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  • Design Credit: Kacy Ellis, Photo Credit: Wynn Myers. Dimensions: H 13 in. x W 18 in.
  • Design Credit: Jeremiah Brent Design, Photo Credit: Nicole Franzen. Dimensions: H 13 in. x W 18 in.
  • Design Credit: Sarah Shetter, Photo Credit: Boris Breuer. Dimensions: H 13 in. x W 18 in.
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Édouard Cortès
"Le Pantheon - Paris, 1905", Edouard Cortes, 13x18, Oil on Canvas, Impressionism

1955-60

About the Item

Vaudeville Theatre by Edouard Cortes was painted circa 1955-60 and signed lower left. It is oil on canvas measuring 13x18 in original unlined condition. The piece is included in the Catalogue Raisonne - The complete works of Cortes and includes the certificate of authenticity to prove it. This Panthéon, building in Paris was begun about 1757 by the architect Jacques-Germain Soufflot as the Church of Sainte-Geneviève to replace a much older church of that name on the same site. It was secularized during the French Revolution and dedicated to the memory of great Frenchmen, receiving the name Panthéon. Its design exemplified the Neoclassical return to a strictly logical use of classical architectural elements. The Panthéon is a cruciform building with a high dome over the crossing and lower saucer-shaped domes (covered by a sloping roof ) over the four arms. The facade, like that of the Roman Pantheon, is formed by a porch of Corinthian columns and triangular pediment attached to the ends of the eastern arm. Edouard Cortes was born in Lagny, France on April 26, 1882, a time when Paris was considered the center of the art world. Artist from across the globe traveled there to study with the 'masters' and paint France's beautiful countryside and cities and views of Paris, or as it became known ‘the City of Lights’, were in great demand by both collectors and tourists. Edouard Cortès, along with other artists like: Eugene Galien-Laloue (1854-1941), Luigi Loir (1845-1916) and Jean Beraud (1849-1936) answered their call. Specializing in Paris street scenes, each of these artists captured the city during its heyday and continued with these scenes well into the 20th century. In 1899, at the age of 16, he exhibited his first work at the Société des Artistes Français entitled La Labour. The work was well received by the critics and the public - helping establish Édouard’s favorable reputation in Paris. It was at the turn of the century, c.1900, that he began to paint the scenes that he would become most famous for – Paris’ streets and monuments. One of the more prolific artists of his time, Cortès found his niche and stayed with it. His views of Paris are among the most telling and beautiful images of this genre; capturing the city during all its seasons for more than 60 years. Edouard married Fernande Joyeuse in 1914 and had a child – Jacqueline Simone in 1916. Fernande died in 1918 and shortly after that Edouard decided to marry his sister-in-law Lucienne Joyeuse. They settled in Paris and Edouard continued to paint views of Paris. By the mid 1920’s, Edouard and his family moved back to Lagny (in Normandy) and he began painting scenes of country life - including landscapes, interior scenes and still lives. He was an active member of the Union des Beaux-Arts de Lagny and was the Unions first president. Their inaugural exhibition was held in 1927 and Cortès continued to exhibit there until the late 1930’s. During this period he received many awards, gained great notoriety and was a frequent exhibitor at the exhibition halls in Paris, including the Salon d’Automne, Salon d’Hiver, Salon de la Société Nationale de l’Horticulture and Salon des Indépendants. His qualities as a painter, in addition to his sensitivity, allowed him to paint the street scenes of that time under their most charming, attractive and real light. Transposed by his brushes, each spot of Paris becomes a veritable sparkling jewel. The most ordinary scene, through a sensitive, generous and elaborate palette, irresistibly fascinates and moves us. Only through a detailed study of his canvases can we understand how this artist, with apparently simple means, could obtain such gripping effects. His bold touch never lingers over a superfluous detail. What best proves his talent is the accuracy of his drawing and the naturalness of the scene he paints, his extraordinary use of sun or rain, with reflections in the puddles in the streets. It was therefore natural for such a talent to be recognized in France and throughout the world as that of a first class artist with great sensitivity and high artistic qualities. It is not surprising that his works, more valuable each day, were appreciated by many collectors. Cortès’ beautiful depictions of Paris were always in demand and he continued to paint them until his death in 1969.
  • Creator:
    Édouard Cortès (1882 - 1969)
  • Creation Year:
    1955-60
  • Dimensions:
    Height: 13 in (33.02 cm)Width: 18 in (45.72 cm)Depth: 3 in (7.62 cm)
  • More Editions & Sizes:
    20x25 in. framedPrice: $39,500
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Dallas, TX
  • Reference Number:
    1stDibs: LU1301210870342

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