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Elaine KazimierczukLong Meadow, Original painting, Landscape, Floral Art, Impressionist 2024
2024
About the Item
This work comprises a pair of paintings of a meadow called Long Mead, which create a diptych. Although the paintings could be available separately, they compliment one another when hung side by side, on opposite walls or within the same interior. The subject of the diptych is a floodplain meadow which, as the name suggests, lies adjacent to a river and receives the overflow of water in the winter months. Vegetation that is found in these habitats is adapted to the annual inundation. If the ground is undisturbed, many species will establish on an ancient meadow, especially great burnet – with its nobbly purple flowers and seed heads, which needs many years without disturbance to create a deep root system. There is also the frothy cream astilbe and the purple common vetch. The result is a delightful brown, purple, mauve, turquoise and pink colour palette. When it comes to colour, nature knows best.
ADDITIONAL INFORMATION:
Oil Paint on Canvas
Sold framed
Image size:
Height: 60cm
Width: 60cm
Complete size of unframed painting
Height: 60cm
Width: 60cm
Depth: 2.5cm
Framed Size:
Height: 63cm
Width: 63cm
Depth: 3.5cm
ARTIST BIOGRAPHY:
Elaine Kazimierczuk studied chemistry at university and taught for many years before becoming a professional artist. She has written and illustrated a series of books on local history besides a monograph on the religious works of the prominent sculptor Peter Eugene Ball, with whom she collaborated on many major commissions. She is a trustee of Midlands-based Ice-age Archaeological Insights and produces visual interpretations of prehistoric people and their environment. In addition to the demand for her landscapes, there is a growing clientele for her portraiture. She has been shortlisted for the 2016 BP National Portrait Award.
Many of Elaine Kazimierczuk’s works are based on interpretations of intimately-known localities, frequently, but not exclusively, in her native Nottinghamshire. In her semi-abstract studies of meadows, trees and hedgerows, she achieves a tension between looseness and control, which enables her to convey that intricate assembly of wild beauty. Frequently working on a red ground, which resonates with the vibrant overpainting, she adopts a bold approach, so that there is an evident freedom, just short of capriciousness, either of hand or eye, in the brushwork. Her works represent the ordered chaos of the natural world with energy and vitality. Elaine Kazimierczuk has recently been awarded the Mary Moser Prize for 2018. This is an Oxfordshire Art Weeks prize awarded to a person who has changed career and taken up art professionally later in life.
- Creator:Elaine Kazimierczuk (Polish)
- Creation Year:2024
- Dimensions:Height: 24.81 in (63 cm)Width: 24.81 in (63 cm)Depth: 1.38 in (3.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:Seller: WYCHWOOD ART GALLERY 1stDibs: LU632314979632
Elaine Kazimierczuk
Elaine Kazimierczuk artist paints original art and is available to buy online and in our art gallery. Elaine Kazimierczuk studied chemistry at university and taught for many years before becoming a professional artist. She has written and illustrated a series of books on local history besides a monograph on the religious works of the prominent sculptor Peter Eugene Ball, with whom she collaborated on many major commissions. She is a trustee of Midlands-based Ice-age Archaeological Insights and produces visual interpretations of prehistoric people and their environment. In addition to the demand for her landscapes, there is a growing clientele for her portraiture. She has been shortlisted for the 2016 BP National Portrait Award. Many of Elaine Kazimierczuk’s works are based on interpretations of intimately-known localities, frequently, but not exclusively, in her native Nottinghamshire. In her semi-abstract studies of meadows, trees and hedgerows, she achieves a tension between looseness and control, which enables her to convey that intricate assembly of wild beauty. Frequently working on a red ground, which resonates with the vibrant overpainting, she adopts a bold approach, so that there is an evident freedom, just short of capriciousness, either of hand or eye, in the brushwork. Her works represent the ordered chaos of the natural world with energy and vitality. Elaine Kazimierczuk has recently been awarded the Mary Moser Prize for 2018. This is an Oxfordshire Art Weeks prize awarded to a person who has changed career and taken up art professionally later in life.
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