théodore Frère
    Located in New York, NY
    The Crossing, 1855, by Theodore Frere (1814-1888) Oil on wood panel 9 x 14 inches unframed (22.86 x 35.56 cm) 17 ¾ x 22 ½ inches framed (45.085 x 57.15 cm...
    Category

    19th Century Academic Landscape Paintings

    Materials

    Oil

  • The toy seller
    By Federico del Campo
    Located in Roma, RM
    Federico Del Campo (Lima 1837 - Venice 1923), The Toy Seller (1877) Oil painting on panel 22 x 37 cm signed Campo on the left, on the back is an old label from Williams and sons ga...
    Category

    1870s Academic Landscape Paintings

    Materials

    Board, Oil

  • On the shores of a lake in the Austrian Alps
    Located in PARIS, FR
    Josef THOMA (Vienna, 1828 - Vienna, 1899) On the shores of a lake in the Austrian Alps Oil on canvas Signed and dated lower right 53 x 80 cm 1877 Josef ...
    Category

    Late 19th Century Academic Landscape Paintings

    Materials

    Oil

  • View of Capri, Italy
    Located in PARIS, FR
    August Wilhelm LEU (Munster, 1819 – Seelisberg, 1897) View of Capri Oil on canvas Signed and dated lower right 49 x 70 cm 1882 Born March 24, 1819 in Munster, Germany, Auguste Leu...
    Category

    Late 19th Century Academic Landscape Paintings

    Materials

    Oil

  • Le pont de Saint Gérmain de Couilly (sur le Grand Morin)
    Located in Washington, DC
    Exhibited: Salon, Société des Artistes Français, Paris, 1879 (no. 647)
    Category

    1870s Academic Figurative Paintings

    Materials

    Oil, Wood Panel

Recently Viewed

View All